Taiwanese American Heritage Week Celebrated with Ten Drum Art Percussion Group Performance in Bellevue
BELLEVUE, Wash. (May 20, 2025) — The Taiwanese Association of Greater Seattle hosted a vibrant celebration for Taiwanese American Heritage Week, part of Taiwanese American Heritage Month recognized each May across the United States.
The event, held at the Meydenbauer Center in Bellevue, featured a dynamic performance by the internationally acclaimed Ten Drum Art Percussion Group from Tainan, Taiwan. The ensemble, known for blending traditional Taiwanese drumming with modern influences, including elements of rock and metal, captivated the audience with a high-energy, family-friendly performance filled with humor, precision and cultural storytelling through music.
The one-and-a-half hour performance was preceded by opening remarks from Taiwanese cultural leaders and community representatives, who highlighted the importance of heritage preservation, youth engagement and cross-cultural understanding.
The celebration was one of several events happening throughout the Seattle region in May to honor Taiwanese American contributions to arts, education, innovation and civic life.
To attend or support upcoming events, visit tagseattle.org to sign up for the newsletter and view the full calendar of activities.
If you are planning a trip to Taiwan, you can visit the Ten Drum Cultural Village in Tainan. For more information visit their website at tendrum.com.tw.
Lords of Acid To Launch 2025 “Praise the Lords” U.S. Tour With Carla Harvey and Little Miss Nasty
Industrial-electro icons Lords of Acid are set to electrify stages across the country as they kick off their 2025 U.S. tour, Praise the Lords, on May 27 in San Francisco. This run marks a new chapter for the band, as they welcome Carla Harvey, former vocalist of heavy metal band Butcher Babies, as their new frontwoman.
Known for their provocative blend of electronic beats, industrial edge and sexually charged anthems, Lords of Acid have been pioneers in the genre since the late ‘80s. With Harvey’s commanding presence and raw vocal power, fans can expect an even more intense and high-energy live experience.
Joining them on the road as direct support is Little Miss Nasty, a hybrid performance group that fuses metal, EDM, industrial and hip-hop with bold choreography and visual spectacle. Described as part rock show, part burlesque, and all attitude, Little Miss Nasty are known for turning every venue into a full-throttle party.
Catch DJ alleykat, Lucia Cifarelli and DJ Xris Smack! on select dates throughout the tour, bringing even more energy and edge to the lineup.
The Praise the Lords tour will hit over two dozen cities before wrapping up June 29 in Las Vegas, offering fans across the country a chance to witness this dynamic lineup live.
Seattle fans can catch the madness live on Friday, May 30, at El Corazon. Tickets are on sale now and expected to go fast.
2025 “Praise the Lords” Tour Dates
May 27 – San Francisco, CA @ DNA Lounge
May 29 – Bellingham, WA @ Wild Buffalo House of Music
May 30 – Seattle, WA @ El Corazon
May 31 – Portland, OR @ Dante’s
June 1 – Boise, ID @ Treefort Music Hall
June 3 – Salt Lake City, UT @ Metro Music Hall
June 4 – Denver, CO @ The Oriental Theater
June 5 – Wichita, KS @ WAVE
June 6 – Lincoln, NE @ Bourbon Theatre
June 7 – Chicago, IL @ Bottom Lounge
June 9 – Detroit, MI @ Magic Stick
June 10 – Cleveland, OH @ Globe Iron
June 12 – Mechanicsburg, PA @ Lovedraft’s Brewing Co.
June 13 – New York, NY @ Racket NYC
June 14 – Washington, D.C. @ 9:30 Club
June 15 – Philadelphia, PA @ Underground Arts
June 17 – Atlanta, GA @ The Masquerade
June 18 – New Orleans, LA @ House of Blues New Orleans
June 19 – Houston, TX @ Scout Bar
June 20 – San Antonio, TX @ Vibes Event Center
June 21 – Dallas, TX @ Granada Theater
June 23 – El Paso, TX @ RockHouse Bar & Grill
June 24 – Tucson, AZ @ Rialto Theatre
June 26 – Mesa, AZ @ The Nile Theater
June 27 – Los Angeles, CA @ Teragram Ballroom
June 28 – San Diego, CA @ Music Box
June 29 – Las Vegas, NV @ TBA
Stay tuned for more updates and surprises from the tour. For tickets and VIP packages, visit the official websites of Lords of Acid, Little Miss Nasty, and El Corazon for Seattle’s show.
Cool Cover:Anohni and the Johnsons‘ Breaking Details: I can’t find anything about who made the cover art for Breaking, but isn’t it adorable? Look at those little teeth. So fierce. Cats always seem to curl their tongues up when yawning. There must be some reason for this – but not something called the Flehmen Response – that little face they make when they smell something really great. ~Dagmar
From First Pitch to Final Encore, ONE OK ROCK Delivers Unforgettable Night in Seattle
SEATTLE (May 14, 2025) – Japanese rock legends ONE OK ROCK returned to Seattle on Tuesday night for the second stop of their North American Detox Tour, igniting the WAMU Theater with a high-energy performance that left fans buzzing long after the final encore.
The band, whose last Seattle appearance was in 2022 at Showbox SODO while promoting their album Luxury Disease, is now touring in support of their latest release, Detox. Opening for ONE OK ROCK is Australian punk outfit Stand Atlantic, who warmed up the crowd with a vibrant 45-minute set featuring both fan favorites and fresh tracks.
Before the concert, the members of ONE OK ROCK made a surprise appearance next door at T-Mobile Park, where they threw the ceremonial first pitch at the Seattle Mariners game against the New York Yankees. Accompanied by the Mariners Moose for a group photo, the band enjoyed some Major League Baseball action, met with cheers from fans who recognized them in the stands.
