Devo w/ The B-52s @ Climate Pledge Arena

Devo & B-52’s @ Climate Pledge Arena – 9/25/2026
Review & Photos by Alex Crick

The Cosmic De Evolution Tour brought a night of contrasting eccentricities to Climate Pledge Arena in Seattle. While the B-52s may have opened the concert, it was Devo who stole the evening with their intense energy. Devo delivered a kinetic performance that had the audience dancing in the aisles. As they played, some diehard B-52s fans in the front row were spotted wearing lobster onesies (complete with claw hands). As Devo performed, they donned the trademark Devo hats, playfully blending the visual styles of both bands. The band appeared in excellent form. They utilized constant hand movements and ran frantically around the stage while striking rigid poses. Their visual presentation was heavily atomic age and industrial in nature, with the background screen playing 3D animated graphics that occasionally flashed lyric snippets in large block letters.

Devo incorporated multiple costume changes throughout their set. They started in black canvas shirts with stenciled words on the back paired with matching pants. During their fifth song, “Girl U Want,” they broke out their iconic red energy dome hats. The physical intensity peaked around “Planet Earth,” when band changed into bright yellow atomic yellow plastic hazmat suits. As the song progressed, lead singer Mark Mothersbaugh violently yet playfully tore off portions of the suits from himself and his bandmates, leaving shards of yellow jumpsuits scattered across the stage.

Later in the show, the band changed into black leather tops adorned with faded white letters. When the members stood in their respective spots, the letters spelled out DEVO. They completed this final look with black shorts, black thigh high socks, and black slip on shoes with red soles. The momentum reached a chaotic climax during “Smart Patrol/Mr. DNA,” when bassist Gerald Casale broke a string leading to his choice to tear all the strings from his instrument (thankfully they had a spare). The sheer momentum of Devo proved to be the highlight of the evening.

The B-52s

Before the B52s even took the stage the audience was treated to a highlight reel of their long storied career from a quirky band from Athens, GA to pop-rock superstars. They started with “Planet Claire,” leaning heavily on a video with alien themes playing on the screen behind them. The band wore sparkly silver outfits, with frontman Fred Schneider accessorizing his outfit with white retro sunglasses. In contrast to Devo, the B-52s’ choreography felt stiff and highly coordinated, mostly consisting of vague attempts at dancing and Schneider swinging his arms in circles. Despite the awkward movement, the vocal performances and overall musicianship proved to be remarkably solid.

Ultimately, the Cosmic De Evolution Tour offered a stark study in contrasts. The stiff, coordinated camp of the B52s served as a quirky appetizer for the chaotic, high velocity spectacle of Devo. Despite the clear difference in physical energy and crowd engagement throughout the night, both bands successfully showcased the enduring appeal of their unique brands of eccentricity.

Photos: Paris Paloma @ Showbox SoDo

Paris Paloma @ Showbox SoDo – 9/26/2026
Photos by Kirk Stauffer

British singer-songwriter Paris Paloma performed for a very enthusiastic audience during a recent stop on her The Fatal Flaw Tour.  The sold-out show at the Showbox SoDo was the fourth of 23 on the North America leg.  Backed by guitar, keys, and drums, Paloma delivered a theatrical stage performance with powerful vocals, and had a strong connection with the audience.  Renee Christine opened and delighted the crowd with both guitar and cello.

Paris Paloma – Photos by Kirk Stauffer

Renee Christine – Photos by Kirk Stauffer

Photos: Solya @ The Crocodile

Solya @ The Crocodile – 9/24/2026
Photos by Kirk Stauffer

Singer-songwriter Solya headlined at The Crocodile during a stop on her Queen of Texas Tour in support of her debut studio album with the same name.  Backed by Jason Chronis (guitar, bass) and Danny Reisch (drums), Solya alternated between guitar and synthesizer throughout her mesmerizing set.  Tele Novelle, fronted by Natalie Ribbons, opened.

Solya – Photos by Kirk Stauffer

Tele Novella – Photos by Kirk Stauffer

Photos: Ghostly Kisses @ Neumos

Ghostly Kisses @ Neumos – 9/19/2026
Photos by Kirk Stauffer

The Canadian dream-pop project, Ghostly Kisses, led by singer-songwriter and violinist Margaux Sauvé, headlined at Neumos last week.  Flanked by Louis-Étienne Santais (keys) and Antoine Angers (guitar, vocals), the show was in the middle of their 10-city North American tour in support of their recently released fourth studio album, Across the Pond.  Irish singer-songwriter Rosie Carney opened.

Ghostly Kisses – Photos by Kirk Stauffer

Rosie Carney – Photos by Kirk Stauffer

Music Review: Avery Cochrane’s “Toy Gun”

Avery Cochrane‘s “Toy Gun”
Review by Louise Geri

Avery Cochrane released her debut album’s lead single, “Toy Gun” on September 9.

Earlier this year, Cochrane released her EP Male Validation and Other Drugs. The anticipation for her debut album is growing, especially after the inclusion of the Male Validation track “Shapeshifting on a Saturday Night” in the popular TV show Off Campus.

The “Toy Gun” single cover – photo by Samantha Klegerman

The pop sound of “Toy Gun” is like if Lady Gaga’s “How Bad Do U Want Me” (2025) and Robyn’s “Dancing On My Own” (2010) had a child who, based on the topic, was adopted by Chappell Roan. Unlike its biological parents, but much like its mother, “Toy Gun” is able to move on from its past lovers. 

Opening with an ’80s sounding synth beat, Cochrane leads listeners into a club where they’re unsure of whether they’re about to feel the loneliest they’ve ever felt, or have the time of their lives.

With a rough voice, the singer sets a snide scene regarding a breakup, “I met your hero on a Monday/celebrity sightings, always exciting, but I can’t lie/it was mundane.” Cochrane is over her ex even if they’re still on her mind, but she’s fed up and never returning. Not after having “booked a ticket to your guilt trip once every month” – such a baller lyric. 

The confidence and freedom Cochrane feels is loud and clear before the chorus, “It’s not a competition, cause I already won.” In falsetto and with a flow akin to Chappell Roan’s 2024 hit “Good Luck, Babe!”, Cochrane opens the chorus with, “Bang, bang, run, run/Never owing anything to anyone!” She elaborates in the second verse even more boldly, “Never nostalgic, only astounded we were together in the first place.”

Sonically, the song may be reminiscent of many modern songs, but the older influences those songs clearly possess are present here too, particularly in the synths. Cochrane also delves into quick, almost brass-sounding violin riffs. Think of the orchestral riff in “Gimme! Gimme! Gimme! (A Man After Midnight)” (1979) by ABBA. 

“Toy Gun” contains a wonderful topical look into the future while containing all the best parts of pop music’s past.

The Weapons of Iridescence Tour billing, design and photo by Samantha Klegerman, Marlena Lerner, and Emma Brooke

Following this bright sneak peek into “AC1”, as Cochrane dubs her debut album before its announcement, she will be embarking on the Weapons of Iridescence Tour. I hadn’t listened to much of Avery Cochrane’s music before hearing this song, and I look forward to hearing more. Keep up with Avery Cochrane online here, while “Toy Gun” is available on all streaming platforms here.