News: Donna Summer Passes
No Comments
One of the most important figures in my music love affair passed away today. Donna Summer, the Queen of Disco, the voice and star of such classics, “Bad Girls,” “Hot Stuff,” “Dim All the Lights,” “On the Radio,” “Last Dance,” “MacArthur Park” and so many more, is no longer with us. As a fan of Disco, and the unique voice of Summer, I am very sad.

Donna Summer
Show Review & Photos: Katie Herzig & Andrew Belle w/Matthew Perryman Jones @ the Crocodile
Katie Herzig & Andrew Belle w/Matthew Perryman Jones @ the Crocodile, 5/9
Review & photos by Heather Fitzpatrick
Katie Herzig headlined The Crocodile last night, but didn’t come alone. Supporting Katie on this leg of the tour was Andrew Belle. Andrew is a singer/songwriter from Nashville (via Illinois). Andrew’s latest EP, The Daylight, was release back in February. You might have heard songs from it, as well as from his earlier CD, The Ladder, on TV shows such as Pretty Little Liars, Grey’s Anatomy, The Vampire Diaries, One Tree Hill and more. His song “Sky’s Still Blue” was featured in a major campaign promoting Windows 7, Windows Live and Windows Phone 7. Andrew is also a part of “Ten out of Tenn,” a group of 10 musicians out of Nashville who tour together, collaborate on songs, sing together onstage, as well as perform their own originals, utilizing the other musicians as their back up performers. (Katie Herzig is also a part of that group). Belle asked Herzig (who also is featured on his CD) to join him onstage to perform his song, “Static Waves.” Seattle was Belle’s last show for the tour, as he is off to get back home for his wedding this summer!

Katie Herzig

Andrew Belle
Herzig and her band played a lengthy set which included songs from her latest release, The Waking Sleep. Like Belle, Herzig’s songs can also be heard on many TV series. To the audience’s surprise, she asked a special guest out on stage 1/2 way through her set. Matthew Perryman Jones (who will be joining Herzig on the next leg of her tour) stepped from behind the curtain, and they sang a beautiful version of their duet, “Where The Road Meets The Sun.” Perryman Jones, a singer/songwriter from Nashville, is also a part of “Ten Out of Tenn” with Herzig and Belle.
Prior to the encore, Herzig and her band played a very fun cover version of “Sweet Dreams” (The Eurythmics), which actually culminated in showcasing a memorable portion of “Seven Nation Army” (The White Stripes). Katie continues to tour, with this tour ending May 19 in Kentucky, and she will play some summer festivals including Seattle’s Bumbershoot in September. Her next CD is slated to be out later this year.




Katie Herzig


Andrew Belle


Andrew Belle & Katie Herzig

Matthew Perryman Jones

Matthew Perryman Jones & Katie Herzig
Katie Herzig Setlist:
Wasting Time
Make A Noise
Midnight
Oh My Darlin’
Free My Mindon stage
Hologram
I Hurt Too
Where the Road Meets The Sun
Hey Na Na
Lost & Found
Closest I Get
Daisies & Pews
Wish You Well
Sweet dreams
Way To The Future
Show Review & Photos: Rammstein @ the Tacoma Dome
Rammstein @ the Tacoma Dome, 5/14
Review & photos by Dagmar
I’m not really sure what just happened to me, but I think I just saw a Rammstein concert. Let me rephrase that, I know I saw a Rammstein concert but I am not sure what it did to me. There was fire. There were explosions. There was one gimp onstage, plenty of leather and metal on the band, there was showmanship plus supreme sounds and vocals.
I am going to make no secret of the fact that I love Rammstein. They have never misfired on any song. Their videos are fascinating, their image just as fascinating, and to see a Rammstein show after so many years? Well, I think I had a really big grin stuck on my face throughout the show. As most American fans, I got my first exposure to Rammstein via “Du Hast,” off their second release,Sehnsucht – a song which remains their most recognizable. The video for “Du Hast” demanded that I found out more about this German band.