Excitement began building early in the day, as lines of enthusiastic concertgoers wrapped around the WAMU Theater. Fans began arriving hours before doors opened at 7 p.m., eager to claim prime spots near the stage. By early evening, the crowd had grown into the thousands, stretching down the length of Lumen Field. Conversations buzzed with anticipation, as fans swapped stories of past shows and shared thoughts on the new album.
When the venue doors opened, fans surged inside, some rushing to the barricade, others to the merchandise tables to grab tour swag before the show began.
Stand Atlantic took the stage at 8 p.m., delivering a high-octane set that had longtime fans singing along and new listeners quickly joining in. Their energetic performance set the tone for the night.
At 9:15 p.m., the lights dimmed and ONE OK ROCK took the stage, launching into “Puppets Can’t Control You” from Detox. The crowd erupted as the band followed with fan favorites “The Beginning” and “Save Yourself”, both of which were met with deafening sing-alongs and roars of approval.
The stage setup was sleek and minimal, three risers at the front, a higher drum riser in the back, and a large screen displaying visuals and lyrics. Throughout the night, lighting effects, lasers and fog machines added to the theatrical atmosphere, enhancing the band’s powerful performance.
Frontman Taka paused between songs to connect with the audience, speaking passionately about the band’s lyrics, the state of the world and the importance of unity and standing up for change. True to form, he also addressed the Japanese-speaking portion of the crowd in his native language, drawing cheers from international fans.
Bassist Ryota Kohama took his turn on the mic, hyping the crowd and challenging Seattle to prove its reputation for having one of the loudest audiences on tour. The response was a thunderous, arena-shaking roar that seemed to meet the challenge.
The night was not without its surprises. Midway through the set, a bra was thrown onstage. Taka, amused, picked it up and quipped, “Are we still doing this in 2025?” He then humorously modeled it for a few moments, laughing along with the audience before the band jumped back into the set.
Later, in a heartfelt encore, the band returned to the stage wearing customized Seattle Seahawks jerseys bearing their names, prompting an emotional reaction from fans and cementing the band’s appreciation for the local crowd.
From the first note to the final bow, the audience was electric, jumping, dancing, singing and cheering with unrelenting energy. As the house lights came up, smiles and tears filled the room, a testament to the unforgettable experience shared by all in attendance.
The North American Detox Tour continues with 13 more dates. The next show is set for Friday, May 16, in San Francisco. For fans of live rock music, this is a tour not to be missed.
Post punk/noise icons The Jesus Lizard presided over a pair of shows at Seattle’s Neptune Theatre this past weekend. Vocalist David Yow, guitarist Duane Denison, bassist Dave Wm. Sims, and drummer Mac McNeilly have been recording and touring off and on since the late 80’s. After a lengthy sabbatical 2024’s excellent and well-received release Rack has ignited a motivating fire under the band. They played a series of dates after the album’s release last year and followed them up with a US tour this spring that concluded with the Seattle show reviewed here. The Jesus Lizard is now off to Europe and the UK followed by dates in Asia later this fall and a visit to the east coast toward the end of the year.
It’s no intended slight to state that a lot of bands 30+ years into their career have settled into a routine and stage show that, in service to longtime fans, focuses on ‘the hits’. A potential downside to this sort of ‘legacy’ approach can be stagnancy with recorded output and live performances becoming rote after many years leaving not a lot of room for fresh ideas. Perhaps the Jesus Lizard escapes this fate by having had slight radio exposure over the course of their career (i.e. ‘no hits’). The Jesus Lizard’s music doesn’t fall easily on the ears at first listen given Yow’s shouted exhortations (some might question the signifier ‘singing’ in reference to his vocal technique), angular, distorted washes of guitar, and a nimble but exceptionally heavy rhythm section. It can take a bit of adjustment for listeners typically attuned to more traditionally glossy fare to find identifiable landmarks by which to navigate in the Jesus Lizard’s dense and sometimes challenging work but the band’s longtime fans are devoted, enthusiastic, and onboard for everything they serve up. There are hooks and melodies aplenty seeded throughout their catalog but they’re heavy hooks and aggressive melodies, certainly more so than what is typically played on the radio in 2025. Nirvana is an apt reference point (a band the Jesus Lizard split a single with in mid 90’s), with the Jesus Lizard pushing the guitar discordance, unexpected time changes, and edgy vocals up a few notches. It gets slippery when it comes to identifying the genre space they inhabit. Art/Noise/Punk rock with an almost metal adjacent attack, The Jesus Lizard somehow forge a unique identity out of a large and varied collection of influences.
Sunday’s show interspersed songs from 2024’s Rack with material from releases spanning the band’s entire career. Frontman Yow made multiple forays into the very active audience, crowd surfing and singing throughout his excursions. David Yow is 64 years old, exactly a month older than me. His commitment to his presentation, not to mention his apparent durability, is nothing short of astonishing. His stage presence at times carries a hint of, if not danger at least unpredictability, which can shift to a charming, avuncular goofiness without warning, often within the confines of a single number. He is a riveting band leader and the band that he fronts is a true force. Loud, tight, menacing, in short, the perfect foil for their singer’s vibe. The Jesus Lizard are a powerful unit and their performance Sunday carried a palpable weight and impact. Their almost 90 minute set, including two encores (8 songs!) left the crowd happy, satisfied, and spent.
Seattle’s Anthers played a well-received set to open the show. This is the third time I’ve seen them play and they’ve been markedly better on each occasion. Anthers fit the bill perfectly Sunday evening and the combination of bands made for a fantastic night of heavy and exciting music.
