Photos: Angel Olsen @ Barboza

Jagjaguwar-signed artist Angel Olsen was here in Seattle to headline Barboza on March 7th. Olsen comes from Missouri (here I thought she was one of the many Scandinavian artists running through our town) and just released her latest, Burn Your Fire For No Witness, in February. Kirk Stauffer contributed these lovely shots of Olsen!
~Dagmar, Editor

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Show Review & Photos: New Politics @ Neumos

One of my very favorite bands ever, Denmark’s New Politics, brought some serious excitement to Neumos on February 26th. This was my fourth time seeing the band, who always share such energetic love with their fans. New Politics’ fans at the show partied along to songs off their two great albums such as “Dignity,” “Just Like Me,” “Harlem,” “Goodbye Copenhagen,” and “Yeah Yeah Yeah,” and also felt the grips of “Tonight You’re Perfect,” “Stuck on You,” and “Fall Into These Arms.” At one point singer/dancer David Boyd stopped to change shirts, exchanging first sweat drenched top, which he was able to rinse out completely, with a New Politics Denmark shirt. Then they taught the crowd a little Danish, “Vi esker jer,” then responding with, “Vi esker jer,” too, and telling us they’ll be on tour with Fall Out Boy this summer.

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New Politics – all photos by Dagmar

More Photos of New Politics @ Neumos

Show Review & Photos: Benjamin Verdoes @ the Triple Door

Benjamin Verdoes @ the Triple Door, 3/4/14
Show Review & Photos by Abby Williamson

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Benjamin Verdoes

There’s something in the air. It’s spiritual. Fairy lights illuminate the stage. Countless musicians and friends fill the seats. Glasses clink against plates as the lights go down and a familiar face takes the stage. That’s how the night began at the Triple Door for Benjamin Verdoes’ album release for his solo debut, Evil Eye.

After six years of performing with the Mt. St. Helens Vietnam Band and four records with them, Ben finally stepped out on his own for this record. It’s a much softer side to his songwriting, and a beautiful triumph, to say the least.

Opening the show was another longtime local, the Lonely Forest’s John Van Deusen, joined by fellow Anacortes band BellaMaine. While he did play a few Lonely Forest songs, John took this night to play songs that never made it to record – both old and new. Having just an acoustic guitar, John’s performance was intimate and earnest, one that benefitted from the warm and attentive Triple Door audience. I didn’t even notice all the waiters walking around picking up people’s checks. The sweetest part was when John and his wife shared the piano stool and sang together
on the last song. *cue the awwws*

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After everyone was thoroughly warm and fuzzy inside, the man of the evening took the stage, joined by Sam Miller, who co-produced the album with him, Jonathan Warman, Matt Badger, and a good portion of the Seattle Rock Orchestra. You honestly couldn’t have loaded that stage more with local talent. However, they somehow managed to do that later in the evening.

At the beginning of his set, Ben described the album as almost painfully autobiographical, but it was – as he said – what helped him through the last three years. And we could feel it. We could feel it all. It also didn’t hurt that sprinkled throughout the crowd were friends, and friends of friends – it felt even more real. That’s what you get with local musicians. You don’t get that kind of closeness with international touring superstars. You can’t manufacture that kind of intimacy.

And just when I thought they couldn’t pack the stage enough, former Seattle resident and recent transplant to France Melodie Knight joined for the last bit of the set, singing harmony with Ben. Melodie has been living in France for a year and a half and she’s such a dedicated artist and friend that she actually recorded some
parts for the album there and sent them to Ben to mix into the record. Now that’s cool. Her vocals and energy on stage always add something special, and it was no different on this night.

Ben played a stellar set of the new songs, my favorites being “Telling the Truth,” “When We Were Young,” and “The Future is a Bandit.” But it all culminated in the moving ballad “So Bari,” which is part tender falsetto, part intimate acoustic guitar, and 100% lovely. It was the perfect way to end the record, and a perfect way to end
the show.

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Photos: Nicole Atkins @ Nectar Lounge

Always a must-see when she’s in town, Nicole Atkins returned to Seattle on February 28th for a show at the Nectar Lounge. She’s in the middle of her US tour in support of her amazing new album, Slow Phaser. I’ll likely wind up with an “Atkins Overdose” next week when I see several of her many performances at SXSW in Austin.

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