Show Review & Photos: Margaret Cho @ Tacoma Comedy Club

Margaret Cho @ Tacoma Comedy Club, 11/5/14
Show Review & Photos by Geoffrey Gribbin

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Margaret Cho

On a rainy evening in Tacoma, Washington Margaret Cho takes the stage, her gritty humor and raw edginess are spared not. She immediately dives into her routine with a vengeance, including references to her fallen comrades. Her closeness to Joan Rivers and Robin Williams have her visibly shaken as she recounts stories with them – including talk of the funeral for Joan Rivers, with countless comedians in attendance. Howard Stern delivered a tearful eulogy, and we feel as though we are almost there with them all.

At times this evening seems cathartic for Cho. For a rockstar lifestyle now at an impasse by divorce and drug addiction, including stories of drug use with Anna Nicole Smith, Cho is embarking on a new journey of rediscovery of who she is in a world overrun with headlines of women haters and anti-homosexual sentiment. She proudly proclaims herself the biggest fag hag she knows to the cheers of the audience.

Her routine is sprinkled with feminism but in general is raunchy to the core. At one point Margaret declares she would like to kill with a gun all rapists, Catholic priests, most football stars, and numerous celebrities who have inflicted abuse upon the innocent people of the world. Some she would give a ten yard running head start. Click, click, boom.

The quote of the evening boils down to this: “There is no I in team, but you can’t spell psycho without Cho.”

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Margaret Cho

Show Review and Photos: Mudhoney with Girl Trouble @ Olympia Film Society

Mudhoney with Girl Trouble @ Olympia Film Society, 11/7/14
Show Review & Photos by John Rudolph

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Mudhoney

Two of the most enduring Northwest bands, Mudhoney and Girl Trouble played to a packed house at the vintage Olympia Theater and Olympia Film Society on Friday night. In many ways, the show was a reunion. The Olympia Film Society celebrated 31 years of the Olympia Film Festival and Mudhoney and Girl Trouble played the Film Society like they did 25+ years ago.

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My oldest friend, John Nelson and I reunited after a 25 year hiatus and we enjoyed the trip down memory lane. John and I reminisced about growing up in England together and about the fun times we had until we lost touch 25 years ago. Mark Arm, lead singer of Mudhoney, reminisced about his past as a musician and his long relationship with the members of Girl Trouble.

As it turns out, Arm and I attended the very first Girl Trouble show at Ft. Steilacoom Community College Battle of The Bands in 1983. The young Mudhoney and Girl Trouble fans may say the same thing 30 years from now.

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The crowd was rowdy, the bands were raucous, and the setting couldn’t have been better. It was very much an old-school punk show. I started my coverage of the show from the front against the stage. Once the mosh pit started I knew it was time for this older, beat-up body to move to the balcony. The crowd was in full contact from the first note of Girl Trouble to the last note from Mudhoney.

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Both of these bands rocked it out hard. In addition to the requisite moshing from the crowd, a younger, female fan jumped on stage and danced like a go-go dancer. Girl Trouble’s Kurt Kendall removed his shirt, showing no shame, and all was right with the world again. All in all, it was a very successful reunion and a great concert.

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Show Review & Photos: Kasabian @ Showbox at the Market

Kasabian @ Showbox at the Market, 10/4/14
Show Review & Photos by Dagmar

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Kasabian‘s Tom Meighan

The consistently awesome Kasabian smashed up Showbox at the Market on October 4th. The Leicester, England quartet has five albums to date; each one is excellent and proof of a magical band. I’ve been a fan of this group since 2004, and I’ve seen them several times, including their first show in Seattle, which was at Neumos in, I believe, ’04. How I wish I could have known of them during their earlier, formative years in the late ’90s. They’re one of the few bands that I can remember the first time hearing them, and seeing them. Their song “Club Foot,” and the accompanying video stood out as something cool, moody and unique.

That they have maintained a Kasabian sound while trying new things – new album 48:13 emphasizes a tiny bit more pronounced techno side – and never coming off as contrived, is proof that, ten years after their American debut, their presence is strong. I think, as with other Kasabian shows I have reviewed, when I went to select song highlights, I realized I was covering the entire setlist. That’s how good Kasabian is.