Rammstein
Rammstein’s created five shining albums since 1995, plus last year’s compilation. I wondered what they would sound like live, and the sound quality at this show was perfect. I could make out all the lyrics, and the lyrics are very important in Rammstein songs. You don’t know any German? Familiarize yourself with the translations just enough to follow along. It’s well worth it. Do you need to understand German to enjoy the music? No, but it will add to your experience, as any amount of research into say, seeing an opera would help.
Which brings me to opera. Conceptually Rammstein reminds me as much of opera as it does industrial or metal. Maybe an especially wicked and violent opera. Why? The sheer enormity of what they’re doing onstage. The band breathes fire; they take risks that are insane. I am sure it’s all safe enough, but as close as I was taking photos it seemed like some dangerous engineering. For “Engel,” Singer Till Lindemann appeared onstage in angel wings, which folded and unfolded – and shot fire. Also Lindemann’s voice is cruel, forceful and completely captivating.





Rammstein
Midway through the show a giant ramp extended from the stage to a smaller stage at the other end of the venue. Four of Rammstein were led (as in the “Mein Teil” video), while on all fours, via a leash held by drummer Christoph Schneider. After everyone got situated, then performed “Bück Dich,” “Mann Gegen Mann,” and their beautiful ballad “Ohne Dich.” Gorgeous.
Photographers were allowed to photograph songs 6, 7, 8 of the show. This meant I got to see the performance of one of my favorites, “Mutter,” up close. I caught “Sehnsucht” while waiting, another favorite. “Mein Teil” featured a gimp in a saucepan, with Lindemann as a bloodied butcher equipped with a knife and the world’s hugest cooking torch. And “Haifisch,” another of Rammstein’s more sensitive songs, was moving. Other standouts for me were “Mein Herz Brennt,” “Ich Will” and “Engel” – all passionate songs.
The show ended with a second encore ending with “Pussy,” featuring Lindemann riding a giant pink rocket, which spurted foam. “Pussy” should have been a much bigger hit in the States. It’s damned catchy, it’s in English, it’s funny. Censors ruin everything. The audience appreciated it anyway.
I really felt among fellow fans who get Rammstein’s humor, power, intensity, significance and Lindemann’s poetry. I never thought I’d get to see this band live, and it was a high point surpassing all hopes.








