Show Review: The Cars @ Showbox SoDo

The audience at the Cars last night was so thrilled to be there. People were dancing and smiling as if, well, as if the Cars were playing their first show in twenty-four years in a venue where you could actually see the band. I’m convinced the Cars are one of the most influential band of their era. You can hear their sound all over so many bands, whether the bands realize it or not. So how does the original stack up? Absolutely sleek, shiny, strong and joyful. Move Like This, the band’s first album in quite some time (since 1987 if you want to count back), is a brilliant work, one that you can recognize right away as a Cars album – and there’s everything right in the world with that. Also, Showbox SoDo introduced a new sound system last night, and it absolutely worked with the Cars in producing a crisp, perfect delivery. Singer/guitarist’s Ric Ocasek’s vocals were record sharp, and all instruments were clarity itself. The band has an elegant presence that shone through with familiar and less familiar songs, including the opening “Good Times Roll,” “Let’s Go,” “Touch and Go,” “My Best Friend’s Girl,” “Sad Song” and “Keep on Knocking.” The song “Moving in Stereo,” which might just be my favorite Cars song, got two plays as the band didn’t seem happy with performance one. It was incredible to hear the song even once, but twice was an ecstatic godsend. “I’m Not the One,” and “Just What I Needed” exquisitely went through the roof. Deceased bassist/singer Benjamin Orr is missed – a loud contingent of the audience screamed for “Candy-0” – yet the Cars continue their relevant beauty.

The Cars

Review by Dagmar

Show Review & Photos: Jamaica @ Neumos

Jamaica, a duo from France, play the kind of music you’ve got to dance to. And make out to, if I can judge by the number of audience members who were getting it on at Neumos show the other Friday. A threesome broke out, a woman’s dress seemed to come mostly unzipped in the back, and several audience members were, um, “dancing”. Also there were a couple people wearing animal heads – I think one was a fox and the other may have been Pikachu. Add on to this that the audience was composed of fans who knew the songs well, and it was an intriguing evening. So, back to the band. Jamaica’s music did for sure make people dance, and the band put on a rousing show for their first Seattle appearance. Their music was more rugged live than on CD – their fabulous debut LP, No Problem just came out – and it made the experience of seeing them live very different. Instruments were pleasingly loud and the interaction between guitarist/lead singer Antoine Hilaire and bassist/singer Flo Lyonnet was zippy. Big numbers for me? Opener “Cross the Fader,” “Short and Entertaining,” “Secrets,” “Gentleman,” (which I knew would be great after hearing a snippet during soundcheck) “By the Numbers,” “When Do You Wanna Stop Working?” and “I Think I Like U 2.”


Jamaica @ Neumos


Jamaica backstage @ Neumos

Review & photos by Dagmar

Gallery of Jamaica @ Neumos

Photos: Professional Bull Riders Invitational @ KeyArena

Every so often we want to offer something completely different. This was the case when we heard there was going to be a Professional Bull Riders Inviational at KeyArena in Seattle. Here are some photos by Alex Crick from the Seattle Invitational, which took place on April 29th. Please enjoy the following actions shots, perhaps while listening to your favorite music:

CD Review/Show Preview: The Kills @ The Showbox at the Market 5/9

The Kills hit The Showbox at The Market May 9 (Photo Shawn Brackbill)

The jury is still out on how I feel about Blood Pressures, the newest album by The Kills. It’s complicated.  I do know for certain that I love the band The Kills, and in this case the sum of their parts is enough to keep me listening, as well as quick to score tickets to their much-anticipated return to Seattle on Monday.  (Sadly for fence sitters, The Showbox at The Market appearance is currently sold out; though they’ll return for Bumbershoot in September).  Blood Pressures is a “quality” rock record:  it pricks the ears and won’t leave you feeling as if you just got hustled.  But it does seem like the fire in the bellies of co-conspirators Jamie Hince and Alison Mosshart has cooled almost imperceptibly.  “The Future Starts Slow” kicks off with the same mix of stark, satellite-calling guitar, big clicking beats, and cooler-than-cool vocal interplay that’s made the duo what they are. “The Heart Is a Beating Drum”, “Nail in My Coffin”, and “DNA” are thumping and raw, though perhaps more polished than the beautifully frenetic Midnight Boom. Which isn’t a bad thing exactly- no band can survive by releasing the same records over and over again. Mosshart’s swagger and blues have been perfected through constant work with Hince as well as her many other musical endeavors (most notably The Dead Weather). She’s definitely up there with PJ Harvey and Karen O in the modern list of true great women in rock. “Baby Says” and “The Last Goodbye” show Mosshart’s soft underbelly.  “Damned if She Do” and “Pots and Pans” feel a little unimaginative (maybe even bored), but “Wild Charms” is the only true throwaway.  There’s no need for Hince to show how he can perfectly mimic a Beatles song in an outtake; there’s so much more The Kills should be famous for.

Like this, for example- backstage at Conan:

-J.Price