Show Review & Photos: Panic! At the Disco @ Showbox SoDo

The cavernous Showbox SoDo had turned into Seattle’s largest (and noisiest) steam room by the time Panic! At the Disco took the stage, the air filled with shrieks and teenage girlsweat. Standing in the photo pit, I began to understand why security guards wear earplugs — the band is fairly quiet from that vantage, but the screams of the crowd were deafeningly loud and completely unrelenting.

Panic is worlds away from what I was into at fourteen. I reached that age in the height of the grunge era, when an unwashed Kurt Cobain was the heartthrob du jour, and stage demeanor was a studied (or stoned) disaffection. The suits and ties and hair gel that the boys of Panic sport would have seemed at best archaic and at worst ridiculous, embarrassing and out of touch. Nowadays? I flipping love it. Their bear hug embrace of theatricality and their unabashed willingness to enjoy themselves are a joy to behold and a much better inspiration to kids (or adults) than chilly faux-cool.


Panic! At the Disco – photos by Brittney Bush Bollay


Panic! At the Disco – photos by Dagmar

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Photos: Cibo Matto & The Chain Gang of 1974 @ Neumos

Recently reunited Cibo Matto, Miho Hatori and Yuka Honda, performed at Neumos for a truly ecstatic audience last Tuesday evening. The show followed March’s benefit the duo took part in to help victims of Japan’s earthquake and tsunami, and Tuesday’s concert was one of the first shows the band has done since disbanding in 2001. Photographer Simon Krane and I got to check out Cibo Matto and openers The Chain Gang of 1974, who just happens to be an artist I’m picking as one of my own personal breakthrough artist of the year. They return to Seattle in August with Tapes ‘n Tapes.


Cibo Matto – photo by Simon Krane


The Chain Gang of 1974 – photo by Simon Krane


Cibo Matto – photo by Dagmar


Cibo Matto – photo by Dagmar


The Chain Gang of 1974 – photo by Dagmar


Cibo Matto – photo by Simon Krane

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Photos: Cheyenne Marie Mize @ the Fremont Abbey

I saw the talented Cheyenne Marie Mize for the first time in March at SXSW in Austin. Her name recently popped up on the Fremont Abbey’s calendar and I immediately grabbed tickets. Her website says it best … whimsical, haunting, dreamlike folk that’s dynamic and eschews the traditional folk formulae … rugged and gentle, innocent and forlorn, spacious and intimate, desolate and uplifting … honey-tinged vocals make up this simple, immaculate collection of vintage torch ballads, engrossed in twinkling bucolic imagery. The Fremont show was in the middle of her US tour with Vanderveer.

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Review & Photos: KISS @ The Everett Events Center

It was a typical day at work when at 1:45 P.M. I got a call from my buddy Tom exclaiming that the KISS Army was a man down. Major Tom insisted that I join the fight.

After 40 years of hard livin’ and even harder rockin’, KISS still packs the house with wild and colorful fans. As I joined the ranks of bleached blondes in bustiers, aging rockers, and new recruits, the show got underway. KISS took us on a journey through time and space playing songs spanning four decades. Not all of the original members are still around but KISS has lost none of its magic and theatrics. The winged Demon still belches blood, the stage was engulfed in flames hot enough to melt faces, and was bathed in light dazzling the senses.

KISS

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