Vandoliers at the Tractor Tavern

Country/punk ravers Vandoliers, hailing from Dallas, played a raucous and uplifting show to a crowd of devoted followers at the Tractor Tavern on the last Sunday evening of June. The performance came hot on the heels of Seattle’s yearly Pride parade and capped a month packed with events celebrating the LGBTQIA community.

Vandoliers have amassed a hardcore following of fans over 10 years of touring with a well-deserved reputation for ‘leave it all on the stage’ performances. It was evident that those in attendance were well acquainted with the band’s catalog as they greeted fan faves with rapturous applause and eagerly joined in on their anthemic choruses. The Texas septet’s most current album ‘Life Behind Bars’ has been the object of critical acclaim and they played a healthy selection of the new cuts at the Tractor. Jenni Rose, the band’s charming and magnetic frontperson, has recently embraced her truth as a trans woman as well as addressing problematic substance issues to attain a hard-fought sobriety and she seems positively energized by her life changes. She was a blur of guitar slinging motion and fist pumping abandon from the first note to the last and sported a winning, ear to ear grin the entire time. Her bandmates seemed equally charged and supportive, leading the audience on a thrilling ride through a glorious set that deftly straddled both C&W and punk worlds.

Vandoliers were supported at the Tractor by Adeem the Artist, performing a lovely and affecting set drawn from their most recent release, ‘Anniversary’, as well as selections from their previous two albums. Sadly, Adeem’s performance was marred by a trio of unruly attendees who planted themselves front and center and then made the regrettable decision to harass the artist while they were attempting to perform their set. Why one would spend the time and money to attend a show and then blather through the performance is a mystery to me but I guess we can just add it to the long list of things that I find puzzling about our current reality. After multiple entireties from Adeem to shut up and pay attention (to no avail) the performer finally gave up and ended their set prematurely. I sincerely hope Adeem will return to the Pacific Northwest soon so they can play for a more well-behaved and attentive audience.

A Blast from the Past! Spacehog & EMF bring 90’s energy back to The Neptune.

Spacehog & EMF @ The Neptune Theater – 06/18/2025
Photos by Alex Crick

It was a quiet and unassuming night in Seattle but over at the Neptune Theater a time warp was occurring, delivering a taste of 90’s musical energy. Spacehog’s live set at The Neptune was a glorious, unadulterated dive back into the glam-rock-meets-alt-rock sound that made them a standout in the 90s.

EMF got the night started with a phenomenal dance-rock performance that had the crowd on their feet and cheering for more.

Photos: Remy Bond @ Madame Lou’s

Remy Bond @ Madame Lou’s – 6/24/2025
Photos by Kirk Stauffer

Singer-songwriter Remy Bond headlined at Madame Lou’s during a stop on her The Star Shaped Baby Tour.  Flanked by two dancers and accompanied by a three-member backing band, Remy’s energetic performance had the crowd screaming, singing along, and begging for more.  One of the many highlights of the nostalgic show included Remy climbing into a huge martin glass and singing “Atlantic City”.  Many of the girls in the audience were Remy lookalikes with vintage dresses and hibiscus flowers in their hair.  Remy’s sister, Olivia Bond, dressed as a genie, opened.

Remy Bond – Photos by Kirk Stauffer

Olivia Bond – Photos by Kirk Stauffer

Drive By Truckers and Deer Tick at Marymoor Park

Drive By Truckers and Deer Tick delivered a show to delight the most ardent and discriminating of guitar devotees Friday night at Marymoor Park in Redmond. While the bands vary significantly in terms of tone and content, they both worship at the altar of The Big Guitar & Roaring Amp and cater to a crowd that shares their passion for biting solos and chunky rhythms. Threatening weather may have thinned the crowd a bit as the venue appeared to be at about half capacity but the fans that chose to brave the elements were rewarded with excellent sets from both artists.

Drive By Truckers are not your father’s southern rock band but they clearly draw musical inspiration from that genre’s tried and true heavy hitters. While the Trucker’s lyrics lean progressive politically, the sound of the band owes much to Lynyrd Skynyrd, the Allman Brothers and a host of lesser artists generally identified as ‘southern rock’. The Truckers also proudly (and transparently) wear their Rolling Stones influences on their fringed and denim sleeves. With two talented songwriters in the band, DBT usually alternates between the co-leader’s tunes, one for Mike Cooley, then one from Patterson Hood. Cooley’s songs tend toward gritty slice o’ southern life tales while Hood is the more overtly topical writer of the two. Not to be dismissed or shortchanged is 3rd guitarist and keyboard player Jay Gonzalez (also an excellent harmony singer). His contributions go a long way toward rounding out the band’s live attack. Perennially smiling Matt Brown is ever solid on bass and longtime Truckers drummer Brad Morgan is at home keeping time on driving rockers, country-tinged shuffles and everything in between.

On their last swing through town (2024) the Truckers played their landmark 2001 release, Southern Rock Opera, in its entirety. While I enjoyed the chancce to experience SRO in a live setting, I missed hearing the band play a wider and more varied selection of tunes from their deep catalog. That itch was scratched Friday as the band played a long and varied set drawing from all phases of their career. Highlights included a brooding and edgy version of ‘Hell No I Ain’t Happy’, a stinging take on Cooley’s border/deportation tale ‘Ramon Casiano’, and a torrid cover of Bruce Springsteen’s ‘Adam Raised a Cain’.

Rhode Island’s Deer Tick turned in a solid and well received performance to set the plate for the Drive By Truckers. This was our second time catching Deer Tick (the first being an opening slot for Jason Isbell at a Zoo show a couple years back). The band drew from last year’s ‘Contractual Obligations’ lp as well as selections from throughout their two decade career with a blazing Warren Zevon cover (‘Play It All Night Long’) thrown in for good measure. Deer Tick is a talented band and a terrific live act. I would absolutely make the effort to see them headline a show if such a thing came to pass.