See Concerts, Save Animals: The Mountain Goats take over Seattle’s Woodland Park Zoo

John Darnielle, lead signer of The Mountain Goats

The Mountain Goats Bring Wild Catharsis

The atmosphere at the Woodland Park Zoo lawn shifted from a sun-drenched picnic to a communal revival the moment the PA system blared Queensrÿche’s heavy metal overture “Anarchy-X”, a brilliant nod to Seattle’s local music roots before The Mountain Goats stepped into the spotlight. John Darnielle immediately launched into “Song for Layne Staley,” grounding the headlining set in local reverence and literary depth.

The open-air lawn felt both intimate and expansive as fan favorites like “Cadaver Sniffing Dog” and “Andrew Eldritch Is Moving Back to Leeds” echoed across the zoo grounds. Darnielle was in prime storytelling form, pacing the stage and diving into long, animated origin stories between tracks. He gave the audience vivid glimpses into the hyper-specific human tragedies and historical rabbit holes behind songs like “Crying on Eddie Nash’s Grave” and “Charlie Sheen Reaches Out to the Feds.”

As dusk settled over the canopy, the set transitioned from quirky character studies to raw emotional powerhouses. “Cry for Judas” and “Against Pollution” generated massive singalongs, but nothing matched the explosive final stretch. When the band broke into “This Year” followed by “No Children,” thousands of fans roared every word in unison under the trees. It was a triumphant performance that proved Darnielle’s songwriting can turn an outdoor zoo lawn into a sacred cathedral for indie rock’s beautiful misfits.

Pure catharsis on the zoo lawn as the crowd sings along to every tune.

The Hold Steady Sets the Night in Motion

Earlier in the evening, The Hold Steady kicked off the sold-out show with pure, unfiltered bar-band energy. Frontman Craig Finn was in peak form, pacing the stage with his iconic manic hand gestures and spoken-sung delivery. He treated the crowd like old friends, spinning vivid, character-driven yarns about late-night misadventures, small-town dreamers, and quiet victories. Driving guitar riffs and big piano hooks punched right through the open air, getting early arrivers up off their picnic blankets and onto their feet. It was a glorious, beer-in-hand rock revival that primed the crowd perfectly for the headlining set.

From the very first riffs of the opening set to the ecstatic, full-throated singalongs under the night sky, the sold-out show at Woodland Park Zoo was a masterclass in modern indie rock storytelling. Both acts transformed the serene outdoor setting into a shared space of catharsis, humor, and collective joy. Beyond the incredible music, nights like this perfectly deliver on the ZooTunes motto: “See Concerts, Save Animals.” Knowing that an evening of roaring choruses and community connection directly supports wildlife conservation made the whole experience feel that much sweeter, leaving the crowd buzzing long after the final notes echoed through the trees.

Soldiers of Steel Metal Fest Returns to Seattle August 13-16th

The second annual PNW metal festival known as Soldiers of Steel returns to the Substation next week with VOL.II.

This rad festival spotlights metal music from the PNW by showcasing artists from in and around the area and those with ties to the area.

This years festival has expanded from the 2025 inaugural 2 day festival to a 4 day festival that features a pre-party, 2 full festival days, and an after party with a metal swap meet.

Liege Lord will be headlining on Friday. Sanctuary will be headlining on Saturday with a special set list for Seattle.

Get out and support the local music scene!

Doors and daily line ups are as follows:

THURSDAY AUGUST 13TH // PRE SHOW
Doors @ 7pm

Hadean
Dark Meditation
Skelator
Blood Star

FRIDAY AUGUST 14TH
Doors @ 5pm

ANNEX STAGE:
Soul Grinder
Tower Hill
The Accused AD
Sacred Blade
Liege Lord

MAIN // Side Stage:
Subversion Trigger
Infinity Dream
Adamantis

SATURDAY AUGUST 15TH
Doors @ 4pm

ANNEX STAGE:
Telomyras
Heavy Metal Shrapnel
Widow
Saint
Hellwitch
Sanctuary

MAIN // Side Stage:
Old Dirty Buzzard
Leathurbitch
Chamber Mage
Ironflame

SUNDAY AUGUST 16TH // AFTER PARTY/METAL SWAP
12pm-6pm // $5 (tickets available at the door, day of show!)

Rick Pierce Group
Stainless

Presented by Nameless Grave Records & BabeFinder General
SOLDIERS OF STEEL VOL. II
August 13th – 16th @ Substation
645 NW 45th St, Seattle, WA 98107
21+
For VIP tickets, Weekend Passes and more info: www.soldiersofsteel.com

Photos: Willow Avalon @ Showbox

Willow Avalon @ Showbox – 7/29/2026
Photos by Kirk Stauffer

Willow Avalon delivered a captivating performance at the Showbox in Seattle last week, during a stop on her headlining Pink Pocket Pistol Tour.  Backed by a tight four-member band, Avalon showcased a blend of classic country, Americana, and pop influences, through her distinctive twang with heartfelt vocals and effortless stage presence.  Singer-songwriter Audrey McGraw opened, displaying her country-folk songwriting and expressive vocals.

Willow Avalon – Photos by Kirk Stauffer

Audrey McGraw – Photos by Kirk Stauffer

Show Review & Photos: Fitz and the Tantrums @ Chateau Ste. Michelle

Fitz and the Tantrums @ Chateau Ste. Michelle – 7/26/26
Show Review & Photos by Louise Geri

Michael Fitzpatrick of Fitz and the Tantrums – photo by Louise Geri

In a nutshell, Michael Fitzpatrick and Noelle Scaggs of Fitz and the Tantrums are your high school English teacher and music teacher, respectively. You know, the ones who are best friends and bring the room to life whenever they enter the other’s classroom.

