Show Review & Photos: Tempting Tarts Burlesque @ the Rendezvous

Tempting Tarts Burlesque Present: Live From New York! @ the Rendezvous Theater, July 13th
Show Review & Photos by Jimmy Lovaas

All good shows should start off with a mustachioed man doing “Dick in a Box” and end with a Catholic schoolgirl humping a houseplant. Luckily for the audience at the Tempting Tarts burlesque show last week, that’s exactly what they got – and both bits were easily the highlights of the show.

The Tempting Tarts are a Seattle burlesque troupe that puts on a monthly show at the Rendezvous. This month’s offering, Live From New York!, was an eight-act show that took well-known SNL skits and infused them with the sexy fun Seattleites have come to expect from the well-respected Tarts since they formed in 2007.


Tempting Tarts Present: Live From New York! Cast


Ginger Mae Chevalier


Roxy Ruby


Shirley Tempting

The night got started when the curtains pulled back to reveal a large gift wrapped box – replete with a big bow on top – out of which popped the host for the evening, Dickie Gazoonie. The moment Dickie’s costume was visible the audience burst out laughing. He was wearing an amazingly bad 1980s suit with the requisite gift box covering his nether regions. The act, of course, was based on the nearly iconic “Dick in a Box” skit made famous by Andy Samberg and Justin Timberlake, but Dickie took it about three steps further. After removing the lid from “gift box” Dickie had the crowd in stitches as he passionately dug around the inside of the box, ultimately producing a corn dog, which he proudly displayed for the crowd. And then he proceeded to eat it while dancing.


Dickie Gazoonie

As well as the eight formal skits, special guest and self-proclaimed merlesque dancer (a male burlesque performer) OtterPop! delighted the crowd with some SNL-esque “commercials”.


OtterPop!

Other acts included:

Special guests Ginger Lu and Shirley Tempting had a hilarious homage to the I need more cowbell skit. Ginger Lu rocked the cowbell like a seasoned cowbell pro (do they have those?) and Shirley Tempting was in a cow costume, complete with udders strapped to her midriff. Redhead lovers were thrilled and people who find hot chicks wearing udders were delighted. Personally, I was turned on and hungry for Oreos.


Ginger Lu & Shirley Tempting


Ginger Lu

The charming, awkwardly sexy, and super cute Scandal from Bohemia performed two pieces with her sidekick, Hoi Polloi – a man with a pretty solid sense of comedic timing and a decent voice. Hoi sang Queen’s “Crazy Little Thing Called Love” while Scandal danced and stripped around him trying to gain his attention. Hoi was oblivious, of course, and the harder Scandal tried, the more clothing she discarded. The audience ate it up. Scandal and Hoi’s second piece was The Weekend Update. Honestly, that skit was a bit of a mixed bag despite the fact that the skit’s writing was fairly solid. Hoi dropped some funny jokes on the crowd and Scandal’s oblivious smile paired well with it. But for some reason, the audience just wasn’t feeling the vibe. Whatever.


Scandal from Bohemia & Hoi Polloi


Hoi Polloi

Roxy Ruby and Pepper Patootie did a fun Blues Brothers’ bit called Mission from Gawd, taking the stage in black fedoras, dark sunglasses, and black suits. And if there’s anything sexier than two hot ladies dressed in all black, it’s two hot ladies only half dressed in all black. And if there’s anything sexier than that, it’s two hot ladies wearing nothing but sequined shorts. Mission from Gawd? Mission accomplished.

Jezebel Vandersnatch. Now before continuing, let’s just stop a moment to say that awesome stage name out loud and admire it: Jezebel Vandersnatch. Well, Jezebel performed the song “Everybody Loves a Lover” and a lover she must be, as the crowd loved her, too. Her piece was the equivalent to a musical guest on SNLand her sultry and seductive voice oozed out while she batted her eyes and made the audience swoon. I’m not an idiot. I got my picture taken with her after the show.


Jezebel Vandersnatch

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Photos: Rockstar Energy Drink Mayhem Festival w/ Slayer, Motörhead, Anthrax, As I Lay Dying, The Devil Wears Prada, Asking Alexandria, I, The Breather & Betraying the Martyrs@ White River Ampitheatre

Photographer Josh Daniels, brand new to Back Beat Seattle and a welcome addition, headed to this year’s Rockstar Energy Drink Mayhem Festival and returned with some very cool shots of Slayer, Motörhead, Anthrax, As I Lay Dying, The Devil Wears Prada, Asking Alexandria, I, The Breather and Betraying the Martyrs. The festival continues through August 5th, with an ending date in Connecticut.


Slayer


Motörhead


Anthrax


As I Lay Dying


The Devil Wears Prada


Asking Alexandria


I, the Breather


Audience & Atmosphere

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Photos: Slash featuring Myles Kennedy and The Conspirators @ Showbox SoDo

On Friday, July 13th Slash featuring Myles Kennedy and The Conspirators appeared at Showobox SoDo. Apocalyptic Love, Slash’s second album but first with Myles Kennedy and The Conspirators, hit stores last May. The album features Myles Kennedy, Todd Kerns and Brent Fitz – they’ll tour through November 2012. Oh, and Slash also recently did an interview with Piers Morgan. Photographer John Rudolph got some super shots of Friday’s show:

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Slash featuring Myles Kennedy and The Conspirators


Biggest (and smallest) Slash fan stands out in the crowd

Show Preview: The 2012 Capitol Hill Block Party on Capitol Hill, Fri. 7/20

The 2012 Capitol Hill Block Party takes control of key sections off Broadway this weekend. An annual summer tradition, this year’s shows take place July 20th, 21st, and 22nd. That’s this Friday, Saturday and Sunday if you’re not a date person. For those of you who might have no idea which bands to see, the Block Party’s site shares details on all bands and DeliRadio put together a nifty station to hear random acts. Right now I am listening to Seattle’s Crime Wave. Sounding pretty good. I’ve got a few suggestions, but wherever you end up it sounds like you will find something entertaining – 100 bands! A full schedule is available here. First up: Friday.

