Show Review: Stray Kids @T-Mobile Park

Photo Credit- JYP Entertainment – David Endicott

Stray Kids Dominate Seattle with Electrifying Kickoff of North American Tour at T-Mobile Park

SEATTLE (May 24, 2025) — Under the golden hues of a late spring sunset, the chants of “Stray Kids!” echoed through T-Mobile Park, shaking the stadium long before the first beat dropped. The K-pop powerhouses made their explosive return to Seattle on Saturday night, launching the North American leg of their “dominate” world tour with a sold-out spectacle that delivered both emotionally and visually.

Fans, known as STAY, began lining up in the early morning hours, some clutching handmade signs and dressed in coordinated outfits representing their bias. Many passed out gift bags that included photocards, stickers, electrolyte packs, and SKZ-beaded charms for phones, an expression of fandom and unity within the STAY community. By the time gates opened, the atmosphere was buzzing with anticipation. A 20-minute delay due to extended entry lines only heightened the excitement.

With an attendance of more than 41,000, Stray Kids broke the record for the highest-attended K-pop show in Seattle, also surpassing attendance for acts like the Red Hot Chili Peppers while setting a new bar for T-Mobile Park concerts.

As lights dimmed and an opening sequence of flag bearers and pyrotechnics unfolded, the show kicked off with cinematic intensity. The group’s eight members, Bang Chan (leader), Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. appeared in gleaming white, jewel-studded outfits and silver boots, flanked by dancers in deep blue with gold trimmed sashes. The opening number exploded into motion with synchronized choreography, LED stage effects and thunderous cheers from the audience.

Photo Credit- JYP Entertainment – David Endicott

Earlier that day, the band had announced modified choreography to accommodate Felix, who had been managing back issues in the days leading up to the show. Though he remained a constant presence on stage, fans noticed a few subtle cues, most notably when he appeared in a sleeveless shirt, revealing visible cupping therapy marks on his right side. The audience responded with overwhelming support, cheering louder during his verses and visibly moved by his resilience.

The setlist spanned the group’s discography, offering a seamless blend of aggressive hip-hop tracks, melodic ballads and high-energy crowd favorites. Stray Kids thrive in controlled chaos; the pace fast, the transitions sharp, the vocals relentless. Each member took turns stepping into the spotlight, often for just seconds, creating a whirlwind of shared attention.

Despite the show’s pace, there were personal moments of connection. Between outfit changes and transitions, the members frequently paused to address the crowd, expressing heartfelt thanks and marveling at the turnout. Some even walked along the barrier separating the stage from the pit to greet lucky fans face-to-face.

The crowd hit its loudest points during “District 9,” the hard-hitting anthem that first launched them in 2018, and “Chk Chk Boom,” which gained additional attention through a viral collaboration with Ryan Reynolds and Hugh Jackman in last year’s Deadpool & Wolverine campaign.

A wardrobe change into red signaled a tonal shift as the group split into duos, offering some of the night’s most artistically distinct moments. Han and Felix traded rapid verses on “Truman,” Changbin and I.N. commanded the beat on “Burnin’ Tires,” while Bang Chan and Hyunjin delivered a haunting performance of “Escape.” Lee Know and Seungmin closed the mini-set with the emotional ballad “Cinema,” prompting a stadium-wide singalong that softened the show’s otherwise high-octane tone.

Photo Credit- JYP Entertainment – David Endicott

These duets offered a momentary departure from the full-throttle energy and gave fans a chance to focus on vocal range and lyrical delivery. It was a reminder that beneath the explosive stage effects and nonstop choreography, Stray Kids are first and foremost musicians.

There was no opener, and none was necessary for the nearly three hour show. From the initial drop to the grand finale, Stray Kids commanded the stadium with the ease of artists at the peak of their careers. “S-Class” and “Lonely St.” lit up the venue with synchronized lightstick waves, while “Lalalala”, “Megaverse”, and “Maniac” (MAMA ver), had the crowd jumping in unison while the band and dancers took the front of the stage set while fireballs where launching in the air behind them, signaling the end of the main set.

Returning to the stage for their first encore, the group performed six additional songs, including “Blind Spot” and their self-titled track “Stray Kids.” But the energy didn’t fade. In a fan-service highlight, the members boarded motorized carts and made a full lap around the field, waving and dancing as they sang to fans seated farther from the stage. The gesture was met with cheers and tears, as STAYs basked in the rare opportunity for a more personal interaction.

The second encore brought fans to their feet one final time with “Chk Chk Boom” (in remixed form) and the uplifting anthem “Haven.” It was a euphoric end to a night that left few sitting and none unaffected.