I went into the Fitz & the Tantrums concert at Chateau Ste. Michelle Winery in Woodinville, WA expecting a majority teenage crowd decked out in edgy punk clothing. I knew I wouldn’t be let down regardless of my accuracy – last time I was at this venue I was seeing Kelsea Ballerini and Georgia Webster, and that was one of the few nights that sixteen-year-old me felt like I was living the teenage dream. Despite Seattle having been grey all day as I took off for my second Chateau show three years later, I got in my car with the grin of someone going to Red Rocks.

A security guard at the photo pit told me, as I waited for the concert to begin, that it would be a great show. I was curious to see how that would execute itself in the audience, considering that the most riled up people there were little girls. Throughout the show, I’d observe many clearly millennial women screaming their heads off, as well as an older man doing a dance that looked an awful lot like the Fortnite “shoe” dance. Plus, a random cluster of jock teenage boys who, to my happy surprise, did not appear to be “concert boyfriends”, and instead seemed to be there for their own enjoyment. However, my main takeaway was that this was a family show.

As Scaggs entered the stage at the start of the show, my entire body relaxed. I’ve never been so energized by seeing a woman banging a tambourine while clapping. She emanated joy, and as Fitzpatrick arrived, I felt like I was in the presence of my cool aunt and uncle. They started with songs on the recent end, including tracks from their latest album Man on the Moon, “OK OK OK” and “Oh Maria.” Fitzpatrick and Scaggs were incredibly engaged with the audience – at the start of the show, they began a pattern of leading crowd waves, claps, and holding up hand hearts. By the end, Fitzpatrick was making peace signs and sticking his tongue out at attendees.

Michael Fitzpatrick of Fitz and the Tantrums – photo by Louise Geri

I was surprised, upon a quick Google search, to learn that Fitzpatrick is not literally a “girl dad” despite being the embodiment of the archetype, but rather has three sons. This energy was explained when he introduced “Fool” (2016) by calling himself a “mama’s boy” and quoting the hook, “Mama didn’t raise no fool.” He and Scaggs performed it like a well-oiled machine. Fitzpatrick noted that this was their fifth show in the area, taking a moment of appreciation for the natural setting of the winery.

Between songs, Scaggs introduced herself, “They like to call me the boss lady of the band,” justifying it with power, saying she just knows what she wants. After the humorous delivery of the statement, she told fans to pull out their phone flashlights for “I Just Wanna Shine,” chuckling, “I told you I was bossy!” The highlight of the show occurred toward the beginning of the set – none other than the band’s biggest hit, “Out of My League.” The entire crowd screamed along, and numerous moms ran down the aisle of the seated section dancing as it played. It served as a strong reminder, as grey-haired Fitzgerald sang such lyrics as, “You were out of my league, got my heartbeat racing,” that lyrics about big feelings typically marketed toward teens never fully lose relatability. To make a good moment even better, giant inflatable beach balls and gummy bears were let loose over the front-seated section. The crowd was exhilarated to throw them around and laughed whenever someone was accidentally hit on the head with one.

Michael Fitzpatrick of Fitz and the Tantrums – photo by Louise Geri

In the final few songs before the encore (I must note that this show was the perfect length), Fitzpatrick posed, from onstage, with some audience members for a selfie, did a few giggly face-offs with his drummer, and showered Scaggs with compliments. Upon returning, he brought the crowd to a whole new level with “All the Feels.” He and Scaggs led the last of many handclaps and singalongs to the aptly titled “HandClap” and the laughably-titled “Moneymaker,” respectively.

As they closed the final songs, Fitzpatrick shouted out an audience member spending her 80th birthday at the show. He gave her the mic to introduce herself, and the crowd was warm with tenderness in the night. I felt like I was living the teenage dream again as I exited Chateau Ste. Michelle Winery and did a happy dance in the parking lot.

Michael Fitzpatrick of Fitz and the Tantrums – photo by Louise Geri

Noelle Scaggs of Fitz and the Tantrums – photo by Louise Geri

Atmosphere @ Chateau Ste. Michelle Winery – photo by Louise Geri

Of Monsters and Men captivate packed Paramount Theatre

Icelandic folk-rockers Of Monsters and Men brought “The Mouse Parade” tour to a sold-out Paramount Theatre, delivered a lively set centered on their new album. Inside the gilded walls of the historic Paramount Theatre, the atmosphere was pure warmth. Beneath the soaring, ornate ceilings, both the general admission floor and every seat in the balcony were completely packed with adoring fans, totally wrapped up in the music. There was a genuine, shared joy in the room, with voices lifting together on every chorus, friends leaning into one another, and a crowd fully immersed in an unforgettable, lovely evening with the band.

Teaxan country folk artist August Ponthier opened the show,

Setlist:
1. Television Love
2. Dream Team
3. King and Lionheart
4. Tuna in a Can
5. Human
6. Wild Roses
7. Styrofoam Cathedral
8. Alligator
9. The Actor
10. The Block
11. Mouse Parade
12. Dirty Paws
13. Crystals
14. Ordinary Creature
15. Little Talks
16. Visitor

Encore:
17. Love Love Love
18. Fruit Bat