Photos: Sean Watkins @ the Triple Door

Sean Watkins headlined at the Triple Door last week during his first solo tour. Accompanied by Dominique Arciero (guitar, vocals) and Tyler Chester (bass, piano, Mellotron, vocals), they played a number of songs off Sean’s recent album, All I Do Is Lie. Sean was also in Seattle last May during Nickel Creek’s 25th anniversary tour. The venue is somewhat unique because it has 16 seats right up at the stage. At one point Sean took a few steps forward from the mic and commented that he felt like a sushi chef – and pretended to serve us dinner.

Nashville-based singer-songwriter and one of my favorites, Lauren Shera, opened. Lauren’s third album, Gold and Rust, was released last year.

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Photos: Bumbershoot – Day 3 w/Reverend Horton Heat, Bad Things & The Weather

Day 3 of Bumbershoot continued its festivities with sets by Reverend Horton Heat, Bad Things and the Weather. Bad Things includes snowboarder/skateboarder Shaun White – they’ll play the Rose Bowl in February (unnecessary plug: Shaun White lent his name/face to Stride, some of the best gum ever). Seattle’s the Weather will appear at Neumos on January 17th, and just released a video for “1983.” Reverend Horton Heat gets more festival action at Coachella this year! All photos by Abby Williamson:

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Photos: Zola Jesus @ Neptune Theatre

The burning incense set the mood for Zola Jesus’ set. She came on stage at the Neptune Theatre for the first night of her North American tour – dressed in black from head to toe. The front of the stage was completely open and that was my clue that Zola would be all over it. She would frequently run from corner to corner, wildly swinging her long brown hair as her strong voice filled the venue. Early in her set Zola told the large crowd, “I’ve been closer than you know.” She was referring to the fact that she recorded her fifth full-length album, Taiga, on Vashon Island. Later she mentioned – to the audience’s delight – that she would be moving to Seattle. If this show was any indication, Zola will have a very successful tour. Deradoorian and Golden Donna opened.

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Show Review & Photos: Gary Numan @ the Neptune

Gary Numan @ the Neptune, 10/28/14
Show Review & Photos by Dagmar

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My jaw dropped all over the place while watching Gary Numan at the Neptune in October. I first saw Numan perform live at Neumos on Halloween 2010, and I was gutted when I had to miss him at Bumbershoot 2013 in Seattle (fellow animal lovers will understand this: one of my cats was passing away at the time. But photographer Kirk Stauffer caught that set) for Back Beat Seattle.

The first time I saw Numan, I was not entirely prepared for what a magnificent performer he is. I knew the show would be great, but as I had not even seen many recordings of his live shows – if you can see those, do it! – I wasn’t 100% aware of what a damn sexy presence he is. Sometimes all that video charisma doesn’t transfer to the stage, right? Anyway, for the October show, I knew what I was getting into. Numan, flexible with stretching moves and stage positions, worked some serious magic along with his vocals and music. Once all this added up, it meant Gary Numan created a show of dominating industrial and electronic beauty.

There’s a recognizable power to his music, and if you look at it going backwards, you can hear a quest for industrial sounds even as early as “Are Friends’ Electric?.” Listen to the guitar, for example. Plus, one of the cool things about Numan is that you can jump in anywhere within his catalog and find something you’d like. For the Neptune set, Numan emphasized his most recent albums, Splinter (Songs from a Broken Mind) – especially well-represented by “I am Dust,” “Here in the Black,” and “Love Hurt Bleed,” and Dead Son Rising – my favorite?: “The Fall.” Other predominant songs came off Pure (“A Prayer for the Unborn” and its title track; The Pleasure Principle‘s “Metal,” and dirtier, slowed down version of “Cars;” Replicas‘ “Down in the Park” and “Are ‘Friends’ Electric?.”

All the goths (and those who didn’t look goth but you know deep down they’ve got goth in them) were into the show. To see a group of fellow fans singing along to “Pure” was quite great: Hey bitch/this is what you are/purified/sanctified/sacrificed.

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Setlist:

“Resurrection” – Dead Son Rising
“I Am Dust” – Splinter (Songs from a Broken Mind)
“Metal” – The Pleasure Principle
“Everything Comes to This” – Splinter (Songs from a Broken Mind)
“Films” – The Pleasure Principle
“Here in the Black” – Splinter (Songs from a Broken Mind)
“The Fall” – Dead Son Rising
“A Shadow Falls on Me” – Splinter (Songs from a Broken Mind)
“Down in the Park” – Replicas
“Dead Sun Rising” – Dead Son Rising
“Cars” – The Pleasure Principle
“Pure” – Pure
“Splinter” – Splinter (Songs from a Broken Mind)
“When the Sky Bleeds, He Will Come” – Dead Son Rising
“We’re the Unforgiven” – Splinter (Songs from a Broken Mind)
“Love Hurt Bleed” – Splinter (Songs from a Broken Mind)
“A Prayer for the Unborn” – Pure

Encore:

“I Die: You Die” – (single, 1980)
“Are ‘Friends’ Electric?” – Replicas
“My Last Day” – Splinter (Songs from a Broken Mind)

Photos and Review: The Jayhawks with Trapper Schoepp @ The Neptune

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The Jayhawks are touring while promoting the re-release of 3 albums, Sound of Lies (1995), Smile (2000) and Rainy Day Music (2003). There are special bonus tracks and remasters on all 3 records.

The Jayhawks played The Neptune with the usual 5 members: Gary Louris, Marc Perlman, Karen Grotberg, Tim O’Reagan, and Kraig Johson. The longtime alt-country band entertained the crowd with 2 special guests; one playing the mandolin and the other playing the violin.

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Two groups of super fans surrounded me and they made the show really fun. One group led by a young fellow named Cori, and the other led by Yvonne from LA. Both groups began comparing how many of the band’s records they have. Cori’s family might have had a slight edge as they have multiples copies of Jayhawks records.

The show was good and Cori and Yvonne were not disappointed. They seemed to really enjoy themselves.

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A mention has to go to Trapper Schoepp. I thought they were a really fun band. They were very much a college band singing about girls they dated and bar experiences, but they were good. It was obvious that they had a great time performing and the crowd felt it.

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Photographer: John Rudolph