The evening was also a full-blown sensory experience. Fireworks, bursts of CO2 clouds, fireballs, streamers, and dazzling pyrotechnics punctuated key moments throughout the set, adding a visceral punch to an already high-impact production. The visual effects elevated the atmosphere, turning the kickoff of the North American tour into a stadium show unlike any other, one that didn’t just entertain but overwhelmed in the best possible way.

With this performance, Stray Kids didn’t just dominate; they elevated. As the lines between music genres and global markets continue to blur, it’s becoming clear that the “K” in K-pop is less a genre label and more a cultural passport. Stray Kids are no longer rising stars, they’re main-stage headliners on a global scale.

Seattle may have been just the beginning, but for the fans who filled T-Mobile Park, it was a night they’ll be talking about for years. The tour resumes tomorow night in San Francisco and continues through June, wrapping in Toronto before the group heads to Europe in July.

Show Review & Photos: Ten Drum @ Meydenbauer Center

Ten Drum - Meydenbauer Center 2025-5-21

Taiwanese American Heritage Week Celebrated with Ten Drum Art Percussion Group Performance in Bellevue

BELLEVUE, Wash. (May 20, 2025) — The Taiwanese Association of Greater Seattle hosted a vibrant celebration for Taiwanese American Heritage Week, part of Taiwanese American Heritage Month recognized each May across the United States.

The event, held at the Meydenbauer Center in Bellevue, featured a dynamic performance by the internationally acclaimed Ten Drum Art Percussion Group from Tainan, Taiwan. The ensemble, known for blending traditional Taiwanese drumming with modern influences, including elements of rock and metal, captivated the audience with a high-energy, family-friendly performance filled with humor, precision and cultural storytelling through music.

The one-and-a-half hour performance was preceded by opening remarks from Taiwanese cultural leaders and community representatives, who highlighted the importance of heritage preservation, youth engagement and cross-cultural understanding.

The celebration was one of several events happening throughout the Seattle region in May to honor Taiwanese American contributions to arts, education, innovation and civic life.

To attend or support upcoming events, visit tagseattle.org to sign up for the newsletter and view the full calendar of activities.

If you are planning a trip to Taiwan, you can visit the Ten Drum Cultural Village in Tainan. For more information visit their website at tendrum.com.tw.

Show Preview: Lords of Acid and Little Miss Nasty @ El Corazon – Friday, 5/30/2025

Lords of Acid - Praise the Lords Tour 2025

Lords of Acid To Launch 2025 “Praise the Lords” U.S. Tour With Carla Harvey and Little Miss Nasty

Industrial-electro icons Lords of Acid are set to electrify stages across the country as they kick off their 2025 U.S. tour, Praise the Lords, on May 27 in San Francisco. This run marks a new chapter for the band, as they welcome Carla Harvey, former vocalist of heavy metal band Butcher Babies, as their new frontwoman.

Known for their provocative blend of electronic beats, industrial edge and sexually charged anthems, Lords of Acid have been pioneers in the genre since the late ‘80s. With Harvey’s commanding presence and raw vocal power, fans can expect an even more intense and high-energy live experience.

Joining them on the road as direct support is Little Miss Nasty, a hybrid performance group that fuses metal, EDM, industrial and hip-hop with bold choreography and visual spectacle. Described as part rock show, part burlesque, and all attitude, Little Miss Nasty are known for turning every venue into a full-throttle party.

Catch DJ alleykat, Lucia Cifarelli and DJ Xris Smack! on select dates throughout the tour, bringing even more energy and edge to the lineup.

The Praise the Lords tour will hit over two dozen cities before wrapping up June 29 in Las Vegas, offering fans across the country a chance to witness this dynamic lineup live.

Seattle fans can catch the madness live on Friday, May 30, at El Corazon. Tickets are on sale now and expected to go fast.

2025 “Praise the Lords” Tour Dates

  • May 27 – San Francisco, CA @ DNA Lounge
  • May 29 – Bellingham, WA @ Wild Buffalo House of Music
  • May 30 – Seattle, WA @ El Corazon
  • May 31 – Portland, OR @ Dante’s
  • June 1 – Boise, ID @ Treefort Music Hall
  • June 3 – Salt Lake City, UT @ Metro Music Hall
  • June 4 – Denver, CO @ The Oriental Theater
  • June 5 – Wichita, KS @ WAVE
  • June 6 – Lincoln, NE @ Bourbon Theatre
  • June 7 – Chicago, IL @ Bottom Lounge
  • June 9 – Detroit, MI @ Magic Stick
  • June 10 – Cleveland, OH @ Globe Iron
  • June 12 – Mechanicsburg, PA @ Lovedraft’s Brewing Co.
  • June 13 – New York, NY @ Racket NYC
  • June 14 – Washington, D.C. @ 9:30 Club
  • June 15 – Philadelphia, PA @ Underground Arts
  • June 17 – Atlanta, GA @ The Masquerade
  • June 18 – New Orleans, LA @ House of Blues New Orleans
  • June 19 – Houston, TX @ Scout Bar
  • June 20 – San Antonio, TX @ Vibes Event Center
  • June 21 – Dallas, TX @ Granada Theater
  • June 23 – El Paso, TX @ RockHouse Bar & Grill
  • June 24 – Tucson, AZ @ Rialto Theatre
  • June 26 – Mesa, AZ @ The Nile Theater
  • June 27 – Los Angeles, CA @ Teragram Ballroom
  • June 28 – San Diego, CA @ Music Box
  • June 29 – Las Vegas, NV @ TBA

