Babymonster Wraps Up First North American Tour in Seattle
SEATTLE (September, 12, 2025) – Rising K-pop group Babymonster closed out their first North American tour Friday night at Climate Pledge Arena, delivering a polished, high-energy show that was equal parts celebration and farewell. For fans, known as Monstiez, it was a night of firsts: the group’s debut Seattle performance and the bittersweet finale of their inaugural North American tour.
Formed by YG Entertainment, Babymonster emerged from the 2022 filmed documentary “Last Evaluation,” which chronicled the intense process of member selection. Initial announcements in early 2023 confirmed Pharita, Ahyeon, Rami, Rora and Chiquita as the lineup, before Ruka and Asa joined in May to complete the seven-member group. The band officially debuted in November 2023 with “Batter Up,” which broke K-pop debut records, the music video garnering about 22.59 million views within 24 hours and earning the group international recognition.
Monstiez of all ages, from children to longtime K-pop devotees, turned out in force to witness the milestone finale. The nearly two-hour set featured multiple costume and backdrop changes, seamlessly blending Babymonster originals with solo stages and unexpected covers.
The setlist included group songs such as “Drip,” “Clik Clak,” “Like That,” “Sheesh,” “Woke Up in Tokyo,” “Dream,” “Billionaire,” “Hot Sauce” and “Stuck in the Middle,” alongside remixes of “Batter Up.” Fans cheered through heartfelt performances of ballads like “Love, Maybe” and “Forever,” while pop-infused tracks such as “Love in My Heart” and “Really Like You” showcased the group’s versatility. Solo and unit covers ranged from Lewis Capaldi’s “Someone You Loved” to Olivia Rodrigo’s “Traitor,” Charlie Puth’s “Dangerously,” and even Eminem’s rapid-fire “Godzilla.” One of the biggest highlights came when Babymonster paid homage to their labelmates with a mash-up of BLACKPINK’s “Kill This Love” and “As If It’s Your Last,” which sent the arena into a frenzy as fans sang and danced along.
Staging was ambitious, with members frequently walking the extended runway that stretched into the main floor to engage directly with fans. They waved, posed for selfies and filmed clips with a handheld camera, footage they teased might appear in behind-the-scenes content after the tour’s conclusion. Audience participation was encouraged throughout, with Monstiez singing along not only during songs but also during intermissions when members prompted them to keep the energy alive.
Visually, the production relied on dynamic digital backdrops and two massive video screens flanking the stage, ensuring every fan had a clear view. The choreography, a hallmark of YG’s performance style, was delivered with sharp precision yet still felt relaxed and natural. Between songs, the members introduced themselves, reflected on their journey and expressed gratitude, creating an intimate, inclusive atmosphere despite the arena setting.
Notably absent was Rami, who is on hiatus for health reasons. Her absence was acknowledged by fans, but the remaining six members carried the show with strong cohesion.
The night ended under a sky of brightly colored confetti and with hints about the group’s next chapter, leaving fans buzzing about what’s to come, perhaps new music, another tour or both.
For a debut North American tour, Babymonster’s Seattle finale proved the group has not only the stamina but also the artistry to establish themselves as one of K-pop’s next global powerhouses.
