First great news about Chameleons is they have a new album: Arctic Moon, the follow-up to 2001’s Why Call It Anything just saw the light of day this year. That’s some of the best news of 2025, and it already has 4.5 stars on Amazon, so get your grubby little hands on it. In September, the beloved English band appeared at Seattle’s Crocodile, a stop in their Arctic Moon Tour. As there’s no other band like them, it’s always cool to see photos of the group performing live. Such moody lighting that goes so well with their music. It’s really impossible to state the significance of Chameleons, who influenced many bands and yet their sound stands alone with its monumental and strong tones. Along with lyrics, it really gets the human experience. The Veldt opened, who describe their music as “Nina Simone with distortion, Feedback Reverb.” Intriguing.
Cool Cover:CORRO‘s “Shinagami” Details: Swedish artist CORRO released the single “Shinagami” earlier this year, with an awesome black and red art work of . . . well, a devil girl with horns? Whatever she is exactly, I love her. She’s got an apple and beautiful nails and she’s ready for Halloween. She could be an actual shinagami, who, in Japanese folklore, guides people to the next world. ~Dagmar
The Beaches proved once again why they’re one of Canada’s most exciting rock exports during their recent performance at the Showbox SoDo, delivering a show that was equal parts swagger, sincerity, and sheer fun. The all-female quartet—Jordan Miller (lead vocals, bass), Kylie Miller (guitar), Eliza Enman-McDaniel (drums), and Leandra Earl (guitar/keys)—commanded the stage from beginning to end. The sold-out show was the last stop on the US leg of their worldwide No Hard Feelings Tour, in support of their third studio album. Indie-rock artist Annie DiRusso opened.
Tim Booth of the band James thrills a captivated audience at The Showbox in Seattle, Washington.
Manchester veterans James delivered a stunning, two-set performance at the Showbox, defined by a career-spanning setlist and the intensely charismatic presence of frontman Tim Booth. Booth’s voice was in fantastic form, lending power to the band’s dynamic sound and blending beautifully with the backing harmonies of Chloe Alpe and the signature trumpet work of Andy Diagram.
The genius of James’ current touring structure lies in their dual-set approach, which allowed the Seattle audience a full immersion into their rich sonic universe. The first half was a punchier, driving affair, leaning into classics like “Say Something” while introducing the powerful resonance of newer material like “Zero” and “Way Over Your Head.” In contrast, Set 2 ventured into moodier, more atmospheric territories with tracks like “Skindiving” and “Sound,” showcasing the band’s willingness to challenge and reward long-time fans with deeper cuts and extended, mesmerizing jams. This careful curation demonstrated their evolution while honoring their history.
The evening was less a concert and more a communal event, driven by Booth’s commitment to the audience. He frequently dissolved the stage barrier, climbing onto a riser to grab hands and hug fans. The physical climax arrived during Set 1’s “Born of Frustration,” when Booth launched into an extended, exhilarating crowd surf, traversing the venue, climbing atop a wall, and walking across it. This spontaneous energy turned the Showbox into an unpredictable, communal space.
Beyond the spectacle of the crowd surf, the Showbox performance was a powerful reminder of James’s enduring emotional connection with their fans. The communal nature of the night wasn’t just about watching a band; it was about participating in a shared history. Even during lesser-known deep cuts, the atmosphere was one of palpable engagement, proving that for this audience, every note carries the weight of memory. This rapport is what fuels Booth’s famed showmanship—he’s not just performing for the crowd, he’s moving and breathing with them.
The set culminated with their biggest hit, “Laid.” The crowd’s response was overwhelming, practically shouting every word in what was easily the loudest singalong of the evening. The soulful encore of “Out to Get You” provided a satisfying close to a masterclass in dynamic, interactive live performance. James proved that the connection between the band and their Seattle following is as powerful as ever.
STAYC Shines Bright in Seattle With an Unforgettable Night of K-Pop Energy
SEATTLE (October 2, 2025) — South Korean group STAYC brought their radiant energy and irresistible charm to the Paramount Theater, transforming the venue into a glowing sea of color, sound and pure joy.
From the moment the lights dimmed and the opening visuals flashed across the LED backdrop, the anticipation from the crowd of devoted SWITHs filled the air. Fans of all ages; from young teens to elders waving light sticks alongside along side one another, were ready for a night that proved why STAYC’s rise in K-pop has been so swift and well deserved.
The six-member group comprised of Sumin, Sieun, Isa, Seeun, Yoon and J, opened the show dressed in coordinated white outfits accented with glittering details that caught the light with every dance move. Behind them, the LED screens alternated between high-definition clips of the members and vibrant graphics that matched each song’s rhythm and tone.
The concert pulsed with energy from the start. Fun, synchronized choreography and precise vocals defined much of the set as STAYC moved effortlessly through their opening songs. After the fifth number, the group returned in a softer palette of pastel outfits, each member showcasing her own color, symbolizing individuality within their unity. The change in look added a refreshing visual shift that carried into the following portion of the show, where members took turns commanding the spotlight in solos and smaller group performances that highlighted their distinct styles and strengths.
Between songs, the members took time to speak directly to the audience; thanking Seattle fans for their enthusiasm and sharing stories behind some of their favorite tracks. These candid, heartfelt moments offered a glimpse into the group’s bond with their fans and the gratitude that fuels their performances.
The lighting throughout the night was bright and dynamic, casting waves of pink, blue and gold that reflected off hundreds of light sticks swaying in perfect rhythm. When STAYC launched into fan favorites like “BEBE,” “ASAP” and “Bubble,” the theater came alive with collective cheers and the kind of energy that only happens when artist and audience move together as one.
What stood out most was how comfortable STAYC seemed on stage. In casual conversations with fans who had seen the group before, many noted how much the members have grown; their confidence, presence and connection with each other all shining through. It felt like the group had truly arrived, no longer the promising rookies of a few years ago, but fully realized performers commanding the stage with ease.
The concert wasn’t just a display of technical perfection; it was a celebration. Every note, every dance step and every smile radiated warmth and sincerity. The balance between high-energy choreography and intimate fan engagement showed that STAYC understands what makes a concert memorable: it’s not just the music, but the shared experience.
As the final song ended and the members waved goodbye, fans’ voices echoed through the Paramount, calling out for one more song. STAYC left the stage with the same brightness they entered with, confident, joyful and leaving everyone wanting more.
For SWITHs in Seattle, this night was more than just a concert. It was a reminder of how music bridges generations and languages, and how STAYC’s message of self-love and positivity resonates far beyond borders.
If this performance is any indication of where the group is headed, STAYC’s star is only going to shine brighter from here, and Seattle will be waiting for their return.
