Show Review & Photos: Magic Man @ the Crocodile

Magic Man @ the Crocodile, 7/15/14
Show Review & Photos by Dagmar

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Magic Man‘s Alex Caplow

An all-ages show can be a really cool experience. The fans are usually open to new things, and they’ve got an enthusiasm for music adults sometimes lose. The fans are sometimes more expressive. This was definitely the case when fans of Boston’s Magic Man were able to enjoy the band’s first Seattle headlining show at the Crocodile. Magic Man’s very first show in Seattle was opening for New Politics, and they appeared already to have their own fan base.

If all music on earth had to be wiped out except for one genre, I’d most likely plump for any type of music involving a synthesizer to survive. So I’m coming at this band and show with a definite bias. I waited in a sold-out, non-airconditioned room for three and a half hours to see this quintet. I found a perch, and loved every minute of their awesome set. The lighting really only allowed me to get photos of singer Alex Caplow (hey, I will never complain about taking photos of him); forgive me if I show a bias in this article. Caplow’s got a super stage presence and. . . magical voice. He’s made to be a rockstar.

The band’s set list drew from their fresh debut, Before the Waves, an album I’d urge you to get. Songs such as “Paris,” “Texas,” and “Catherine” just soar damn high, on record or live. As part of their encore, Magic Man performed a cover of Bruce Springsteen’s “Dancing in the Dark,” a song I’ve always had mixed feelings about. But when Magic Man did it? Really nice.

Don’t trust me? You can decide for yourself when they open for Smallpools at the Neptune on November 24th.

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Review: Heart @ the 75th Anniversary of the Showbox

Heart @ Showbox at the Market, 9/18/14
Show Review & Photos by John Rudolph

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Thursday night, September 18th was an extremely good night. I had the privilege of seeing Rock and Roll Hall of Famers, Heart play for the second time this year. Heart rocked an intimate yet enthusiastic crowd at the 75th anniversary of the Showbox at the Market. Heart and the raucous Seattle crowd have clearly had a long relationship, where the adoration goes both ways.

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Seattle natives Heart have rocked the music scene since the ’70s. They haven’t lost any of what has made them so popular over the last 40 years – if anything they’ve just gotten better. Ann’s voice is still one of the best in music and Nancy’s lead guitar work and stage craft are timeless.

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As you would expect, the Wilson sisters soulfully played their most popular hits. For their encore, Heart played a tribute to Led Zeppelin with 3 fantastic performances. Their Zeppelin covers are some of the best I‘ve ever heard. It was an amazing experience seeing such a talented and powerful band in such a historic venue.

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Photos: Capitol Hill Block Party – Day 3, Part 2 w/Ricky & Mark, Gibraltar, Haunted Horses & the War on Drugs

I finished my last day at Capitol Hill Block Party catching three local bands, and a bit of the War on Drugs‘ soundcheck. You read that right: the War on Drugs’ soundcheck. That band was running at least 45 minutes behind schedule (I don’t know when the time schedule got thrown off, might have had nothing to do with them), and though I wanted to get pix of them, after standing in the sun for over an hour I just lost my strength. I did see a lot of Ricky & Mark, a rap/synth band (or as they call it: rappa comma everything). I also saw Gibraltar at the Barboza Stage and Haunted Horses at the Cha Cha Stage. I enjoyed all the acts, and was especially glad to see Haunted Horses, whose sonic weirdness went well with the Cha Cha Lounge’s strange walls and bloody red lights.

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The War on Drugs – all photos by Dagmar

More Photos of Capitol Hill Block Party, Day Three – Part 2

Photos: Capitol Hill Block Party – Day 3, Part 1 w/Kithkin

The always-stunning Kithkin was let loose on Capitol Hill Block Party‘s Vera Stage. Easily one of Seattle’s very best bands (I won’t rank the great bands; that would just be icky), Kithkin has created its own magical, ethereal and absolutely whomping sound and way. All hail Kithkin.

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Kithkin – photos by Dagmar

More Photos of Kithkin @ Capitol Hill Block Party

Show Review & Photos: Xiu Xiu, Circuits des Yeux & Newaxeyes @ Barboza

Xiu Xiu, Circuits des Yeux & Newaxeyes @ Barboza, 8/5/14
Review by Nick Nihil
Photos by Dagmar

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Before I get into the music let me first get this message out: if you’ve paid to get into a music venue for a show featuring live musicians, please SHUT UP. Music venues, particularly small ones usually featuring rock or other forms of music in a popular aesthetic, while often having a bar, do not serve the same functions of bars. A bar is where you go and talk loudly. A bar usually features some bullshit Pandora station being pumped through speakers, indicating that the purpose of the music isn’t necessarily there for the patrons to listen intently. For those who say that a musician’s job should be to command the crowd and shut them up, I’ll say yes, but with a caveat. When a musician plays in a bar, whose performance is a mere blip or outlier within normal operations, and NOT in a venue open solely for exhibiting performers, it’s on him/her to silence a crowd. When you’ve paid to get into a show and then decide to shoot your mouth off endlessly 20 feet from the stage, you’re wasting your money and doing a disservice both to yourself, the rest of the audience who actually cares to pay attention to the performers, and the performers themselves. If you want to talk loudly, go the fuck to a bar or step outside. Dropping $10 doesn’t entitle you to obnoxious behavior. Try actually engaging with what you’ve paid for – it does wonders for your experience. This, of course, also applies to the constant use of all of your electronic gizmos. Stop taking pictures and actually take in the show. Be engaged and responsive, otherwise you’ll have a ton of pictures from things you barely remember.

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This miasma of clatter and din was most apparent during Circuit des Yeux’s set, a solo noise-folk performer combining elements of the Buckleys (both Tim and Jeff), PJ Harvey, and Nico. This was not a pretty, flowery singer-songwriter set. Often running her acoustic guitar through abrasive fuzz while, at one point, nearly swallowing the microphone while screaming into it, she brought an unusual but highly effective confrontational abrasiveness to the idea of the acoustic folk singer. Because her set was dynamic, the sound of the loud, drunk patrons often overpowered the quieter moments in her set. I would have loved her set a lot more had I not spent most of it choking on my own rage over the behavior of the crowd. In fact, just typing that sentence induced a rage flashback. That said, I haven’t heard anyone else really pull off what she pulled off.

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Xiu Xiu was everything I’d anticipated, though I missed the presence of Angela Seo. They’ve been one of my favorites for many years. First of all, they were loud enough to drown out all those assholes in the crowd, so YAY for that. Second, percussionist Shayna Dunkelman added an entirely different energy than Angela or her predecessor, Caralee McElroy. Whereas Angela held perfectly the brooding nature of Xiu Xiu’s graphically tortured material, Shayna bounced and whacked drums with a manic pixie glee that seemed innocently joyful but with a hint of fem-dom sadism. Her energy seemed to carry over to Jamie Stewart who, in spite of the traumatic nature of the material, also seemed to be having fun. The big surprise of the night was their arrangement of “Sad Pony Guerrilla Girl.” On both the new album and the subsequent tour, Stewart abandoned guitars in favor of synths, oscillators, and sample pads. It was stark, confrontational, harrowing, and explosive – almost diametrically opposite to the warm but wilting original. “Stupid in the Dark” hit with even greater indignation and ferocity, and “A Knife in the Sun” quaked the ground.

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Seattle’s Newaxeyes opened the show in a compelling nature with heavy beats and noisy soundscapes, apparently weathered some hefty guitar technical difficulties throughout the duration. Whatever broke, it didn’t affect the show. This is another in a long line of of those badass Cornish kids who seem to spin gold everywhere they go. Don’t miss these guys.

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