Rammstein
Interview & Show Preview: The Grizzled Mighty @ the Crocodile, Th. 5/17
“My drums are covered in blood,” says Whitney Petty, one half of and drummer of rock/blues and all brilliant The Grizzled Mighty. The male half of The Grizzled Mighty is singer/guitarist, Ryan Granger, who decided in 2010 he wanted to form a band. Through Craigslist he found Georgia native Petty, who joined him as a guitarist (Petty has toured as part of Deerhunter), and together they created what would become the duo The Grizzled Mighty. Granger mentions, “I picked her up as a guitar player. We started jamming on guitar. I had just gotten out of a band I wasn’t too happy with and starting to get antsy. I was getting ready to move out of the country actually because I needed to change something. I had everything planned out, I had a job lined up, I was looking for an apartment in Paris and then I got a string of tickets in a week. There went my nest egg. I wanted to start a band, and I knew kind of what I was going for. Whitney was one of the first auditions I had. I had a lot of people come through but Whitney and I clicked immediately.”
As they developed their sound, it made more sense for Petty to play drums. There is no doubt Petty’s drum would be covered in blood, as are her hands, which are often healing from drumming wounds caused by the passion with which she plays her instrument (Petty: People tell me that I remind them of Animal. I’m down with that. I like puppets.) Petty remembers, “I hopped on drums for “Work Me Slow” and we were like, that’s the one!” Granger recalls the same response, “After that the songs started coming together a lot quicker. Our first show was last May [at the Rendezvous]. It went well. We’ve been booked solid ever since. It’s been a little less than a year.”
Granger grew up partly in Spokane, Washington, partly in Los Angeles, California. An athlete through much of his life, he boxed in Spokane for three years. I wanted to know if the athletic mindset helps him onstage as a performer. “I think a lot of it is work ethic. I was an athlete for years – football, basketball, pole vault. I was pretty good at those sports, but it was because I worked hard at it. I took that and applied it to music. I came out here to do some boxing, and I injured myself benchpressing. I couldn’t work out the same. I broke my sternum or something. That’s when I transitioned.” His exposure to music came very early in life: “I started off on piano, when I was four. My grandmother was a music teacher. I moved to saxophone in junior high. I didn’t start playing guitar until I was sixteen.” When he was nineteen he mentions that he came to Seattle, “I had a buddy who was my roommate, who wanted to do some acoustic stuff. I got into another band and it wasn’t my thing at all. Got out of that and started The Grizzled Mighty. While The Grizzled Mighty was warming up, I got into Fox and the Law.” I ask Granger if it’s more difficult being the front man, as opposed to guitarist in Fox and the Law? “It’s more challenging, at the same time there’s so much less to deal with when there’s only two of us. As a musician it’s much more challenging. I kind of like it. How do I make this sound full without being too busy? Or sparse without being empty? I keep my thumb as a drone note.”
Petty started out playing guitar: “I started playing guitar when I was fourteen. When I was about seventeen I asked my parents for a drum kit for Christmas. They bought me one. It’s really hard to learn drums when you’re living in your parents’ house and you’re not very good at it, and they’re not that into it. I can play drums by myself now.” I asked her what kind of response she gets from people as a female drummer: “My whole life is like this. Every job I’ve ever had, I’m always the girl. When I was a deckhand I would get huge tips because people were just like, did you see you flicking that anchor chain? She’s so small! They’d slip me twenties. Last night, some guy came up to me, and this happens consistently – 2 or 3 dudes, every once in a while some girl will come up and high five me, but usually it’s dudes and they’re just like so, I heard you playing but I couldn’t see you because you were behind this pillar, and then when I realized that was a girl, I was like what the fuck! They freak out.” Granger agrees: “They love it. In Portland the other night, I’d just got done doing the solo, and nailed that. And then I hear, get it girl!!” Petty: “It’s a niche, and I’m exploiting it. I think my kit has a lot to do with it too. Consistently every soundman is like, I love your kit. That’s the biggest kit I’ve ever seen. It’s massive. The massive kit, the tiny girl.”

The Grizzled Mighty – photo by Jake Clifford
They’ve thought about adding a third member, a bassist, but as a duo they’re more than happy “Guy [Keltner, Fox and the Law] plays with us sometimes. Ryan gets so creative – he can, because he’s not holding down the rhythm. Sometimes when we have a bass player it’s startling how cool it sounds,” says Petty. “We have this dynamic as a duo that would totally change with a third person. But not necessarily in a bad way,” agrees Granger.
I’m also intrigued by a story circulated by Deerhunter’s Bradford Cox that Petty was a “cheerleader with a bad attitude” in school. Petty sets the record straight: “That’s not true actually. It’s great that this is Brad’s quote of me, because I was never a cheerleader, but he remembers it because I stole a cheerleading uniform from my high school cheerleading coach, who also happened to have a computer lab. I was waiting in her lab one day to have my school ID taken – she was a terrible person and made us wait half an hour – so I stole this cheerleading uniform. One of my best friends was actually on the cheerleading squad, and when she found out one of the uniforms was missing, she came to me and was like, dude, give it back, I’ll steal it back for you at the end of the year. It’ll be great; you’ll wear it to all the parties. I didn’t want to capitulate. So I don’t know why, but I decided to call my friend Bradford. He’s extremely skinny, he has Marfan Disease. He can’t gain weight. [I told him] I think it would be good if you would wear this to her office and strip. I picked him up early in the morning, he put the cheerleading uniform on with nothing but his boxers on under it. He walked in, and the next thing he came back out in his boxers. [My friend] stole it back for me. I wore it onstage, and Brad wore it onstage in our hometown. “
Petty still has the uniform: “And I will wear it for a Grizzled Mighty show at some point.”
Granger thought of the name The Grizzled Mighty (Petty wanted to be Iguanadon, a name she says she’ll use for her solo project) while Petty created the band’s symbol. Here’s Petty’s story on that: “My best friend Anthony had given me this alchemist/magic book. It’s based on the hieroglyphic monad of John Dee, from the 1500s. The hieroglyphic monad is based on astrological signs, and also the idea that every letter of any meaning is derived from the same three shapes, a dot, a line and a circle. If you look at the alphabet every letter is either a dot, a line or a circle, or a combination of either two or three of them. It’s this idea of stripping down the universe, and all that has meaning, into this basic element. The monad is a powerful symbol, for that reason. I modified it a little. Instead of the bottom of the hieroglyphic monad is two crescent moons, and I made ours an M. And then I put the eyeball in the middle. I took the cross out. I call it the Grizzled monad.”

