Photos: Priscilla Ahn @ Columbia City Theater

Priscilla Ahn played at quaint Columbia City Theater last week in the middle of her current US tour. Accompanied by Wendy Wang on guitar and vocals, Ahn told a great little story with every song. Her very enjoyable latest album, This Is Where We Are, explores electropop which is a departure from her typical folk and pop style.

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Show Review: Battleme @ El Corazon

Battleme @ El Corazon, 3/27/14
Review by Jessica Price

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Ah, the exquisite pain of standing in an achingly slow-moving line in the rain, knowing that the band you really came to see is already on stage because you can hear them starting up, less than 50 feet away from you, through the decrepit walls of El Corazon. Battleme opened for The Supersuckers and The Toadies in Seattle – kind of an odd bill, but not so much when you consider all three are descendants of a sort of scrappy rock n’ roll outlaw prototype; although radically different in delivery there’s a similar intent (feel good, rock out, the end) and varying degrees of South/Southwestern state connections (Battleme’s Matt Drenik, a Portland-by-way-of-Austin transplant, was showing his colors in a faded Bocephus T-shirt).

Battleme’s opening set was just what I’d hoped for: raw and crackling with pent-up energy, lots of spitting and wild-eyed looks flying around, the kind that make you feel like you might be in trouble if you’re not paying attention in the first couple rows and get some eye contact. (A frontman that puts the fear of god in you with some piercing eye contact is never a bad thing. . . unless you’re standing still). Battleme’s jangly but solid songs are built on that mysterious combination of elements that many aim for but few honestly do well: songs that can make your heart swell or tears spring up because they just sound so crucial somehow. It’s warm weather music, made to crank up in the summertime.

Having said that, Battleme’s second album – Future Runs Magnetic – came out March 11 on El Camino Records. It’s probably the only record I’ve played and played again obsessively from the get-go since Prince started mysteriously dropping new music with 3rdEyeGirl on his website last year. It’s fucking fantastic, and I can’t put it down.

Looks like I’ll have a chance to make up for my lost 15 minutes of set time when Battleme returns to Seattle June 5 as they’ll be headlining over at Barboza. Get tickets HERE. They’re gonna go fast.

Have I mentioned it’s been a minute since I blew all my fun money a week before payday at the merch booth, stocking up on super-soft T-shirts and vinyl?

Photos: Eilen Jewell @ Tractor Tavern

Eilen Jewell recently made a stop at the Tractor Tavern near the end of her current US tour. Backed by Jerry Miller (guitar), Johnny Sciascia (bass) and husband Jason Beek (drums), Jewell is supporting her latest album, Queen of the Minor Key. Initially hidden behind her guitar, it soon became apparent that Jewell was very pregnant. Commenting that she and Jason didn’t know the baby’s sex yet nor have chosen a name, someone in the audience suggested “Tractor,” much to the delight on the crowd.

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Comedy Special Review: Marc Maron’s Thinky Pain

Aging Gracefully: Marc Maron’s Thinky Pain
by Blake Madden

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Marc Maron was once the clean-shaven, shorthaired guy with the snarling wit and small bifocals. He donned the standard open sports jacket issued to male comedians of the era. He was the skinny, wiry, angry guy.

That’s the Marc Maron I remember from my youth, but that wiry combative comedian is mostly gone – washed away with the drugs and alcohol that nearly derailed his life. Today’s Marc Maron – now 50 and starring in the new standup special Thinky Pain – is shaggy and sports a bushy moustache. He’s dressed as much for a walk in the woods as for stand-up comedy. His movements and words are less taught; the hard-edged antagonist has settled into the role of slow-moving curmudgeon.

Of course the anger is still there, but the object has changed. All of Maron’s petty anger is ultimately subsumed by his meta-anger, the one aimed at his own nature and his inability to escape it – or at the very least – tame it. It’s comedy as open-ended therapy, with Maron as both patient and shrink. Bits don’t begin with segues, they begin with declarations like “Let’s work through this.” Maron is Richard Lewis if Lewis also did podcasts with Jack White and cared about tube amps and bought Captain Beefheart records.

A story about doing a morning radio interview begins with a quick meditation on waking up at 5:30 AM (“5:30 is bullshit. I mean is it day? Is it night? What the fuck is that?”). It wades into a tangential flashback of late nights and early mornings from his coke-possessed past. It morphs into a story about calling a hotel lobby at 5:30 in the morning for a toothbrush, getting no answer, and immediately assuming he’s one of the few survivors of a zombie apocalypse. Finally, it becomes a clinical dissection of his odds of surviving that zombie apocalypse given his self-classification as a beta male.

Maron’s stories expand or contract given his mood or the mood of the audience. They spring from a word, a thought, or theme: hypochondria, atheists, vegans, pornography. At one point he tells the audience “I didn’t prepare. Did you want me to prepare? Preparing is for cowards.”

Maron may not script his performances beat-by-beat, but his experience in the past decade – from hosting liberal talk shows on Air America radio in the mid 2000s, to interviewing on his popular WTF Podcast during the last four years – he has honed his skills as a conversationalist. Even when he’s not specifically talking to someone, he’s moving a conversation along. After twenty five years, Maron is still a standup at heart, though; Thinky Pain is filled with plenty of well-timed verbal jabs, disguised jokes, and callbacks to keep it from ever falling into the pure narcissism Maron so often accuses himself of.

Self-indulgence is a danger for an observational humorist that mainly observes himself, but for Maron that danger must be part of the appeal as well, the “juice” as he calls it. The only thing Maron pursues with religious zeal is closure. Almost every story has an undercurrent of “now vs. then”. In the titular bit, grown-up Marc gives advice directly to his pudgy child self after an attempt to catch a fly ball in a baseball game ends with him falling down and the ball bouncing off his face. “There’ll be no more chance of physical pain from here on out, only ‘thinly pain’. . . It’s gonna take a lifetime to walk this off.”

Maron is still walking off his disappointment and baggage, but he’s found a way to enjoy – and create entertainment – out of that process. He’s at his most honest now, which is when comedians are at their best. And he’s found a way to control the ride without white-knuckling the wheel. His WTF Podcast continues to grow in popularity and season 2 of his television show, Maron recently debuted on IFC.

As Marc Maron would say, he’s working through some things.

Photos: Rodrigo y Gabriela @ Paramount

Rodrigo y Gabriela played at the Paramount Theater on Sunday in support of 9 Dead Alive, their first album in 5 years. The appreciative crowd was on their feet for most of the show as they watched the amazing guitar work by both of them. They played together for most of the show, but each had his/her own time in the spotlight playing solo. Rodrigo commented that while most tour stops are determined by others, Seattle was one of five cities they selected for the tour.

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