Show Review & Photos: BANKS and Absolutely @ Paramount Theatre

Banks - Paramount Theater 2025-6-4

BANKS Launches ‘Off With Her Head’ Tour in Seattle With Cinematic Flair and Emotional Power

SEATTLE (June 4, 2025) – American singer-songwriter BANKS officially launched her Off With Her Head North American tour Wednesday night at Seattle’s Paramount Theatre, delivering an electrifying and emotionally charged performance that set the bar high for the rest of the tour. Opening support came from rising British artist Absolutely, whose gripping stage presence and inventive production stunned the crowd and signaled a promising start to the evening.

The night began with Absolutely, a British singer-songwriter whose résumé includes collaborations with major artists such as Tinashe, Rudimental, Tiesto and Louis The Child, along with songwriting credits for Normani, David Guetta and Anitta. While she may be the younger sister of powerhouse RAYE, Absolutely needs no introduction once she steps into the spotlight.

To many in the crowd, she was a new name. But by the end of her set, she had the audience firmly in her grasp. Performing songs from her 2023 album Cerebrum, as well as the upcoming single Goodbye Glitter, set to release June 13th, she also gave fans a glimpse of unreleased material slated for later this year. Each track was delivered with artistic clarity and powerful vocals.

By the time she left the stage, Absolutely had turned intrigue into admiration, establishing herself as an artist to watch closely.

When BANKS took the stage, anticipation was thick in the air. Fans had been buzzing before the show, eager to hear both new material and long-beloved hits from her catalog. She did not disappoint.

Her performance began with her seated in a transparent chair center stage, lit solely by an overhead spotlight. Later, a front spotlight joined to further illuminate her haunting presence. Dressed in a lace mini dress with a long train that swept to her left side, thigh-high lace-up boots and a white choker, she moved gracefully with a white mask in hand, using it as a choreographed prop that turned the opening into a performance art piece.

Launching her set with commanding presence, BANKS delivered a 16-track main set that drew heavily from her new album Off With Her Head, along with fan favorites from Goddess, The Altar and III. Fans’ anticipation was rewarded early with a powerful rendition of “Drowning,” one of the most discussed tracks among the crowd before the show began.

Songs from Off With Her Head included “Delulu,” “I Hate Your Ex-Girlfriend,” “Stay,” “Love Is Unkind,” and “River,” among others. One major highlight was the live debut of “Make It Up,” met with a wave of excitement from the audience.

Her stage design was stark yet sophisticated. A black grand piano rested on a riser, a digital backdrop displayed her name and shifting visuals, and floor-level strobes were positioned strategically across the stage. The lighting was a character of its own, moving through white, deep blues, flashes of yellow and purple, and rich magenta and crimson, each hue enhancing the emotional contour of her performance.

BANKS moved with effortless control. She drifted across the stage, danced with abandon, waved to adoring fans and at one point performed atop the piano. She also sat to play it, spotlighted in a moment of quiet intimacy.

In a special moment between songs, she revealed to the crowd that she has relocated to Seattle, news that sparked thunderous cheers and made the night feel even more personal to her Pacific Northwest fans.

The main set closed with high energy, and she returned for an encore featuring two beloved tracks: “Waiting Game” and “Beggin for Thread.”

Overall, the opening night of the Off With Her Head North American tour was a masterclass in immersive live performance. From the production design to vocal delivery, BANKS reminded her audience why she continues to be a vital and evolving voice in alternative pop.

Her next performance takes place June 6th in San Francisco. This tour is not one to miss.

BANKS Gallery

Absolutely Gallery

Show Review & Photos: Lords of Acid, Little Miss Nasty and DJ AlleyKat @ El Corazon

Lords of Acid - El Corazon 2025-5-30

Lords of Acid Light Up Seattle with Electrifying “Praise The Lords” Tour Stop at El Corazon

Seattle (May 30, 2025) – Lords of Acid brought their Praise The Lords tour to a packed El Corazon Friday night, delivering an electrifying performance that was equal parts spectacle and sonic mayhem. Supporting acts DJ AllyKat and Little Miss Nasty set the tone for the night with high energy, unapologetic performances that primed the crowd for the techno-industrial chaos to follow.