The Grizzled Monad
The mysterious intro on the band’s debut album, The Grizzled Mighty, gets an explanation from Granger: “I was walking back from work one day and there was some yard sale, and there was this old reel thing that looked like it was a recorder. So I asked the dude what it was and he said it’s an old wire recorder that they found in a building downtown before they were going to tear the building down. They stopped making them in the 50s or 60s. I took it home. This was before we recorded the album but thought it would be cool to do some vocals with it. I fixed it, and was curious to see what was on the reel, and that was on the reel. It sounds like he’s reading a prayer. I thought it would be cool to start the album with it.” The duo’s writing process is a collaboration, with Granger working on lyrics: “A lot of the time I’ll write the lyrics secondary, or I’ll have the lyrics not for a specific song. I’ll have a riff or progression I’ll work out, not knowing exactly where it will go. She’ll start doing the drums and we work it out.” Petty concludes, “ Ryan’s got the basic sketches but I think they really come to life when we play together.” For Granger the lyric writing is “one of the things I struggle with the most. I think I overthink it sometimes. I kind of had to force myself into it. It took a while to get the flow on how to write songs. A word is not catchy – you have to fit it in a melodic way to what you’re playing. “
In one of the craziest band photos I have ever seen, Petty and Granger are on the roof of a car on fire. Granger: “We set it on fire. We had to hop three barbed wire fences to get in. [When] we were leaving, there was this car on the side of the road. Whitney had brought butane, because she was under the impression she was going to peer pressure me into blowing fire. But given my facial situation . . .” Petty had a plan: “We had a few props for that photo shoot. We went to an abandoned nuclear power plant. It was totally deserted.”
The massively attractive and talented duo of Petty and Granger have such a comfortable and easy way with each other, and I wonder what the secret is of how these two get along so well as roommates (they rent in the same house) and bandmates. For Granger it’s because “we’re both pretty level headed easy going people. If one of us has a problem the other one listens. We’re pretty reasonable people when it comes down to it, and we make an effort. I think that goes a long way.” Petty points out: “We have common goals. We’re low drama. We like the same things”
The Grizzled Mighty play the Crocodile on Thursday, May 17th.
MP3 Downloads: YACHT, Dubious Ranger & Morningbell
YACHT sure has a lot of really cool songs. Somehow I have missed this band live and I will not make that mistake again next time they come to Seattle. When is that? September 14th with Hot Chip! Here’s “Le Goudron” for you to check out:

YACHT – Photo by Kirk Stauffer
San Francisco’s Dubious Ranger, who is the brain child of Alexander Eccles, describes itself as Ethiopian Horror-Funk. And jazz. And indie. Whatever it is, I love this song “The Mayor.”
Last goodie of the day comes from Morningbell, a Gainsville, Florida band. They’ve put all five of their records online for you to listen to before you buy. We’ve got “You Think I Don’t Know, But I Know.”

