Show Review & Photos: Peter Murphy & David J w/Desert Mountain Tribe @ the Moore

Peter Murphy & David J w/Desert Mountain Tribe @ the Moore – 1/20/19
Show Review & Photos by Lisa Hagen Glynn

Peter Murphy and David J sold out The Moore on January 20thto an enthusiastic crowd dressed mostly in black and gothic accessories. They were joined by guitarist Mark Gemini Thwaite and drummer Marc Slutsky. The tour commemorated the 40th anniversary of Bauhaus’ first album, In the Flat Field, which the band performed in its entirety along with other Bauhaus classics.

Peter Murphy & David J – photo by Lisa Hagen Glynn

Through ominous lighting, vampiric front man Murphy arrived onstage in a worn black sequined jacket, leather-embellished pants, pointy black boots, and ample necklaces. Bassist David J wore fitted black jeans, a shirtless vest and blazer, dress shoes, and (of course) dark sunglasses. Strobes flashed and the band started up “Double Dare.”

Murphy’s powerful baritone vibrato has improved, if anything, throughout his 40+ years of vocals, and tonight held its presence amidst some heavy instrumentation. He has also kept his theatrical flair. On “Dive,” Murphy strutted a subwoofer runway to serenade the audience. He started into “St. Vitus Dance” with a megaphone, until the batteries died and he tossed it backstage with a string of profanities. After “Adrenalin,” he teased an apologetic fan at center stage who didn’t know the lyrics: “You didn’t know the words. … It’s one word, ‘adrenaline!’” “She’s in Parties” was accentuated by his warbling melodica. As bossa-nova clicks and descending bass heralded “Bela Lugosi’s Dead,” Murphy popped his pointed collar, flung a blood-red scarf around his neck, and stared with piercing eyes. He sang “Oh, Be-la” and extended the mic to the crowd: All three levels of the theater replied “Be-la’s undead.”

Murphy was witty and flirtatious, especially with the many women in the front row. He bemoaned, “Ah, I’m just a pretty face,” pointing out audience members he would hit on, “But I hope somebody hits on me, because I’m living like a bloody nun.”

Fans crowded the stage and waved their fingers near Murphy’s feet. He brushed them off for most of the set, but eventually obliged: “Oh, for f*ck’s sake, just do it. Put your bloody hands on me.” Hands with pointed fingernails complied by petting his legs. Then David J swooped in to grope Murphy’s butt.

Psych-rockers Desert Mountain Tribe opened. During the second song the audio suddenly cut out, but as guitarist Jonty Balls and bassist Matthew Holt were troubleshooting, drummer Frank van der Ploeg struck up a drum solo to whistles and cheers. DMT restarted the tune and played an energetic set, and then returned to sign records onstage.

The show also fell on the evening of the Super Wolf Blood Moon. During the set break, concertgoers went outside to photograph the lunar eclipse and howl at the moon.

Peter Murphy & David J – photos by Lisa Hagen Glynn
Desert Mountain Tribe – photos by Lisa Hagen Glynn

Show Review & Photos: Squirrel Nut Zippers @ the Crocodile

Squirrel Nut Zippers @ the Crocodile – 11/27/18
Show Review & Photos by Lisa Hagen Glynn

Squirrel Nut Zippers‘ Jimbo Mathus – photo by Lisa Hagen Glynn

Squirrel Nut Zippers swung through The Crocodile on November 27th, 2018. Led by co-founder Jimbo Mathus, the quirky early-jazz revival nonet brought a holiday flavor to their New Orleans style. Their tour supports their March 2018 album, Beasts of Burgundy.

Mathus, dressed as a circus ringleader, alternated between guitar and physical comedy—balancing on an upright bass, dancing in a papiermâché skull mask and Santa hat, and conducting with a serpent staff. Multi-instrumentalist Dr. Sick tossed Mardi Gras beads to the audience, played singing saw, and swing-danced in pinstripes, snakeskin shoes, and cannabis-leaf socks. Vocalist Cella Blue played jingle bells, and underwent several costume changes that included an elf dress and a Christmas-colored suit sewn from a vintage McCall’s pattern.

The Zippers played an energetic set of 15 tunes across their discography, plus a 4-song encore that ended in a second-line parade snaking through the audience. Other highlights included “Ghost of Steven Foster” played as accompaniment to the old-timey B&W cartoon, and of course their 1996 calypso-swing hit “Hell.” Although SNZs’ lineup and style have morphed throughout their 25 years, the band continues to put on a crowd-pleasing show.

Squirrel Nut Zippers – photos by Lisa Hagen Glynn