Show Review & Photos: Of Montreal @ the Paramount

In October, Of Montreal put on one of the wildest – and best – shows I have ever seen. The Georgia band played the Paramount Theater, a venue in Seattle that can really show off a theatrical, musical event. It was a great location for the spectacle Of Montreal threw at me.

I had been hearing there were puppets in the show, and I had no idea what form these puppets might take. Would they be marionettes? Would they be hand puppets? What would they be? Turns out they took the form of futuristic, evil looking giant mosquitoes with guns, strange pajama-clad beings with oversized heads, and dancing pigs who were eaten or cavorted with. The whole performance was an original, eye-opening work of art.

Of Montreal is loveable, talented and also photogenic. Most of the band members wore white outfits of varying themes, though it seemed a nautical theme was the predominant choice. Singer Kevin Barnes initially came out onstage in nylons, polka dotted apron, blue top and striped jacket. Barnes has great legs, and pulled this outfit off with no problem – as he accomplished in his mini skirt he wore later in the show. As a live band, Of Montreal kept the energy high and bouncy through their danceable songs, and when they brought things down for the gorgeous “Casualty of You” (You’ve ruined me/You’re a terrorist) it was just as compelling. Other songs I really got into, and the rest of the audience hopped along during, were “For Our Elegant Castle” (We can do it softcore if you want/But you should know I take it both ways), “She’s a Rejecter” (There’s the girl that left me bitter/Want to pay some other girl/To just walk up to her and hit her), “Suffer for Fashion” (with its exquisite bass and lyrics, if we got to burn out let’s do it together), “Girl Named Hello,” “Plastic Wafers” (I want you to be my pleasure puss), “Heimdalsgate Like a Promethean Curse,” “Gronlandic Edit,” “A Sentence of Sorts in Konsgvinger” (I spent the winter on the verge of a total breakdown/While living in Norway), “Our Riotous Defects,” “Coquet Coquette,” “Like a Tourist” and “Sex Karma”. Also included was “The Party’s Crashing Us” – one I am not sure I’d want to live without.

The music and performance combined as an exotic cavalcade of depth and glory. Of Montreal ended the show with a Michael Jackson medley including “Thriller,” “Wanna Be Startin’ Something” and “P.Y.T.” – amazing. My photos are mostly in sequence, as the show happened, except the first shot:

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Of Montreal – all photos by Dagmar

Gallery of Of Montreal @ the Paramount

Show Review and Photos: Reykjavik Calling @ The Crocodile 11-05-10

Photos by Jill Rachel Evans
Review by Chris Senn

Reykjavik Calling brought unique, unprecedented collaboration to the Crocodile on Friday night. The free show showcased some of the finest Icelandic musicians from Seattle’s sister city of Reykjavik collaborating with Seattle musicians. The four pairings in this showcase were inspired and inspiring. The exchange of culture was uplifting. Most of the musicians met each other earlier that morning only adding to the spontaneity and immediacy of the collaborations. The free show attracted a large crowd to say the least. The line stretched down the block and around the corner and The Crocodile reached capacity shortly after the first pairing took the stage.

That first pairing was Icelandic singer/songwriter Petur Ben and Seattle musician Nathan Wade of Nathan Wade and the Dark Pioneers. Highlights included a Hank Williams cover and a spirited audience sing along of “Billie Jean.” Ben’s own songs featured muscular acoustics. “Something Radical” contained the hard hitting, progressive and memorable lyrics “Do something radical and do it fast, focus on the future and forget about the past.”

Next up was Lay Low paired with Jason Dodson from The Maldives. Dodson started off with The Maldives’ standard ” Lay Low has a thick accent when she speaks but when she sings her accent disappears. Her strong vocals seemed to float on a breeze and her guitar work was technically perfect. Her performance of “By and By” seemed so effortless.

Rachel Flotard and Rusty Willoughby were paired up with Sindri from the band Seabear. Before bringing Sindri to the stage Rusty and Rachel captivated the audience with their vocal harmonies. In honor of what would have been Gram Parsons’ 64th they performed a faithful version of the Parsons/Emmylou Harris duet “Streets of Baltimore.” Sindri came out to play a few solo songs. He joked about just doing his stand up routine instead of playing. He was able to get some laughs with some of his one liners. He used three microphones. One was normal with the two others featuring various degrees of reverb. “I Sing I Swim” is a beautiful, understated piece of pure pop escapism.

Before the last act of the night, KEXP DJ and host of Reykjavik Calling, Kevin Cole, took the stage with a member of the Icelandic Consulate to talk about the collaboration to bring this event together. KEXP worked to make this show possible and the sponsorship of Iceland Air made it a free show.

The showcase, up until now, had been mostly acoustic. That was about to change. John Roderick from the Long Winters took the stage, plugged in his electric guitar and performed a short set of Long Winters’ songs culminating in a rousing version of “Nora” featuring Icelandic musician Mugison on keyboards. His sound varies from straight forward singer-songwriter fare to what I can only describe as hardcore sludge blues. He has a distinct gravely, bluesy soul voice peppered with heartbreak. During “I Want You,” a song about his wife leaving him then coming back, the audience could almost hear his heart breaking.

