Show Review & Photos: The Damned & The Cute Lepers @ the Showbox Market

Photos & Show Review: The Damned & Cute Lepers @ Showbox Market, 10/27/11

By Marianne Spellman

At some points in the night, there was absolutely nothing that I could do to take a good photograph of The Damned at the Showbox at the Market. Nope, I just had to wait it out, because sometimes the floor was bouncing so much from people jumping and dancing, I might as well have been trying to shoot during an earthquake. This phenomenon made me smile greatly and I thoroughly enjoyed my unintended pit pogos, for The Damned put on a damned good 35th Anniversary show. I really didn’t want it to end.

The Showbox crowd this night was an interesting mix: elder past punks like me who bought The Black Album and Damned Damned Damned when they were first released (in 1977 and 1980, respectively, and performed in full this evening), black-clad goth-y present-day punks in their 20s and 30s, and most surprisingly, a good amount of enthusiastic teens. I was especially thrilled to see a few of the younger fans at the front shouting out lyrics and reaching out to shake hands with lead vocalist Dave Vanian, who sported his elegant and mysterious Victorian-vampire-Vincent Price look. The garrulous Captain Sensible was also in fine form on guitar, keyboards, and vocals, warmly addressing the audience (and also definitely not disappointing in sartorial splendor). Pinch on drums and Stu West on bass made for a thunderous rhythm section, and 74-year-old Monty Oxy Moron put musicians half his age to utter shame with his energy on keyboards, not to mention supreme leaping-lord skills.

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Show Review & Photos: The Drums, Io Echo & Veronica Falls @ the Crocodile

It had been far too long since I’d been to the Crocodile, and this particular occasion was hotly awaited, at least for me.

The Drums’ latest album Portamento sadly didn’t do much for me on record, but I’d heard such good things about the band that I wanted to give them another shot, live this time. Hailing from Brooklyn, The Drums are one of those bands that have already hit it big in the UK, but haven’t quite made much of an impact over here in the US. I tend to gravitate toward those bands, not sure why.

Opening the show as Io Echo, who started out with a bit to be desired. But once they got going, io echo reminded me of Metric, but with more synthesizer and ambient vocals. Think Metric and New Order. “When the Lilies Die” sounded straight out of a Sophia Coppola film, and I really dug it. While the lighting was less than excellent, the music accompanying the strobes made for a promising evening.

After Io Echo’s both frantic and ethereal set, English band Veronica Falls took the stage for some good old-fashioned rocking beachy shoegaze. Again, it was very 80s-inspired, with simple guitar riffs and rather deadpan delivery. If you like The Raveonettes, you’ll love Veronica Falls. I certainly did. Not only were they a great band to listen to, they were quite charming on stage, which is what I’ve found with most UK bands.


The Drums

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