JD Simo & Luther Dickinson at the Tractor Tavern

Guitarists JD Simo and Luther Dickinson, drummer Adam Abrash, and vocalist Datrian Johnson played what will likely prove to be (for me) one of the musical highlights of 2026 at the Tractor Tavern in Ballard this week. Simo and Dickinson are touring in support of their first collaboration, ‘Do the Rump’ (released in late 2024), with a second long player soon to be completed. The band played songs from their first album, an intriguing selection of covers (including songs from Mississippi Hill Country blues titans Junior Kimbrough and RL Burnside, John Lee Hooker, Bobby Charles, and more) and a handful of tunes from Dickinson’s recent ‘Dead Blues Vol. 1’ LP. 

Althought Tuesday’s show at the Tractor was the first time Simo and Dickinson have played Seattle together, they are both well known to Northwest blues aficionados. Dickinson and his brother Cody have played under the ‘North Missassippi All Stars’ banner for 25 years, with Seattle being a frequent stop on tour itineraries. Dickinson has also done stints with the Black Crowes, John Hiatt, and in (now deceased Grateful Dead bass player) Phil Lesh’s band. It was while playing with Lesh that Dickinson first encountered JD Simo, a fortuitous meeting that eventually led to their current pairing. Simo also has a lengthy and impressive list of credits and accomplishments, playing under his own name and working with the likes of Jack White, Joe Bonamassa, Samantha Fish, Beyonce, Chris Issak, and many more.

Tuesday night’s set started on an emphatic note with a blistering version of ‘Do the Rump Louise’, one of the standout tracks from their aforementioned album. Both Simo and Dickinson are truly formidable musicians, with chops that match their impressive resumes. While their technical aptitude is beyond question, the two musicians never resort to running flashy scales or indulging in ego burnishing one upmanship. They both manage to maintain their unique instrumental voices while always playing in service to the song. As jaw dropping as the guitar playing was Tuesday, it was the next level drumming of Adam Abrash that held the whole thing together. Playing an almost comically simple trap drum kit, Abrash played with a fluidity and deep in the pocket swing that had to be experienced in the flesh to be appreciated. It was readily apparent from the first note that these three men enjoy making music together. One got the feeling that they were playing as much for each other as they were for the delighted audience. 

Of special note at the Tractor was the unadvertised appearance of vocalist Datrian Johnson. The soulful singer joined the band for a handful of blues covers associated with the early years of the Grateful Dead. ‘One Kind Favor’, ‘Who Do You Love’, and ‘King Bee’ all paid a spiritual debt to the Dead’s first keyboard player (and their most authentic and authoritative connection to the blues), Ron ‘Pigpen’ McKernan. Johnson’s appearance, and the inclusion of the Dead adjacent material to an already memorable set of music, was the perfect accompaniment to a night of red hot blues that I will not soon forget.

New Year’s Eve with Mudhoney, Student Nurse, and Barton Carroll at the Neptune Theatre

The Neptune Theatre hosted a raucous and well-attended New Year’s Eve show last night featuring a pair of the Pacific Northwest’s most enduring and historically significant rock bands, Mudhoney and Student Nurse. The evening’s headliners were preceded by a short and enthusiastically received performance by folk/punk acoustic guitarist Barton Carroll.

Seattle’s Mudhoney is celebrating their 38th year as an active recording and touring band. That’s no small feat, especially for an outfit that plays in such a consistently aggressive and uncompromising fashion. One could make the case that Mudhoney hasn’t strayed terribly far from their original concept and it wouldn’t be an insult or a backhanded compliment. They do what they do and they do it well – hard-hitting, Stooges-inspired OG punk rock played with honesty and authority. I was young (or at least ‘younger’) when I saw my first Mudhoney gigs. I no longer enjoy their shows from the middle of the pit but it did my heart a world of good to see a very active and energetic crowd of kids knocking each other about and crowd surfing while the band tore through a set that encompassed songs drawn from all phases of their career. Wednesday’s performance was lean, mean, and tremendously satisfying.

It’s difficult for me to think of a more appropriate opener for Mudhoney than Student Nurse, another Seattle band with a lengthy and impeccable pedigree. Remarkably, Student Nurse have been at it even longer than Mudhoney. In fact, Mudhoney front guy Mark Arm briefly passed his band’s torrid set to express how excited he and his band were to have Student Nurse on the bill, explaining that Helena Rogers (Student Nurse’s talented guitarist, vocalist, and songwriter) was instrumental in securing one of his first public performances in a band that predated Mudhoney.

Helena and her bandmates Eric Muhs (bass, vocals, and theremin) and James Lord (drums and vocals) were in a zone New Year’s Eve and the crowd was clearly happy to be along for the ride. Student Nurse plays in an angular yet melodic and very danceable style and they were an excellent foil for Mudhoney’s more punishing (in a good way) attack. Kudos to everyone involved in putting this show together. I can’t think of a better way of saying goodbye to a challenging year.

The cherry on top of the delicious Mudhoney/Student Nurse sundae Wednesday night was brief but very enjoyable acoustic set from Barton Carroll. It takes some chutzpah to stroll out onstage in front of a crowd primed for loud rock & roll armed with nothing but an acoustic guitar in hand but Carroll did so with charm, a selection of topnotch songs, and some serious chops on his chosen instrument. I wasn’t familiar with him prior to this show but I would absolutely go out of my way to hear him play again.

Photos: Alex Baird @ Royal Room

Alex Baird @ Royal Room – 12/22/2025
Photos by Kirk Stauffer

In what was an apparent sold-out show, jazz singer Alex Baird packed the Royal Room for the second time in 18 months.  Originally from Seattle, now attending grad school in California, Baird treated friends, family, and fans to holiday favorites and standards, plus songs from her debut album, Lemon Tree, and recently released, Island Blues.  Backed by Martin Budde (guitar), Michael Glynn (bass), Dylan Hayes (piano) and Max Holmberg (drums), the solos and arrangements were the perfect complement to Baird’s naturally beautiful voice.

Alex Baird – Photos by Kirk Stauffer