Stay tuned for more updates and surprises from the tour. For tickets and VIP packages, visit the official websites of Lords of Acid, Little Miss Nasty, and El Corazon for Seattle’s show.

Cool Cover: Anohni and the Johnsons’ Breaking

Cool Cover: Anohni and the JohnsonsBreaking
Details: I can’t find anything about who made the cover art for Breaking, but isn’t it adorable? Look at those little teeth. So fierce. Cats always seem to curl their tongues up when yawning. There must be some reason for this – but not something called the Flehmen Response – that little face they make when they smell something really great.
~Dagmar

Show Review & Photos: ONE OK ROCK @ WAMU Theater

From First Pitch to Final Encore, ONE OK ROCK Delivers Unforgettable Night in Seattle

One Ok Rock - WAMU Theater 2025-5-14

SEATTLE (May 14, 2025) – Japanese rock legends ONE OK ROCK returned to Seattle on Tuesday night for the second stop of their North American Detox Tour, igniting the WAMU Theater with a high-energy performance that left fans buzzing long after the final encore.

The band, whose last Seattle appearance was in 2022 at Showbox SODO while promoting their album Luxury Disease, is now touring in support of their latest release, Detox. Opening for ONE OK ROCK is Australian punk outfit Stand Atlantic, who warmed up the crowd with a vibrant 45-minute set featuring both fan favorites and fresh tracks.

Before the concert, the members of ONE OK ROCK made a surprise appearance next door at T-Mobile Park, where they threw the ceremonial first pitch at the Seattle Mariners game against the New York Yankees. Accompanied by the Mariners Moose for a group photo, the band enjoyed some Major League Baseball action, met with cheers from fans who recognized them in the stands.

Excitement began building early in the day, as lines of enthusiastic concertgoers wrapped around the WAMU Theater. Fans began arriving hours before doors opened at 7 p.m., eager to claim prime spots near the stage. By early evening, the crowd had grown into the thousands, stretching down the length of Lumen Field. Conversations buzzed with anticipation, as fans swapped stories of past shows and shared thoughts on the new album.

When the venue doors opened, fans surged inside, some rushing to the barricade, others to the merchandise tables to grab tour swag before the show began.

Stand Atlantic took the stage at 8 p.m., delivering a high-octane set that had longtime fans singing along and new listeners quickly joining in. Their energetic performance set the tone for the night.

At 9:15 p.m., the lights dimmed and ONE OK ROCK took the stage, launching into “Puppets Can’t Control You” from Detox. The crowd erupted as the band followed with fan favorites “The Beginning” and “Save Yourself”, both of which were met with deafening sing-alongs and roars of approval.

The stage setup was sleek and minimal, three risers at the front, a higher drum riser in the back, and a large screen displaying visuals and lyrics. Throughout the night, lighting effects, lasers and fog machines added to the theatrical atmosphere, enhancing the band’s powerful performance.

Frontman Taka paused between songs to connect with the audience, speaking passionately about the band’s lyrics, the state of the world and the importance of unity and standing up for change. True to form, he also addressed the Japanese-speaking portion of the crowd in his native language, drawing cheers from international fans.

Bassist Ryota Kohama took his turn on the mic, hyping the crowd and challenging Seattle to prove its reputation for having one of the loudest audiences on tour. The response was a thunderous, arena-shaking roar that seemed to meet the challenge.

The night was not without its surprises. Midway through the set, a bra was thrown onstage. Taka, amused, picked it up and quipped, “Are we still doing this in 2025?” He then humorously modeled it for a few moments, laughing along with the audience before the band jumped back into the set.

Later, in a heartfelt encore, the band returned to the stage wearing customized Seattle Seahawks jerseys bearing their names, prompting an emotional reaction from fans and cementing the band’s appreciation for the local crowd.

From the first note to the final bow, the audience was electric, jumping, dancing, singing and cheering with unrelenting energy. As the house lights came up, smiles and tears filled the room, a testament to the unforgettable experience shared by all in attendance.

The North American Detox Tour continues with 13 more dates. The next show is set for Friday, May 16, in San Francisco. For fans of live rock music, this is a tour not to be missed.

ONE OK ROCK GALLERY