Mudhoney @ Neumos – 25 Years

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When I say Grunge what comes to mind? Seattle? Pearl Jam? Soundgarden? Alice In Chains?…of course but what about bands like The Melvins, 7 Year Bitch, and well maybe Mudhoney? Mudhoney is one of the oldest of the genre and lead singer, Mark Arm, could be called the godfather of Grunge by some.

The anticipation of Mudhoney coming to the stage was a little different then some shows that I’ve covered. Some concerts are electric with anticipation hours before the show begins. This show was very Seattle, laid back with an understated energy.

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I had some great conversations with people before the show. They talked about their first concerts. Names like 7 Year Bitch, Melvins, Screaming Trees, and Mudhoney came up again and again. Big brothers took little brothers to their first show. There was a lot of really great reminiscing. As we got closer to the start of the show, fans asked me if I was ready for the crowd. I assured them that I was and they devilishly smirked.

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The crowd grew with every minute that ticked by. Eventually they all started chanting “MUDHONEY”, “MUDHONEY”, “MUDHONEY.” Mark Arm, Steve Turner, Dan Peters, and Guy Maddison walked onto the stage with the same energy as the crowd exhibited earlier.

From the first strum of the guitar to the last, the crowd surfed, slammed, and screamed with all of the intensity that you would expect at a punk-influenced SEATTLE show.

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Mudhoney and the crowd wasn’t slowing down anytime soon. The band played for two solid hours as did the crowd. The energy thrown into the crowd was thrown back at the same intensity. We were all riveted and we didn’t want to miss one second of it.

25 years later, Mudhoney isn’t slowing down. They just released their 9th studio album, Vanishing Point, which dropped on April 2, 2013.

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Photographer: John Rudolph

Photos: Unknown Mortal Orchestra @ the Crocodile

New Zealand’s Unknown Mortal Orchestra filled the Crocodile to capacity on March 22nd. The band’s second album, appropriately named II, came out this February on Jagjaguwar. Last year they won the Taite Music Prize for their debut – the award is given to the best album from New Zealand. All photos of their Crocodile appearance by Nicky Andrews:

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Unknown Mortal Orchestra

Photos: The Joy Formidable @ Neptune Theater

The Welsh alternative rock band, The Joy Formidable, made a stop during the second leg of their US tour at the Neptune Theater last week. Fronted by Ritzy Bryan (guitar, vocals), with childhood friend Rhydian Dafydd (bass, vocals) and Matt Thomas (drums), they are on the road in support of their second LP, Wolf’s Law.

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The Joy Formidable

Show Review & Photos: Duff McKagan @ the Moore

Duff McKagan @ the Moore, 3/26
Show Review & Photos by Dagmar

“It’s so easy, easy/when everybody’s tryin’ to please me baby” are lyrics in Guns N’ Roses track , It’s So Easy, off their 1987 debut, Appetite for Destruction. Guns N’ Roses bassist Duff McKagan chose the track as the title for his 2011 autobiography, It’s So Easy: and other Lies, a remarkable and compelling work. There’s really no other album like Appetite for Destruction, an album that swooshes, and includes several huge hits you have to like at the least, including “Welcome to the Jungle,” “Paradise City,” and “Sweet Child O’ Mine.”

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Duff McKagan

Guns N’ Roses smartly arranged writing credits for all five members, and though this was accurate, it did not stop other problems from arising. Though McKagan left Seattle in the early ‘80s to avoid the ubiquitous drug scene, drugs became a problem for the band – and McKagan. By the time of Use Your Illusion I and Use Your Illusion II, and then “The Spaghetti Incident?,” drugs were a really big problem. For McKagan, until drugs hurt his bass playing, he felt he could handle it. But then the drugs damaged his playing. His fingers cracked and bled from dehydration, he couldn’t keep in time. McKagan does not shy from talking about anything in It’s So Easy, and his fluid writing style added with this honesty makes for gripping reading. For his reading on Tuesday evening, which began with a cool slideshow of his interests and influences, McKagan picked an excellent selection from the book, perfect to share in the beautiful environment.

For Tuesday’s reading the Moore’s stage was decorated with lovely candelabras holding red, lit candles and a gorgeous chandelier. Bathed in mostly red light, wearing a drape style suit, McKagan connected with the audience in an intense way. He made eye contact, stood several times and got us clapping to the music. Oh, and he received many standing ovations. Talented musicians, including a string section, played softly along McKagan’s readings the songs “Patience,” “November Rain,” “Sweet Child O’ Mine,” “Paradise City,” and cover of Dylan’s “Knocking on Heaven’s Door.” McKagan read parts about his Seattle childhood, which happened fast with early shroom ingestion and young appearances at legendary punk spots such as Gorilla Gardens. When he moved to Los Angeles he eventually formed, along with Izzy Stradlin, Slash, Steven Adler, and Axl Rose, what would become Guns N’ Roses.

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Duff McKagan

When McKagan read selections revealing how he coped with his drug addiction, how he felt horrible about being the sick one in the hospital while his mother was battling Parkinson’s, how he coped with becoming a good husband, father – a person – it was genuine. Audience members were hushed. Right before he read the part of his book dealing with his wife having their first child, he looked out at her with so much respect it was really moving. It was more as if a really cool guy was just up there sharing his life. Which is exactly how it was, and how he wanted it; he eschews being called a rock star.

In his book he talks about a Clash show he saw as a teenager, where the emphasis was on musicians and fans all being in this thing called music together. No fans. No musicians. Just music. Duff McKagan has formed or been in four other great bands since Guns N’ Roses, which, I think emphasizes how he is into music rather than just being known as a rock star, or “that guy from Guns N’ Roses.”

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Duff McKagan

More Photos of Duff McKagan @ the Moore

Show Review & Photos: The Ocean Blue & Math and Physics Club @ the Tractor

The Ocean Blue & Math and Physics Club @ the Tractor, 2/24
Show Review & Photos by Abby Williamson

I’ve seen a lot of bands in my day, and that sounds ridiculous because I’m only 23 years old, but I have. If I tried to sit down and come up with all the artists I had photographed – let alone seen play – it would take me a lot of time and brainpower to do so.

So any time I get to see a band that I don’t know anything about – it’s a bit of a feat. That’s what it was like when I saw the Ocean Blue a couple weeks ago. Seriously, between bands I Googled the Ocean Blue to see if I did actually know who they were. And I call myself an indie music fan. Slap on the wrist for me.

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The Ocean Blue

I had missed the first band by the time I got there, but the second band I also knew nothing about – Math and Physics Club. Now I don’t know if it’s just me, but I was slightly underwhelmed. Not to say that Math and Physics Club was bad, but they seemed out of practice, and lacked a bit of stage presence. Like I said before, I see a lot of bands so I have a “learned palette” if you well.

The Ocean Blue, on the other hand – it seemed like old hat. And it kind of was, actually. The older crowd absolutely loved their set, and I – even knowing nothing of the band – enjoyed it as well.

As I was leaving the Tractor that night, I was a bit embarrassed that I hadn’t heard of this band that had been around since I was in utero, but it was pretty cool to know that I’d seen a band that had been around for that long. I have yet to photograph any other bands that have been playing music longer than I have been on this earth, so this was a good start.

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The Ocean Blue

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Math and Physics Club