Photos and Review: Mayer Hawthorne and The County

Mayer Hawthorne

Mayer Hawthorne, a very talented singer/songwriter from Detroit, Michigan, is doing his part to bring back that wonderful Motown sound. He started off his “show” exclaiming: “If you’re not dancing, move to the back”. Not very many people moved back because the whole room danced from start to finish.

It’s clear that Mayer Hawthorne drew from greats like: Barry White, Smokey Robinson, and Isaac Hayes when he wrote “Just Ain’t Gonna Work Out” and “Maybe So, Maybe No” for his 2009 album “A Strange Arrangement”.

If you enjoy Motown, you will certainly enjoy Mayer Hawthorne and The County.

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Mayer Hawthorne
Mayer Hawthorne
Mayer Hawthorne
Mayer Hawthorne
Mayer Hawthorne
Mayer Hawthorne
Mayer Hawthorne
Mayer Hawthorne and The County
http://www.myspace.com/mayerhawthorne

Photographer
John Rudolph

Show Review & Photos: Of Montreal @ the Paramount

In October, Of Montreal put on one of the wildest – and best – shows I have ever seen. The Georgia band played the Paramount Theater, a venue in Seattle that can really show off a theatrical, musical event. It was a great location for the spectacle Of Montreal threw at me.

I had been hearing there were puppets in the show, and I had no idea what form these puppets might take. Would they be marionettes? Would they be hand puppets? What would they be? Turns out they took the form of futuristic, evil looking giant mosquitoes with guns, strange pajama-clad beings with oversized heads, and dancing pigs who were eaten or cavorted with. The whole performance was an original, eye-opening work of art.

Of Montreal is loveable, talented and also photogenic. Most of the band members wore white outfits of varying themes, though it seemed a nautical theme was the predominant choice. Singer Kevin Barnes initially came out onstage in nylons, polka dotted apron, blue top and striped jacket. Barnes has great legs, and pulled this outfit off with no problem – as he accomplished in his mini skirt he wore later in the show. As a live band, Of Montreal kept the energy high and bouncy through their danceable songs, and when they brought things down for the gorgeous “Casualty of You” (You’ve ruined me/You’re a terrorist) it was just as compelling. Other songs I really got into, and the rest of the audience hopped along during, were “For Our Elegant Castle” (We can do it softcore if you want/But you should know I take it both ways), “She’s a Rejecter” (There’s the girl that left me bitter/Want to pay some other girl/To just walk up to her and hit her), “Suffer for Fashion” (with its exquisite bass and lyrics, if we got to burn out let’s do it together), “Girl Named Hello,” “Plastic Wafers” (I want you to be my pleasure puss), “Heimdalsgate Like a Promethean Curse,” “Gronlandic Edit,” “A Sentence of Sorts in Konsgvinger” (I spent the winter on the verge of a total breakdown/While living in Norway), “Our Riotous Defects,” “Coquet Coquette,” “Like a Tourist” and “Sex Karma”. Also included was “The Party’s Crashing Us” – one I am not sure I’d want to live without.

The music and performance combined as an exotic cavalcade of depth and glory. Of Montreal ended the show with a Michael Jackson medley including “Thriller,” “Wanna Be Startin’ Something” and “P.Y.T.” – amazing. My photos are mostly in sequence, as the show happened, except the first shot:

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Of Montreal – all photos by Dagmar

Gallery of Of Montreal @ the Paramount

Show Review and Photos: Reykjavik Calling @ The Crocodile 11-05-10

Photos by Jill Rachel Evans
Review by Chris Senn

Reykjavik Calling brought unique, unprecedented collaboration to the Crocodile on Friday night. The free show showcased some of the finest Icelandic musicians from Seattle’s sister city of Reykjavik collaborating with Seattle musicians. The four pairings in this showcase were inspired and inspiring. The exchange of culture was uplifting. Most of the musicians met each other earlier that morning only adding to the spontaneity and immediacy of the collaborations. The free show attracted a large crowd to say the least. The line stretched down the block and around the corner and The Crocodile reached capacity shortly after the first pairing took the stage.

That first pairing was Icelandic singer/songwriter Petur Ben and Seattle musician Nathan Wade of Nathan Wade and the Dark Pioneers. Highlights included a Hank Williams cover and a spirited audience sing along of “Billie Jean.” Ben’s own songs featured muscular acoustics. “Something Radical” contained the hard hitting, progressive and memorable lyrics “Do something radical and do it fast, focus on the future and forget about the past.”

Next up was Lay Low paired with Jason Dodson from The Maldives. Dodson started off with The Maldives’ standard ” Lay Low has a thick accent when she speaks but when she sings her accent disappears. Her strong vocals seemed to float on a breeze and her guitar work was technically perfect. Her performance of “By and By” seemed so effortless.

Rachel Flotard and Rusty Willoughby were paired up with Sindri from the band Seabear. Before bringing Sindri to the stage Rusty and Rachel captivated the audience with their vocal harmonies. In honor of what would have been Gram Parsons’ 64th they performed a faithful version of the Parsons/Emmylou Harris duet “Streets of Baltimore.” Sindri came out to play a few solo songs. He joked about just doing his stand up routine instead of playing. He was able to get some laughs with some of his one liners. He used three microphones. One was normal with the two others featuring various degrees of reverb. “I Sing I Swim” is a beautiful, understated piece of pure pop escapism.

Before the last act of the night, KEXP DJ and host of Reykjavik Calling, Kevin Cole, took the stage with a member of the Icelandic Consulate to talk about the collaboration to bring this event together. KEXP worked to make this show possible and the sponsorship of Iceland Air made it a free show.

The showcase, up until now, had been mostly acoustic. That was about to change. John Roderick from the Long Winters took the stage, plugged in his electric guitar and performed a short set of Long Winters’ songs culminating in a rousing version of “Nora” featuring Icelandic musician Mugison on keyboards. His sound varies from straight forward singer-songwriter fare to what I can only describe as hardcore sludge blues. He has a distinct gravely, bluesy soul voice peppered with heartbreak. During “I Want You,” a song about his wife leaving him then coming back, the audience could almost hear his heart breaking.

Most of the night’s musicians joined Mugison on stage to close out the show with an impromptu performance of “Stand By Me.” This was a most unique experience. To see favorite Seattle musicians creating and collaborating with top Icelandic musicians in a venue as small and intimate as the Crocodile was a real treat. Thank you Reykjavik and please come back soon!

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Petur Ben

Petur Ben and Nathan Wade

Petur Ben and Nathan Wade

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Lay Low and Jason Dodson

Lay Low and Jason Dodson

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Rusty Willoughby and Rachel Flotard

Rusty Willoughby and Rachel Flotard

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Rusty Willoughby

Rusty Willoughby and Rachel Flotard

Rusty Willoughby and Rachel Flotard

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Rusty Willoughby

John Roderick

John Roderick

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John Roderick

John Roderick

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Mugison and John Roderick

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Kevin Cole from KEXP

Kevin Cole from KEXP

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Photos: Doomtree @ Neumos

The week got out to a great start with the help of Doomtree, the 7-person touring rap crew who hit Neumos on Monday night. The all ages crowd got jumpin’ early and didn’t stop till the final CD was scratched.  They were opened by local rap artist Dessa. You can see the entire set here.

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Dessa