Show Review & Photos: Guitar Wolf, Cheap Time & Jaguar Paw @ El Corazon

Newton’s Third Law of Motion: For every action there is an equal and opposite reaction.

The Japanese culture is particularly intriguing for its attraction to extremes. On one hand you have a quiet, polite society devoted to beauty and detail, humble and group-oriented, and on the other hand you have. . . well, you have Guitar Wolf. It’s not really a surprise that a relatively demure nation produces the loudest, nastiest, most committed garage punk band in the world, if one goes by Newton’s deal. By nature’s law, Guitar Wolf had to exist, and the equally-committed rock fans that turned up on a Tuesday night at Seattle’s El Corazon were treated to an incredibly fun night of sonic destruction, moshy-smashy, and audience participation stunts, ending with three encores and a lot of sweaty smiles.

The trio, outfitted in black leather and sunglasses, took the stage ready to roll, and burned through their set of metal-meets-Ramones songs with barely a break. Guitar Wolf leader Seiji is a consummate frontman with 20+ years of shows under his studded “ROCK AND ROLL” belt, and he grimaced, pointed, yelled, grinned, and flipped off the crowd as they giddily returned each favor. At one point he brought a thrilled long-haired young fan onstage and handed him his guitar (which the fan apparently did not know how to play, which did not matter in the least) as the bass and drums kept blasting on behind them. Seiji dove into the audience several times for some crowd-surfing action, and twice assembled Guitar Wolf’s legendary “Rock ‘n Roll Pyramid,” made up of brave and hopefully-strong men and women from the front rows. I spent the night shooting photos but stopped long enough to headbang, stomp and yell along with everyone else to “Jet Generation,” a Saints-style rave-up, and probably the band’s best-known song.


Guitar Wolf – photo by Marianne Spellman

After the second encore, the house lights went up and the PA music went on, signaling that it was time for us to leave, although a few fans stuck around anyway. As I was packing up my gear, I heard a cheer go up – Seiji had returned to the stage with his guitar and was flailing away like a madman as the El Corazon security gave him the stinkeye staredown. I quickly fired up the camera again, grinning like an idiot. Awesome stuff, and a great end to the night. Newton’s Third Law of Motion rules!

Review by Marianne Spellman

Guitar Wolf


Cheap Time


Jaguar Paw
All photos by Marianne Spellman

Photos: Das Racist & Mad Rad @ the Showbox Market

Just in time for a little sneak peek at two of the artists playing Sasquatch! this weekend, I have prepared more photos of Das Racist‘s and Mad Rad‘s performances at the Sasquatch! launch party. Das Racist and Mad Rad play the Yeti stage on Sunday, May 29th. For additional Sasquatch! tips click here.


Mad Rad


Das Racist


Das Racist
Gallery of Das Racist @ the Showbox Market


Mad Rad – all photos by Dagmar
Gallery of Mad Rad @ the Showbox Market

Show Review & Photos: Jimmy Eat World @ Showbox SoDo

When most people think Jimmy Eat World they probably think one-hit wonder. This could not be farther from the truth. On Friday at Showbox SoDo the band pulled hit after hit out of their songbook. Many of their deep album cuts even sound like hits. They are also one of those bands that sound just as good, if not better, live than they do in the studio.

Jimmy Eat World took the stage shortly after nine. The crowd went wild when the first chords of “Bleed American” emanated through the speakers. It didn’t take long for singer/guitarist Jim Adkins to work up quite the sweat. The audience could tell that he and the rest of the band were giving it their all. A few songs in they broke out “Coffee and Cigarettes,” the insanely catchy first single from their new album, Invented.

About halfway through the set Adkins mentioned that 2011 is the tenth anniversary of the release of their breakthrough album, Bleed American. It was represented well throughout the set with the title song, “A Praise Chorus,” “Hear You Me” and “Cautioners.”


Jimmy Eat World – photo by John Rudolph

The Clarity era was represented by “Lucky Denver Mint,” “Blister” and “Goodbye Sky Harbor”. Other than that Jimmy Eat World stuck strictly to the 21st century. The band was musically spot-on all night and Adkins vocals sounded great. One thing that bugs me are vocalists who mumble their way through singing their songs, basically phoning it in. Not only does Jim Adkins not mumble he clearly enunciates his words so the audience can understand what he is singing. I have to give him extra credit for that.

Other highlights of the set included a spirited sing-along of “Work” and flawless performances of “Pain” and “Big Casino.” The new songs display a maturity not found in Jimmy Eat World’s earlier work. “Invented” started as a melodic, acoustic number exploding into a wall of distortion to start the encore. They closed the set strong with their two biggest hits. “The Middle” inspired the most energetic sing along of the night. They followed this with “Sweetness.” Jimmy Eat World gave the crowd everything they could have hoped for. They played just about everything you’d want to hear them play then they went out on a high note leaving everyone wanting more. That is how it is done.

Review by Chris Senn & photos by John Rudolph.

To see more of John Rudolph’s Jimmy Eat World photos click here.


Jimmy Eat World – photos by John Rudolph

Setlist

Bleed American

A Praise Chorus

My Best Theory

Coffee and Cigarettes

Lucky Denver Mint

Let It Happen

Cautioners

Futures

Big Casino

Dizzy

Action Needs An Audience

Pain

23

Evidence

For Me This Is Heaven

Hear You Me

Work

Blister

Goodbye Sky Harbor

Encore:

Invented

The Middle

Sweetness

Photos: The Chain Gang of 1974 @ Neumos

I had gone to Neumos to see the fantastic French band, Jamaica, and caught some fabulous openers – The Chain Gang of 1974, MK Speed Dial and Helvetia (unfortunately Helvetia’s lighting was just so low no photos really came out). The Chain Gang of 1974 comes from Denver, Co, is led by Kamtin Mohager, and holy moley Mohager’s created some truly fun and great songs. They’re returning to Seattle this Sunday, May 29th for a *free* show with Biffy Clyro at the Showbox Market. PS: Mohager, you’re a trooper for going on with the show after getting a couple healthy looking shocks from that mic stand right before your set.


The Chain Gang of 1974 – all photos by Dagmar

Gallery of the Chain Gang of 1974 @ Neumos