Show Review & Photos: Korn and Gojira @ the Tacoma Dome

KORN – photo by Diane Webb

Korn and Gojira Dominate Tacoma Dome with a Night of Heavy Metal Intensity

Tacoma Dome, October 10, 2024 – The Tacoma Dome shook under the weight of two powerhouse acts on Thursday night, as nu metal veterans Korn headlined a sold-out show with French metal juggernauts Gojira as direct support. Canadian metal band Spiritbox was also slated to open, but unfortunately, heavy traffic caused by a conflicting Seattle Seahawks NFL game left many fans, including myself, unable to catch their set.

Despite the late arrivals, the energy in the venue quickly ramped up as Gojira took the stage, delivering a powerful performance that set the tone for the night.

Gojira Electrifies the Crowd with Precision and Power

Gojira kicked off their set with “Born for One Thing,” a track from their acclaimed 2021 album Fortitude. The opening riff exploded through the Tacoma Dome, accompanied by perfectly timed bursts of pyrotechnics and CO2 fog that created a dramatic visual spectacle. Lead vocalist and guitarist Joe Duplantier’s roaring vocals were relentless, and the band’s precision was unmistakable. They followed up with “The Axe” and “Backbone,” offering a mix of groove-heavy rhythms and pummeling intensity that got the crowd moving early.

Mid-set, they treated the audience to fan favorites like “Flying Whales” and “Stranded,” showcasing their range from atmospheric passages to hard-hitting, thrashing sections. The band also played “L’enfant sauvage” from their 2012 album of the same name, igniting cheers from longtime fans. Toward the end of their 12-song set, Gojira performed “Mea culpa (Ah! Ça ira!) / Remembrance,” the track that catapulted them to mainstream attention after being featured in the 2024 Summer Olympics. They closed with “Amazonia,” a song with a socially conscious message about deforestation, capping off a stunning performance that solidified their status as one of the most formidable live acts in modern metal.

Korn Brings Nu Metal Nostalgia with a Vengeance

After a short break, the stage was veiled in darkness as anticipation for Korn’s headlining performance built. Suddenly, the massive black curtain dropped, revealing the band as they launched into “Here to Stay,” a staple from their 2002 album Untouchables. The crowd erupted, and Korn made it clear they were there to make an impact.

Jonathan Davis, Korn’s charismatic frontman, stalked the stage with his signature intensity, his vocals as sharp and guttural as ever. The band wasted no time, powering through heavy hitters like “Dead Bodies Everywhere” and the bass-driven anthem “Got the Life,” as fans screamed along to every word. Their set included a balanced mix of classics and newer material, including “Start the Healing” from their latest album Requiem.

In a poignant moment mid-set, Davis paused to reflect on Korn’s long history with the Tacoma Dome. He recalled their last performance at the venue 22 years ago and thanked their loyal fans, particularly those who have been with them for the full 30-year journey. Davis also acknowledged the younger generation of Korn fans, many of whom weren’t even born when the band first emerged in the 1990s, and expressed gratitude for their support.

Korn kept the energy high throughout, treating the crowd to deep cuts like “Good God” and the eerie “Shoots and Ladders,” which was briefly interwoven with a snippet of Metallica’s “One.” They closed the main set with “Y’All Want a Single,” a defiant anthem that whipped the crowd into a frenzy.

The band returned for a three-song encore, kicking off with the haunting “Falling Away From Me.” They followed it with “Oildale (Leave Me Alone)” before concluding with their iconic track “Freak on a Leash.” As the familiar bassline of “Freak on a Leash” filled the Tacoma Dome, the crowd surged with renewed energy, singing every word. The final notes left the Tacoma Dome buzzing with excitement, and the performance solidified Korn’s legacy as nu metal legends.

Thursday’s show at the Tacoma Dome was a masterclass in metal, with both Korn and Gojira delivering performances that left an indelible mark on the audience. Korn’s nostalgic, hard-hitting set paired with Gojira’s technical prowess and visual spectacle made for an unforgettable night. Fans left the venue buzzing, knowing they had witnessed two titans of the genre at their very best.

Setlists:

Korn Setlist:
Here to Stay
Dead Bodies Everywhere
Got the Life
A.D.I.D.A.S.
It’s On!
Good God
Start the Healing
Michael & Geri (played from tape)
Blind
Ball Tongue
Clown
Shoots and Ladders (with a snippet of Metallica’s “One”)
Twist
Make Me Bad
Y’All Want a Single

Encore:
Falling Away From Me
Oildale (Leave Me Alone)
Freak on a Leash

Gojira Setlist:
Born for One Thing
The Axe
Backbone
Stranded
The Cell
Flying Whales
Grind
Another World
L’enfant sauvage
Mea culpa (Ah! Ça ira!) / Remembrance
Silvera
Amazonia

KORN Gallery

GOJIRA Gallery

The Black Dahila Murder, Dying Fetus, Spite, and Vomit Forth at the Neptune Theater

The Neptune Theater played host this week to the Black Dahlia Murder, Dying Fetus, Spite, and Vomit Forth for a night of loud and satisfying death metal. The action in the pit was energetic, the audience was sweaty, aggressive, and very enthusiastic.

