Photos: Bat for Lashes @ Neumos

Bat for Lashes played an ethereal concert at Neumos, Wednesday 26 August, supported by Oklahoma band Other Lives.

Other Lives

Neumos was the perfect intimate venue for such a lineup, and Other Lives’ frontman Jesse Tabish used it to his advantage.  The band featured a prominent string section with both a violin and a cello, and complimented with an organ, piano and intricate guitar melodies.

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I was pleasantly surprised to discover that this wasn’t a one-trick twee ensemble, no matter how much plaid was on display.  To the contrary, the band produced an immense wall of sound that I found both engaging and experimental.  I will definitely be keeping an eye on this band – their self-title debut album is available now.

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Having warmed up the crowd, Natasha Khan took to the stage as one truly comfortable and in their element.  Touring band members were Sarah Jones on drums, Ben Christophers on organ/autoharp, and Charlotte Hatherley on bass/guitar – if her name rings a bell, note that she is a former member if Irish rockers Ash, as well as a solo artist in her own right.

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The stage was decked out to create the kind of haunting wonderland in which so many of Bat for Lashes’ songs are set – lit tealight candles were placed around the stage, as well as three Virgin Marys, a solitary Jesus Christ figurine, and this charming raven.  Fairy lights crept their way up amplifiers, and lengths of tinsel coiled around mic stands.  The kitchy kooky decor was completed with a huge backdrop depicting – what else? – a howling wolf emblazoned in velvet.

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The crowd was captivated as Khan presented offerings from both albums, in a fairly short set.  Quickly kicking off her shoes, Khan proved to have a confident stage presence as she fluidly twirled and writhed around the small stage; caught up in her own uninhibited wavelength.

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If Bat for Lashes is another of Khan’s alter-egos, then it should be noted that she is unwavering when staying in character.

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Highlights included ‘Sarah’, ‘The Wizard’, and ‘What’s a Girl To Do?’.  Sultry, bass-heavy percussion complemented Khan’s voice perfectly, and the live backing band added an extra dimension that rounds out Bat for Lashes a little more than her recorded offerings.  Hatherley provided backing vocals, as well as accompanying Khan while they shared a piano earlier in the set.

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Setlist:

  1. Intro
  2. Glass
  3. Sleep Alone
  4. Horse & I
  5. Travelling Woman
  6. Siren Song
  7. Wizard
  8. Trophy
  9. Sad Eyes
  10. Tahiti
  11. What’s A Girl To Do
  12. Pearl’s Dream

Encore:

  1. Prescilla
  2. Good Love
  3. Moon & Moon
  4. Two Planets
  5. Daniel

You can view more photos from this concert here.

By Nicky Andrews

CD Review: Fight Like Apes’ You Filled His Head With Fluffy Clouds And Jolly Ranchers, What Did You Think Was Going to Happen?

Ireland’s Fight Like Apes have released a few EPs and now one full length CD. I’ve got one of their EPs, You Filled His Head With Fluffy Clouds And Jolly Ranchers, What Did You Think Was Going To Happen? Besides making me want Jolly Ranchers, cinnamon Jolly Ranchers perhaps, it makes me feel really great. I normally don’t like high register voices but singer MayKay’s vocals are raunchy and gnarled. She gets that shriek right up there.

Lend Me Your Face starts out straight away with: Lend me your face/I’ll bust it up and I’ll replace it. It’s a rant for sure, but it’s aggressive and mighty. Their cover of Mclusky’s Lightsabre Cocksucking Blues is fabulous. I say this as a Mclusky fan and one that often freaks out in negative way over cover versions. Knucklehead is a hilarious romantic duet. They sing about just hanging out and watching TV: You’re spending teatime with Fran Drescher/ . . . Robot sluts and fucked up pets/You’re such a mess. The squeakiness of Can Head just floors me: goodness me it’s fish and chips . . . It’s so happy. And then in Snore Bore they show again that they can make more than one type of music. MayKay’s voice goes gentle and sweet. She can do it all.


You Filled His Head With Fluffy Clouds And Jolly Ranchers, What Did You Think Was Going to Happen? (Model Citizen Records)

And here’s the video for Lend Me Your Face, directed by Briin Bernstein

Video: Julian Plenti’s Games for Days

Always eagle-eyed Music Slut just posted the video for Julian Plenti’s Games for Days. It’s got hotel trashing in it. I don’t encourage that but hell, it’s a video. And isn’t that one of the dudes from Mad Men at the hotel desk? Not sure.

Julian Plenti is Paul Banks. I received the CD, Skyscraper, a bit ago and will review it soon. It is brilliant – of course it’s brilliant, it’s Paul Banks. I make no secret that I love Interpol and Paul Banks’ voice and lyrics. So there.

Here’s the video:

Interview: Strify & Kiro of Cinema Bizarre

I recently talked with Strify, vocalist and Kiro, bassist of Cinema Bizarre before their opening show for the Fame Tour with Lady Gaga. They were in Seattle for the first time and don’t hate these guys because they’re beautiful – instead love them for their dramatic music and striking stage presence. I haven’t seen a band quite like them and I really enjoyed how they bring so many elements along with their great songs – they’ve got a cool vibe and they are really gripping to watch. Their first US album, BANG!, is set for an August 25th release.

Dagmar: You met in Berlin?