The evening opened with a pulsing DJ set from DJ AllyKat, whose seamless mix of hypnotic trance, driving techno and high-octane dance tracks transformed the venue into a neon-lit rave. Her command of the decks and intuitive flow kept the audience in constant motion, setting a thumping foundation for the rest of the night.

Following the DJ set, the stage lights shifted and Little Miss Nasty stormed in, turning up the heat with a raunchy, high-intensity burlesque show. Their provocative choreography, seductive pole routines, and live body painting captivated the crowd. The dancers’ synchronized movements were fierce, commanding full attention as they blurred the lines between erotic art and raw empowerment.

When Lords of Acid finally took the stage, the energy in the room reached a fever pitch. This show marked their first Seattle performance since the addition of Carla Harvey, former co-vocalist of Butcher Babies, who now fronts the band. Harvey’s presence was magnetic and fierce. Her vocals added a fresh yet faithful edge to the Lords’ signature sound, showcasing a raw versatility that elevated the live performance.

Early in the set, the band encountered a brief technical delay at the end of the first song. But Harvey used the moment to connect. With charm and sincerity, she spoke about her journey from Lords of Acid fan to frontwoman, describing it as a surreal honor. She then engaged the crowd in conversation, creating an unexpected highlight when an audience member revealed it was his birthday. Without hesitation, Harvey led the crowd in an impromptu “Happy Birthday,” turning a glitch into a moment of connection and joy.

When the band launched into the track “Rubber Doll,” a plastic blow-up doll was hurled into the crowd, sending the audience into hysterics. The timing was perfect. The inflatable companion surfed the crowd for the rest of the night, passed from hand to hand as it bounced over heads, becoming an absurd and unforgettable mascot for the wild evening.

The band tore through an eclectic set packed with fan favorites. During “Worship the Lords,” Little Miss Nasty returned to the stage with a double-sided sign reading Praise the Lords on one side and Fuck the Rest on the other. The provocative display, combined with their animated dancing and middle fingers in the air, embodied the rebellious spirit of the night.

Later, during “Pussy,” Harvey invited female audience members onstage. A wave of fans rushed forward, dancing and celebrating themselves as they leaned into the moment, both literally and figuratively. The crowd interaction was electric, and the bond between performer and fan was unmistakable.

As the final notes rang out, the crowd erupted in cheers and applause, pleading for more. The band lingered briefly, shaking hands and waving to fans, before making their exit from a stage they had thoroughly conquered.

For longtime followers and new fans alike, this show was a reminder of what makes Lords of Acid iconic; boundless energy, explicit liberation and a touch of chaos. Carla Harvey’s addition to the band is not just fitting, it is inspired. Her presence breathes new life into a group already known for pushing boundaries.

The Praise The Lords tour continues through June 29th, wrapping in Las Vegas. For anyone seeking a wild, unforgettable night of music, dance and raw attitude, this tour is not to be missed.

Lords of Acid Gallery
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DJ AlleyKat Gallery

Show Review & Photos: Rolling Quartz @ El Corazon

Rolling Quartz - El Corazon 2025-5-22

Seattle Shakes as Rolling Quartz Unleashes Rock Fury at El Corazon

SEATTLE (May 22, 2025) – Rolling Quartz returned to Seattle on Thursday night and delivered an explosive performance at El Corazon, leaving no doubt that this all female Korean rock band was here to conquer.

Formed under Rolling Star Entertainment, Rolling Quartz, made up of members Arem, Hyunjung, Iree, Jayoung and Yeongeun, debuted in 2020 with their single “Blaze.” Since then, they have steadily built an international following, combining high octane rock with fierce stage presence and undeniable musical talent.