Most of the night’s musicians joined Mugison on stage to close out the show with an impromptu performance of “Stand By Me.” This was a most unique experience. To see favorite Seattle musicians creating and collaborating with top Icelandic musicians in a venue as small and intimate as the Crocodile was a real treat. Thank you Reykjavik and please come back soon!

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Petur Ben and Nathan Wade

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Lay Low and Jason Dodson

Lay Low and Jason Dodson

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Rusty Willoughby and Rachel Flotard

Rusty Willoughby and Rachel Flotard

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Rusty Willoughby and Rachel Flotard

Rusty Willoughby and Rachel Flotard

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Rusty Willoughby

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Mugison and John Roderick

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Kevin Cole from KEXP

Kevin Cole from KEXP

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Photos: Doomtree @ Neumos

The week got out to a great start with the help of Doomtree, the 7-person touring rap crew who hit Neumos on Monday night. The all ages crowd got jumpin’ early and didn’t stop till the final CD was scratched.  They were opened by local rap artist Dessa. You can see the entire set here.

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(City Arts Fest) Show Review & Photos: She & Him @ 5th Avenue Theatre 10/23/10

Review: Chris Senn

Photos: Brad Curran (courtesy of City Arts Fest)

The first inaugural City Arts Fest came to a close with a final night show by indie darlings She & Him at Seattle’s 5th Avenue Theatre. Rock concerts rarely ever take place at the 5th Avenue. It was great to see and hear Zooey Deschanel and M. Ward in such a great venue. They were on their game all night delivering a much needed, heavy dose of sunny Brill Building by way of California folk-pop.

Much of the audience who arrived early was grateful, I’m sure, for the large overhang at the entrance of the 5th Avenue as the first big fall storm started moving in a couple of hours before. While we were waiting for the doors to open it was nice to be able to get out of the rain.  Once the doors opened, the audience entered the lobby and everyone was able to take in the oriental decor while enjoying a beverage or snack.

The opening band, Mike Coykendall and the Golden Shag, took the stage precisely at eight o’clock to attempt to fire up the crowd. While Coykendall and his band were very technically talented their music came across as a quite derivative version of rock and roll. Coykendall’s vocals came across as a cross between Tom Petty and Michael Stipe. I kept trying to pick his own sound, own voice out from between all the influences but I wasn’t able to do it. Coykendall and the Golden Shag played a good half an hour of professional rock and roll but nothing you haven’t heard before.

She and Him took the stage to deafening cheering and applause. This show was their first proper in Seattle and they didn’t disappoint. The audience love for the band was apparent as many in the crowd resorted to hooting and hollering with tons of “I love you Zooey’s” thrown in. I thought M. Ward was going to get left out of the love fest when I heard some guy a few rows behind me shout at the top of his lungs “I love you Matthew!” All was right with the world. Zooey took the stage bouncing and bubbly jumping around the stage while switching between vocals, tambourine, keyboards and ukulele. They proceeded to play through most of their material from their two studio albums and interacted with the crowd nicely. M. Ward shared an embarrassing story about asking a concierge what street the 5th Avenue Theatre was on, garnering a fair share of laughs from the crowd. Zooey Deschanel referred to Seattle as her second home (she’s married to Ben Gibbard).

Deschanel’s songwriting has grown in leaps and bounds from their first album to their second. This was evidenced in the lush arrangements and vocal harmonies of crowd favorites “Thieves” and “In The Sun.” Her voice hit flat spots during a few songs but was generally strong and hitting the right notes. Not enough can be said about the subtle, understated guitar work of M. Ward. His guitar work adds a complex layer to the music while not overpowering the beauty and flow of the vocals. Highlights included the vocal-centric “I Thought I Saw Your Face Today” and the acoustic gem “Brand New Shoes.” They turned up the energy and volume on “Why Do You Let Me Stay Here,” closing with the entire band pitching in on vocal harmony. They indulged their Brill Building pop side with “Black Hole,” and set closer “Sweet Darlin’.”

One of the great things about She and Him is their ability to cover someone else’s song in a way that makes it completely their own. I was disappointed they didn’t play their wonderful cover of the Beatles’ “I Should Have Known Better” but they did cover Smokey Robinson’s “You Really Got A Hold On Me” featuring great vocal give and take between Zooey and M. Ward. The encore consisted of a couple covers that finally allowed M. Ward to let loose vocally and on guitar. They covered the Sonny West tune “Rave On,” popularized by Buddy Holly. To close out the show M. Ward let loose with his best Chuck Berry impersonation as the band tore through “Roll Over Beethoven.” This inspired the audience to shimmy and shake in the aisles, ending the show on a high note.

The first annual City Arts Fest was over and I’d say it was a success. There’s a few things to iron out with the ticketing process and the biggest let down is the chronic overlapping of the musical acts. That being said the music lineup was one of the strongest I’ve seen for an inaugural festival and the additional art events and exhibits provided great opportunities to expand horizons and experience something new. I can’t wait to see what they’re planning for next year.

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