Show Review & Photos: Bassnectar & Ghostland Observatory @ WaMu Theater

Bassnectar & Ghostland Observatory @ WaMu Theater, 5/12
Review by Gabrielle Gribbin & photos by Geoffrey Gribbin

Arriving at WaMu Theater, passersby and concertgoers are seemingly welcomed by fireworks, although the fireworks belonged to the neighboring venue. We let ourselves believe that the light barrage is strictly for us. Each step brings anticipation of what lay inside. Tonight we will be able to escape and to be held in a space with bass guided music.


Bassnectar

Stepping into the doors brought the wave of sound and energy these dub shows bring – a sense of community in a way. Everyone surrounding you is here for the same reason you are, to experience and be a part of this sound. As more bodies flood in, one sees the array of ensembles that are worn. From bikinis with long seaweed like tassels to spandex and tutus, simple dresses and casual to comfortable attire, one can dance all night.

Working deeper into the crowd and into night the scenery becomes akin to that of a circus. To my left is a man on stilts, jumping up and down on these spring-loaded things. He seems to have a counterpart, a woman on stilts as well, with twirling light infused ropes. Here you see a man on a unicycle, someone roller-skating, and a woman dressed as a jellyfish. We observe the vessels in our surroundings until the music begins to grow, volume starting as a hum and increasing with each passing second, allowing our heart rates to do the same.

The electric sound starts as a white light strobe with the beat. But now all we can see is red, waiting for something – but we don’t know what. Not until the moment before the drop, a curtain that has been shielding our vision literally drops and the crowd falls into the trance of the night.

The stage is an array of constantly changing shapes and colors. Bassnectar’s podium would be a peach color with blue flashing lights surrounding him, and within thirty seconds the entire venue would look as if we were underwater with an overwhelming amount of blue surrounding each and every one of us.

With each song we get closer to the end, but we are even in anticipation for that. Which song would he grace us with now? “Open Your Eyes” is the song. Now the stage’s projectors lay images of twitching rainbows and strobe images of eyes for our visual pleasure. Now as the frequency gets higher, the ceiling begins to fall, the ceiling that previously held thousands of colorful balloons is now at our fingertips. With the now silencing hush of the music a blasting wave of voices takes its place as now we start to go over every little detail we observed. We rack our minds and recall favorite moments so this memory will be imprinted in our minds for years to come.

This is Bassnectar.


Bassnectar


Ghostland Observatory


Atmosphere @ Bassnectar

Photos: Sasquatch! Music Festival w/Jack White, Pickwick, St. Vincent, Said The Whale, Fred Armisen & THEESatisfaction

Sasquatch! Music Festival ends today, but we’ve got some evidence of what’s happened there coming in from Abby Williamson, who has spent the weekend at the Gorge, camping. Camping and taking photos.


Jack White


Pickwick


St. Vincent


Said The Whale


Fred Armisen


THEESatisfaction

CD Review: Magic Hour by Scissor Sisters


Magic Hour – Scissor Sisters (photo by Neil Krug)

Review by Dagmar

In an interview promoting Duran Duran’s song “A View to a Kill,” singer Simon Le Bon described it as “a proper disco stomper.” The phrase is apt for that song, as well as so many of Scissor Sisters‘ songs.

With the release of Magic Hour, Scissor Sisters have now created four passionate, alarming and adventurous albums. Scissor Sisters do what they want. They’ve managed to release albums of individuality and integrity. They’ve produced all their own albums, with very little co-producing. Going back to their first release to the newest album, they’ve balanced lovely ballads, “Mary,” “Might Tell You to Tonight,” “Skin Tight,” “ Inevitable” with racy and gaspingly great disco stompers, “Tits on the Radio,” “Paul McCartney,” “Any Which Way” and “Let’s Have a Kiki.” The band will always take a chance with sounds and do something you do not expect. Lyrics can be touching, hilarious, sexy and they’re always smart.

Magic Hour contains the variety of songs you’d hope from Scissor Sisters. Whether you prefer the softer, romantic Scissor Sisters or the harder Scissor Sisters, there’s plenty to love on Magic Hour, such as laser beam sounds! “Baby Come Home,” catches attention with the lyrics it’s a half past quarter to three and “Keep Your Shoes On” has a happening clapping beat and fabulous vocals intoning shimmy shimmy cocoa puff/I can’t seem to get enough, while “Shady Love” prances with a sexy rap. The album also includes two extremely inspiring gentler songs, “Year of Living Dangerously” and “Best in Me,” each one delivered without one ounce of saccharine. “Only the Horses” and “Self Control” fit me just damn fine. “The Secret Life of Letters” again emphasizes singer Jake Shears’ strong vocals, while “Somewhere” is so stirring. “Fuck Yeah” is intricate and beautiful synth rap. Yet what might be just my favorite song on Magic Hour is the aforementioned “Let’s Have a Kiki.” The lyrics are disarmingly funny and the tune is spiritually overwhelming. It calls back to the brilliant Scissor Sisters classic “Monkey Baby.” Every hour listening to Scissor Sisters is magic hour.

Magic Hour hits stores May 29th. If you don’t trust me, see what Josh Homme has to say.

Photos: Opeth & Mastodon @ Showbox SoDo

In a dream pairing, Mastodon and Opeth co-headlined Showbox SoDo on April 30th. Swedes Opeth have released ten albums since 1995, and on Opeth’s site lead singer Mikael Åkerfeldt reveals he has two cats, Isaac of York and Maurice De Bracy. Mastodon hits the festival circuit in Europe this summer. No one asked us to do this, but hey, this shirt is really awesome. That cover rocks. Enjoy some photographic beauties of Seattle’s show by Geoffrey Gribbin:


Opeth


Mastodon


Opeth


Mastodon


Opeth


Mastodon


Opeth


Mastodon

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