Their latest North American tour, “Stand Up,” has been a much anticipated event for fans across the continent. Seattle, the second to last stop before the tour finale in Vancouver, British Columbia, saw a packed crowd of devoted Diadems, the name for Rolling Quartz’s growing global fanbase. Many fans had been waiting since the band’s last Seattle appearance at the Fun House in 2023, and the excitement in the air was palpable long before the lights dimmed.

Far from showing signs of tour fatigue, the band tore into their set with an energy that felt like opening night. From the moment they stepped on stage, Rolling Quartz brought a relentless musical assault that proved their reputation as a must see live act.

The band offered multiple fan experience tiers for this tour, including meet and greets, soundcheck viewings, signed albums, and individual photo opportunities with each member. These elevated packages helped create a deeper connection between artist and audience, showcasing the band’s commitment to fan service and interaction.

While studio recordings offer a solid introduction to the band’s music, Rolling Quartz is meant to be experienced live. Their sound is loud, fast, emotionally raw and hits with even greater intensity in person. The members commanded the stage with confidence, their performance radiating throughout the venue. And the Diadems gave it right back, singing, shouting and raising their hands high in solidarity and celebration. The energy in the room was nothing short of electric.

The setlist featured powerful originals like “Blaze,” “Victory” and “Stand Up,” each one delivered with precision and passion. The band also showcased their versatility with covers that spanned genres, from Motley Crüe’s “Kickstart My Heart” to Lady Gaga’s “Bad Romance” and the rock ballad “Azalea” by MAYA. These familiar hits gave fans a chance to join in and belt out the lyrics, strengthening the communal spirit of the evening.

Throughout the show, guitar picks could be seen sailing over the crowd as fans scrambled to catch a piece of the moment. Each solo, whether on guitar, bass, drums or vocals, was a masterclass in technical skill and raw performance. Yet even with all the power on display, the warmth and camaraderie between band members added layers of emotional depth and authenticity to the show.

As the final notes rang out and the band took their bows, one thing was clear: Seattle had just witnessed something special. Rolling Quartz left their mark on the city once again, and fans are already eagerly awaiting their return.

With the tour having concluded in Vancouver, B.C., the “Stand Up” tour solidified Rolling Quartz as one of the most exciting international rock acts to watch. Their electrifying performances across North America, culminating in their unforgettable Seattle show, left a lasting impression on fans and cemented their reputation as a powerhouse in the global rock scene.

Make sure to connect with Rolling Quartz to stay up to date with their news at https://www.rollingquartz.live

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Show Review: Stray Kids @T-Mobile Park

Photo Credit- JYP Entertainment – David Endicott

Stray Kids Dominate Seattle with Electrifying Kickoff of North American Tour at T-Mobile Park

SEATTLE (May 24, 2025) — Under the golden hues of a late spring sunset, the chants of “Stray Kids!” echoed through T-Mobile Park, shaking the stadium long before the first beat dropped. The K-pop powerhouses made their explosive return to Seattle on Saturday night, launching the North American leg of their “dominate” world tour with a sold-out spectacle that delivered both emotionally and visually.

Fans, known as STAY, began lining up in the early morning hours, some clutching handmade signs and dressed in coordinated outfits representing their bias. Many passed out gift bags that included photocards, stickers, electrolyte packs, and SKZ-beaded charms for phones, an expression of fandom and unity within the STAY community. By the time gates opened, the atmosphere was buzzing with anticipation. A 20-minute delay due to extended entry lines only heightened the excitement.

With an attendance of more than 41,000, Stray Kids broke the record for the highest-attended K-pop show in Seattle, also surpassing attendance for acts like the Red Hot Chili Peppers while setting a new bar for T-Mobile Park concerts.

As lights dimmed and an opening sequence of flag bearers and pyrotechnics unfolded, the show kicked off with cinematic intensity. The group’s eight members, Bang Chan (leader), Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. appeared in gleaming white, jewel-studded outfits and silver boots, flanked by dancers in deep blue with gold trimmed sashes. The opening number exploded into motion with synchronized choreography, LED stage effects and thunderous cheers from the audience.

