Show Review & Photos: Hanabie., Kim Dracula, and Kaonashi @ the Neptune Theater

Hanabie - Neptune Theater 2025-4-9 - Photo by Diane Webb

Hanabie. – photo by Diane Webb

Neptune Theatre, April 9, 2025 – In a night of relentless energy and genre-blurring sound, Japanese metalcore phenoms Hanabie. and Australian genre-bender Kim Dracula delivered an unforgettable co-headlining show to a sold-out Seattle crowd. Joining them was Philadelphia’s emotional hardcore outfit Kaonashi, setting the tone for an evening of chaotic brilliance.

The Neptune was buzzing before the first note rang out. Kaonashi opened the show, blending vulnerability and raw aggression with a mix of older material and their latest single, “When I Say,” which officially dropped worldwide just hours after their set. In a surprise twist midway through their performance, the band briefly exited the stage, only to return donning quirky costume accessories, jokingly announcing themselves as “Hanabie.” before launching into the final few songs. The crowd lapped up the playful energy.

Kim Dracula followed, though not from where fans expected. As the lights dimmed, a voice over the PA asked the crowd to part down the middle of the floor. Suddenly, Kim Dracula emerged from the back of the house, striding through the audience like a theatrical antihero en route to the stage. Fans erupted as the set kicked off.

Known for their unpredictable fusion of metal, trap, and theatrics, Kim Dracula did not disappoint. The set included hits such as “Paparazzi,” “Seventy Thorns,” “Drown,” and a fierce cover of Pearl Jam’s “Even Flow,” a fitting nod to Seattle’s grunge legacy. The mosh pit barely took a breath, fueled by an hour of sonic assault and spectacle.

Then came Hanabie., whose contrasting aesthetic, bright, colorful visuals and hyperenergetic choreography, created a euphoric end to the night. One by one, the members took the stage to greet fans, who responded with deafening cheers. The band wasted no time, launching into “O・TA・KU Lovely Densetsu” with unstoppable momentum.

Unlike Kim Dracula’s brooding atmosphere, Hanabie. lit up the stage, literally, with brilliant lighting and infectious energy. Their setlist was packed with fan-favorites, including “Bucchigiri Tokyo,” “Reiwa Dating Apps Generation” and “Drastic Nadeshiko.” High-flying jumps, precision instrumentation and nonstop crowd engagement turned the venue into a carnival of chaos and joy.

Seattle got more than a concert, it got a full-sensory experience. With the North American leg of the tour now wrapped, fans across the country will be talking about this triple-threat performance for months. If you missed it, don’t make the same mistake twice. Catch these genre-breaking artists next time they storm a stage near you.

Hanabie. Gallery

Kim Dracula Gallery

Kaonashi Gallery

Photos: IDER @ Madame Lou’s

IDER @ Madame Lou’s – 4/11/2025
Photos by Kirk Stauffer

British pop/rock duo IDER headlined at Madame Lou’s last week, the 2nd show of their 10-city Late To The World Tour.  Singer-songwriters Lily Somerville and Meg Markwick gave a powerful performance to an enthusiastic crowd that packed the venue.  The two harmonized beautifully while they alternated between guitar and keys, and were backed by drummer Max.  LA-based, identical twin sisters KTJ & CARLY opened.

IDER – Photos by Kirk Stauffer

KTJ & CARLY – Photos by Kirk Stauffer

Photos: SXSW 2025 – Day 6

SXSW 2025 Day 6 – A combination of official showcases and day party performances at the six-day SXSW music festival in Austin, Texas.
Photos by Kirk Stauffer

Baby Said @ Palm Door On Sixth

The Molotovs @ Palm Door On Sixth

La Cassandra @ Seven Grand

Black Polish @ Swan Dive

Joan & The Giants @ The Velveeta Room

Jessica Healey Band @ Jupiter Club

Gully Boys @ Empire Garage

Nikki Lane @ High Noon

Skating Polly @ Empire Garage

Photos: Rubblebucket at Neptune Theater

The art-pop band Rubblebucket performing on stage at the Neptune Theatre in Seattle, Washington. Vocalist Annakalmia Traver and trumpet player Alex Toth lead the ensemble as colorful stage lights illuminate their energetic performance.
The art-pop band Rubblebucket performing on stage at the Neptune Theatre in Seattle, Washington.

In a triumphant return to the stage, Brooklyn art-pop virtuosos Rubblebucket delivered a transcendent sonic odyssey at the Neptune Theatre, marking an electrifying renaissance after Annakalmia Traver and Alex Toth’s hiatus to pursue solo ventures and navigate personal health journeys.

The duo’s chemistry, a complex amalgam of brass-infused psychedelia and art-pop ingenuity, proved not only intact but seemingly fortified by their time apart. Traver’s unmistakable vocal acrobatics soared above Toth’s meticulously crafted horn arrangements, creating sonic textures that felt simultaneously familiar and boldly reinvented. In a scene that felt both cathartic and celebratory, the indie-dance polymaths Rubblebucket reclaimed their rightful place in the musical stratosphere at Seattle’s own Neptune Theatre.

Bob Mould & Craig Finn at the Neptune Theatre

Bob Mould & Craig Finn @ the Neptune – 4/7/25
Show Review & Photos by Mike Mitchell

Bob Mould – photo by Mike Mitchell

Alt rock icon and DIY hardcore stalwart Bob Mould played tunes from his new release, Here We Go Crazy, and selections from his sizable catalog (all the way back to 1984’s Zen Arcade) at the Neptune Theatre Monday evening with Craig Finn of the Hold Steady providing support. Mould’s most recent long player was released just over a month ago and is racking up glowing reviews and much acclaim from his ardent fan base.

Bob Mould – photos by Mike Mitchell

Mould was more than capably backed by Jason Narducy on bass and Jon Wurster on drums (who are also both featured on the new album). Wurster and Narducy were both at the Neptune a couple months back with actor/musician Michael Shannon performing REM’s Fables of the Reconstruction.

Bob Mould – photos by Mike Mitchell

Monday evening’s headlining set started strong with ‘Star Machine’ and ‘The Descent’, both from 2012’s Silver Age, before tucking into selections from the new album. Mould stuck primarily to material from his most recent releases before tossing in a couple songs from his halcyon days with fondly remembered and much venerated Minneapolis trio Husker Du (‘Celebrated Summer’, ‘Flip Your Wig’). This longtime Bob Mould devotee particular enjoyed a few of the more agro numbers that landed toward the end of the set, ‘American Crises’ and ‘Siberian Butterfly’. As always, Mould’s guitar playing was a thing of wonder. What at first may appear to the uninitiated as a formless squall of feedback eventually resolves to reveal moments of shimmering melody and beauty (albeit an exceptionally loud and sometimes challenging beauty). I’ve been seeing Bob Mould play live for close to 45 years and to say that he hasn’t lost a step would be to state the obvious. His dedication to his art, not to mention his longevity, is truly inspiring. The final section of Monday night’s performance was a gracious and enervating nod to all things Husker Du. In rapid succession, Mould, Narducy, and Wurster tore through ‘Hate Paper Doll, ‘Something I Learned Today’, ‘Love Is All Around’ (aka The Mary Tyler Moore Show theme song), and ‘Makes No Sense At All’.

Bob Mould – photos by Mike Mitchell

The show was opened by Craig Finn, lead singer and songwriter of the Hold Steady. Finn delivered a set of tunes all mined from his excellent new album, Always Been. The quiet, confessional tone of performance was a fitting and lovely contrast to the heavy and hard rocking headlining set that was soon to follow.

Craig Finn – photos by Mike Mitchell