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Sergio Pizzorno of Kasabian

Starting the show with 48:13‘s “bumblebee,” which created a sonic scene with fans jumping up and down, making that Showbox floor shake, Kasabian powered through a rocking and electronic set. As with Oasis front man Liam Gallagher, all singer Tom Meighan would ever need to do, with such a presence and sexy talent, is stand and assess the audience. Whether we were found wanting, who can say, but was he ever so cool and has he ever sounded so great? I’m not saying he only stands around – not at all – though, at times guitarist/singer Sergio Pizzorno might generally be the traditionally wilder of the two onstage; racy while playing guitar on his back, dancing while “ee-zeh” romped along, and jumping around during “treat.” About “treat”: That is an especially super song live. It’s got a real momentum to it, and worked perfectly on a setlist with West Ryder Pauper Lunatic Asylum‘s “Vlad the Impaler.” The smashing combo of lyrics Work it like a treat, and get loose in those two songs fueled the sold-out crowd.

Pizzorno got the focus with “bow,” a song that beautifully utilized his very ’60s vocals. “Empire” and “Fire” were excellent build-ups to an encore that included “Switchblade Smiles” (a song in which Pizzorno and Meighan duet) and a cover of Fatboy Slim’s “Praise You,” leading into “L.S.F.”. I wouldn’t have thought to pair “Praise You” and “L.S.F.,” but there they were, connecting extremely well.

Thank you, Kasabian, for existing. Your music and performances have meaning.

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Kasabian‘s Chris Edwards

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Kasabian

Setlist:

“bumblebee” (48:13)
“Shoot the Runner” (Empire)
“Underdog” (West Ryder Pauper Lunatic Asylum)
“stevie” (48:13)
“Days Are Forgotten” (Velociraptor!)
“eez-eh” (48:13)
“Processed Beats” (Kasabian)
“bow” (48:13)
“Club Foot” (Kasabian)
“Re-Wired” (Velociraptor!)
“treat” (48:13)
“Empire” (Empire)
“Fire” (West Ryder Pauper Lunatic Asylum)

“Switchblade Smiles” (Velociraptor!)
“Vlad the Impaler” (West Ryder Pauper Lunatic Asylum)
“Praise You” (Fatboy Slim cover) leading into:
“L.S.F.” (Kasabian)

More Photos of Kasabian @ Showbox at the Market

Show Review & Photos: Mary Black with Róisín O @ Benaroya Hall

Mary Black with Róisín O @ Benaroya Hall, 11/4/14
Show Review & Photos by John Rudolph

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Mary Black

Mary Black, longtime Irish singer/-songwriter, performed at Benaroya Hall on November 4th to a packed house. Mary is a wonderful talent who has earned her illustrious reputation with heartfelt lyrics and an angelic voice. She was every bit as good as the audience expected.

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To me, this show seemed like a Passing-of-the-torch for Mary. Róisín O, the daughter of Mary Black opened the show. Roisin didn’t mention the fact but Mary did. The audience could see the pride in Mary’s eyes as she introduced Roisin. Roisin’s voice and style are like Mary’s just 30 years later. They are their own performers but Róisín O has that same angelic voice as her mother.

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Róisín O

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Mary and Róisín performed the encore together singing “As I Leave Behind Neidin” and “Summer Sent.” Mary sang “Song Of Ireland” and “Heaven Help Us All” alone.

Mary has finished touring but she said that she will still be creating music in the future. She said she has toured enough in her 30+ year career. I would say that she has earned a break.

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Mary Black & Róisín O

Photos: Bean @ the Neptune Theatre

Noelle Bean – who simply goes by Bean – played at the Neptune Theatre last week as part of the iHeart Radio On The Rise Tour. Accompanied by a DJ, Bean played guitar on several songs and had a lot of interaction with the audience. She wrapped up her set with “Rollercoaster,” the single off her new EP with the same name. Colette Carr also performed with dancers Nicole Russo and Monica Douglas.

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Colette Carr