Friday, July 20th

4:00: Father John Misty @ the Main Stage


Father John Misty

Capitol Hill Block Party’s Father John Misty Bio Page

5:15: Crystal Stilts @ the Neumos Stage (also @ 3:30, Barboza Stage)


Crystal Stilts

Capitol Hill Block Party’s Crystal Stilts Bio Page

5:45: Alicia Amiri @ the Cha Cha Stage


Alicia Amiri – photo by Angel Ceballos

7:00: Fly Moon Royalty @ the Vera Stage


Fly Moon Royalty

Capitol Hill Block Party’s Fly Moon Royalty Bio Page

7:45: Light Asylum @ the Neumos Stage


Light Asylum

Dark Allies – Light Asylum from Grant Worth on Vimeo.

Capitol Hill Block Party’s Light Asylum Bio Page

7:45: Crypts @ the Cha Cha Stage


Crypts

Capitol Hill Block Party’s Crypt Bio Page

8:45: Blood Red Dancers @ the Cha Cha Stage


Blood Red Dancers – photo by Dagmar

Capitol Hill Block Party’s Blood Red Dancers Bio Page

Show Review: The Gaslight Anthem @ the Crocodile

The Gaslight Anthem @ the Crocodile, July 8th
Review by M. Crossley

I’m a nostalgic man. I am also a highly superstitious man who is not in the slightest religious.

The Gaslight Anthem is one of my favorite bands currently making music, and I never miss the chance to see them perform live. Usually when they play Seattle it’s at the end of September or the beginning of October in support of their newest album. They play one of the larger all-ages venues, and I use the show as a eulogy to a season that has just passed. I drink beers in the bar area and come up front and sing Brian Fallon’s words back at him as if he didn’t know them already. I’ve seen Gaslight three times prior to last night’s performance. When I make reference to myself not being religious, it’s not a frivolous statement – The Gaslight Anthem is the church of punk rock and roll. I’ve been baptized in the sweat of six hundred strangers. And brother. . . Brother, I am saved.

With every new release, The Gaslight Anthem seems to get bigger and bigger. Being a band with working class punk roots, The GA wanted to do a smaller club tour before their new album, Handwritten, drops at the end of this month. It will surely rocket them into yet bigger venues, but lose touch with the sweat and intimacy of smaller stages and rabid believers that know every word to every single song. That is what brought them to Seattle’s Crocodile this past Sunday night, performing to a sold-out room of adoring fans foaming at the mouth for that savage séance only achieved through the prayer of the sing-along.


The Gaslight Anthem – photo by M. Crossley

It was almost 80 degrees outside, hot for Seattle. The room was packed when opener Dave Hause came out to do an acoustic set. He fronts New Jersey band The Loved Ones, and had a pretty good following nodding along to his earnest folk punk a la Fifteen, Lit and Rise Against. Even in the palpable heat and overcrowded conditions, the audience had that “we’re all in this together” vibe. Smiles and applause all around. When someone stepped on your foot or accidentally knocked over your PBR, they apologized profusely. We’re in church here after all.

When The Gaslight Anthem took the stage promptly at 10:30 they had immediate attention of the crowd. Throngs of girls and boys, men and women with rounds of drinks pushed their way forward into the bouillabaisse. The preacher was in the pulpit. The sermon was to begin.

Starting with “Great Expectations” off their beloved The ‘59 Sound album, the crowd was in thrall. I stood stage left with my own parcel of PBRs, trying to observe the show as a reporter. I did my job valiantly for the first few songs, trying to capture some photos with my phone and look at everything with a discerning eye. The fourth song was “Angry Johnny and the Radio” I put my phone back in my pocket, left my beer and pogoed my way up front. I ain’t been to church in nigh on twenty years, but I never remember any cameras being there. This is salvation. My rock redemption. And I have to be right there singing his words to him, lest he forget them.

The Gaslight Anthem played for an hour and a half. The whole room before them writhing and jumping and singing along at the top of their lungs. This was not a “pit” in the usual sense of the word. We were all laughing, and smiling, and cheersing our beers. Stopping all movement when someone lost their glasses on the floor.

I understand the Faces and Oasis have sold out Wembley, the largest stadium in the world. and I’ve heard the recordings from those shows, an audience sing-along that drowns out everything else in its aura. Fuck five hundred thousand. . . Give me a room full of six hundred adoring fans in a small club singing along to “We’re Getting a Divorce, You Keep the Dinner.”

By the end of their encore set, everyone in the pit had embraced, or hugged, or smiled at one another while yelling lyrics in each other’s faces. The beautiful girls swooning dreamily, and heaping heavy accolades on Brian Fallon with their eyes. The man had to mention that he’s married several times, yet still girls jumped on the stage – one even doing cartwheels, and wouldn’t leave until Fallon sated her with the promise of free T-shirts from the merch booth.

We were having a great time in church; we never wanted it to end. Our sweat had been shared and passed like communion, our mutual love unrequited. The Gaslight Anthem saw fit to end this encore set with “We Came to Dance” into “The ‘59 Sound.” Glossolalia ensued.


The Gaslight Anthem – photo by M. Crossley