Strify: Not in Berlin, in Koblenz. It was a convention on manga/anime and Japanese culture.

D: So you’re really interested in Japanese art?

Kiro: The style, the music was why we were there. We were all people who came there from Europe to this convention and share interests.

Strify: Basically I was always interested in androgyny, people like David Bowie, Adam Ant and Grace Jones, for example. I found out about Visual Kei, a Japanese youth culture – an underground youth culture – which found its origin in the 80s, and because there wasn’t any hard rock in Japan at the time, there was one band called X Japan and they really started to dress up. Their look was very Mötley Crüe inspired. I found out about it and really loved the look. It broadened my style, my development of style. It’s pretty androgynous.


Kiro & Strify @ the Showbox, 2009
photo by Dagmar

D: Are you interested in horror movies?

Strify: I am not but Kiro really is.

Kiro: I love horror movies. I’m a fan of Twilight – I really loved the movie.

Strify: When it comes to movies I’m a fan of Tim Burton. I love the worlds he creates. I like the fact that he’s always working together with the same team – never change a winning team. I am looking forward to his Alice in Wonderland. I’m also a big fan of The Rocky Horror Picture Show – that’s one of my favorite movies. I also love A Clockwork Orange. Movies that show a completely different world – and that’s what we want also in the band. That’s why we called ourselves Cinema Bizarre – we want to create a world, a universe.

D: I think you’ve done a great job of that.

Strify: We’re like the complete opposite of the garage band. A lot of bands are like, we don’t want to have an image, which is their image – not to have an image. We want to have a whole package of music, look and everything.

D: What’s it like living in Berlin? Did any of you grow up there?

Strify: We moved to Berlin two years ago. We come from different cities. I come from the south of Germany and we’ve got people coming from the north of Germany. We decided to get together in Berlin. Berlin really has got a cool vibe. There’s a lot of musicians and the area we live in has a lot of actors. In Berlin, when there are people doing something which they are famous for, people aren’t really interested. It’s not like when you come to LA and there are paparazzi everywhere. I really love Berlin. You could describe it as glamorous and trashy. And that’s what I like because I would also describe our band as glamorous and trashy.


Strify onstage @ the Showbox, 2009
photo by Dagmar

D: Do you like making your videos?

Strify: Yes, for sure. I would love to shoot even more videos.

D: I saw a video on YouTube of you doing a video shoot and you had a giant bird. Was it heavy?

Strify: It was. But it was such a beautiful animal. I’ve never seen a hawk so close. It had beautiful feathers and those eyes were so impressive. It’s such a proud animal. I wasn’t afraid of the animal but I had a lot of respect [for the animal]. It was called Friday.

D: How did you two get involved in music?

Strify: Music has always been a passion. When you have a passion for something so strong you want to get involved in it. I tried choirs but it never worked for me. I really got started when I met the other guys [in Cinema Bizarre].

D: You, did you start learning bass as a teenager?

Kiro: It was, I think five years ago. A good friend [taught me] – she plays bass in a band. I come from a small village in Germany and there were not many musicians I could identify with. She showed me a bit and then I went to a professional teacher.


Kiro onstage @ the Showbox, 2009
photo by Dagmar

D: You mentioned David Bowie, what other bands do you like, for example from the 80s?

Strify: Dead or alive. I love Kim Wilde. I really like the voice of Kim Wilde. Grace Jones. I am also a big Madonna fan. I’m also a big fan of Adam Ant and David Bowie, but that’s before the 80s.

D: I noticed Depeche Mode let you sample them (Everything Counts in Escape to the Stars).

Strify: Musically they were a big influence. My father was always listening to Depeche Mode when I was little. When you’re small you usually hate your parents’ music. Then there’s the day you find out that it’s good stuff your father listens to. It was Depeche Mode, David Bowie and Queen . . . electronic/Depeche Mode vibe was a big influence on our music.

D: Who came up with the name Cinema Bizarre?

Strify: I found the word Bizarre. People look at us and say, “You’re so bizarre, why are you so strange, what is up with you guys?” We wanted to give bizarre a positive background. The Rocky Horror Picture Show is also bizarre – positively bizarre. It’s the same for us. But just Bizarre wasn’t a good band name. We found out about a new movie category called Bizarre Cinema, which features really strange movies from the 70s. It was quite fitting.

Kiro: It was perfect.

D: How did you get on the tour with Lady Gaga?

Strify: We met in Berlin. She was the opening act for Pussycat Dolls. We wanted to meet her. I have followed her career from the very beginning. She really liked us. We went backstage after her show and I think the first thing she said to us was, “You look like all my ex boyfriends, you’re so cute.” It was so great. It was such a nice compliment. We met her crew and her dancers. Two days later she called and asked if we wanted to open the show.

Kiro: We couldn’t believe it at first.

D: You’ve traveled all over Europe now?

Strify: France, Russia, Scandinavia, Italy . . . I’m always happy to come back to Paris because it’s one of my favorite cities.

Kiro: I like Moscow. I like Russia so much. Moscow is like Berlin only bigger. Saint Petersburg also is a very beautiful city.

Strify: [Saint Petersburg] is impressive. They have so many big buildings. It’s the same kind of architecture you can find in Berlin and Moscow. Stalin-inspired architecture.

See more photos of Cinema Bizarre’s show here.