Photo Credit- JYP Entertainment – David Endicott

Earlier that day, the band had announced modified choreography to accommodate Felix, who had been managing back issues in the days leading up to the show. Though he remained a constant presence on stage, fans noticed a few subtle cues, most notably when he appeared in a sleeveless shirt, revealing visible cupping therapy marks on his right side. The audience responded with overwhelming support, cheering louder during his verses and visibly moved by his resilience.

The setlist spanned the group’s discography, offering a seamless blend of aggressive hip-hop tracks, melodic ballads and high-energy crowd favorites. Stray Kids thrive in controlled chaos; the pace fast, the transitions sharp, the vocals relentless. Each member took turns stepping into the spotlight, often for just seconds, creating a whirlwind of shared attention.

Despite the show’s pace, there were personal moments of connection. Between outfit changes and transitions, the members frequently paused to address the crowd, expressing heartfelt thanks and marveling at the turnout. Some even walked along the barrier separating the stage from the pit to greet lucky fans face-to-face.

The crowd hit its loudest points during “District 9,” the hard-hitting anthem that first launched them in 2018, and “Chk Chk Boom,” which gained additional attention through a viral collaboration with Ryan Reynolds and Hugh Jackman in last year’s Deadpool & Wolverine campaign.

A wardrobe change into red signaled a tonal shift as the group split into duos, offering some of the night’s most artistically distinct moments. Han and Felix traded rapid verses on “Truman,” Changbin and I.N. commanded the beat on “Burnin’ Tires,” while Bang Chan and Hyunjin delivered a haunting performance of “Escape.” Lee Know and Seungmin closed the mini-set with the emotional ballad “Cinema,” prompting a stadium-wide singalong that softened the show’s otherwise high-octane tone.

Photo Credit- JYP Entertainment – David Endicott

These duets offered a momentary departure from the full-throttle energy and gave fans a chance to focus on vocal range and lyrical delivery. It was a reminder that beneath the explosive stage effects and nonstop choreography, Stray Kids are first and foremost musicians.

There was no opener, and none was necessary for the nearly three hour show. From the initial drop to the grand finale, Stray Kids commanded the stadium with the ease of artists at the peak of their careers. “S-Class” and “Lonely St.” lit up the venue with synchronized lightstick waves, while “Lalalala”, “Megaverse”, and “Maniac” (MAMA ver), had the crowd jumping in unison while the band and dancers took the front of the stage set while fireballs where launching in the air behind them, signaling the end of the main set.

Returning to the stage for their first encore, the group performed six additional songs, including “Blind Spot” and their self-titled track “Stray Kids.” But the energy didn’t fade. In a fan-service highlight, the members boarded motorized carts and made a full lap around the field, waving and dancing as they sang to fans seated farther from the stage. The gesture was met with cheers and tears, as STAYs basked in the rare opportunity for a more personal interaction.

The second encore brought fans to their feet one final time with “Chk Chk Boom” (in remixed form) and the uplifting anthem “Haven.” It was a euphoric end to a night that left few sitting and none unaffected.

The evening was also a full-blown sensory experience. Fireworks, bursts of CO2 clouds, fireballs, streamers, and dazzling pyrotechnics punctuated key moments throughout the set, adding a visceral punch to an already high-impact production. The visual effects elevated the atmosphere, turning the kickoff of the North American tour into a stadium show unlike any other, one that didn’t just entertain but overwhelmed in the best possible way.

With this performance, Stray Kids didn’t just dominate; they elevated. As the lines between music genres and global markets continue to blur, it’s becoming clear that the “K” in K-pop is less a genre label and more a cultural passport. Stray Kids are no longer rising stars, they’re main-stage headliners on a global scale.

Seattle may have been just the beginning, but for the fans who filled T-Mobile Park, it was a night they’ll be talking about for years. The tour resumes tomorow night in San Francisco and continues through June, wrapping in Toronto before the group heads to Europe in July.