The Black Dahlia Murder

Dying Fetus

The audience was amped during each of the band’s sets, with action and excitement peaking during the co-headling performances of the Black Dahlia Murder and Dying Fetus.

Photos: The Raveonettes @ the Crocodile

The Raveonettes at The Crocodile: June 3, 3024
By Lisa Hagen Glynn

The Raveonettes – photo by Lisa Hagen Glynn

Post-punk shoegazers the Raveonettes played The Crocodile on June 3, 2024. The duo includes Sune Rose Wagner (guitar, vocals) and Sharin Foo (bass, vocals). New York City indie rockers Wild Pink opened.

The Danish noisemakers released The Raveonettes Sing…, a cover album of their most influential songs. Their tour was the first in ten years, with two shows in NYC and hitting additional cities such as Portland and Los Angeles.

The Raveonettes – photos by Lisa Hagen Glynn

Wild Pink – photos by Lisa Hagen Glynn

The Raveonettes’ Set List

When Night is Almost Done

Aly, Walk with Me

Hallucinations

Lust

Dead Sound

Blush

Railroad Tracks

Somewhere in Texas

Love Can Destroy Everything

Attack of the Ghost Riders

Veronica Fever

Do You Believe Her

My Tornado

The Enemy

Endless Sleeper

That Great Love Sound

Remember

Love in a Trashcan

Recharge & Revolt

Orville Peck at Chateau Ste. Michelle Winery

Orville Peck at Chateau Ste. Michelle (photo: Lisa Hagen Glynn).
Orville Peck on September 25, 2024 (photo: Lisa Hagen Glynn).

By Lisa Hagen Glynn

A neon ORVILLE PECK rattlesnake sign flashed during the lighting check, foreshadowing the alt-country artist’s arrival. Soaking rain subsided just as Orville Peck took the stage at Chateau Ste. Michelle Winery. The stepwise bass line for “Big Sky” started up, and Peck’s velvety baritone sang a doleful ballad about relationship loss. He paused between tunes to invite the audience to “sing along, dance, and even cry.”

Orville Peck at Chateau Ste. Michelle (photo: Lisa Hagen Glynn).

The South African native has maintained a secretive identity, only recently revealed as punk drummer Daniel Pitout. He famously performs in sharp western wear and a face mask covered with long fringe—although this time it was just a short leather eye mask.

Orville Peck at Chateau Ste. Michelle (photo: Lisa Hagen Glynn).

Backing Peck was a five-piece band that included guitar, vocals/guitar/keys, bass, drums, and pedal steel. A vocalist announced as Emily Rose supplied beautiful harmonies, accompanying Peck on several tunes.

Orville Peck at Chateau Ste. Michelle (photo: Lisa Hagen Glynn).

Peck’s set included tunes across his discography, including his August 2024 album Stampede, a series of cross-genre duets with notable partners. An audience favorite from that album was “Cowboys Are Frequently, Secretly Fond of Each Other,” a Ned Sublette cover that Peck recently recorded with 91-year-old country great Willie Nelson. Peck announced, “Willie Nelson wanted to do a song with me, but about gay cowboys. I’m gay!” In just half a decade, Peck has become a queer and a country icon.

Orville Peck & Willie Nelson – “Cowboys are Frequently Secretly Fond of Each Other” (2024)

Peck also played his favorite song from Bronco, “Hexie Mountains,” about his struggles with depression. Peck later moved to an upright piano, and asked if there were any truckers in the audience. He dedicated his song about gay truckers, “Drive Me, Crazy,” to trucker “Aaron” (whose name we could have sworn was actually “Kevin,” but he took it in stride).

Audience at Chateau Ste. Michelle (photo: Lisa Hagen Glynn).

A great showman, Peck swung and shimmied, dueled with each band member, and pulled off some daring high kicks in cowboy boots atop a damp stage. He returned for a one-song encore of “Bronco,” met by restarting drizzle and enthusiastic applause.

Orville Peck at Chateau Ste. Michelle (photo: Lisa Hagen Glynn).

Opening were Nashville artists Nikki Lane and Emily Nenni. Unfortunately this writer arrived too late to hear Nenni due to a traffic snarl on I-405. Lane fronted a six-piece group that played a twangy, catchy set. Peck’s tour continues through October.

Set List
Big Sky
Turn to Hate
The Hurtin’ Kind
C’mon Baby, Cry
No Glory in the West
Hexie Mountains
How Far Will We Take It?
Conquer the Heart
Drive Me, Crazy
You’re an Asshole, I Can’t Stand You (and I Want a Divorce)
Blush
The Curse of the Blackened Eye
Lafayette
Any Turn
Cowboys Are Frequently, Secretly Fond of Each Other
Outta Time
Kalahari Down
Dead of Night
Daytona Sand

Bronco