Show Review & Photos: Still Corners & Ruby Haunt @ the Sunset

Still Corners & Ruby Haunt @ the Sunset – 11/5/18
Show Review & Photos by Lisa Hagen Glynn

Still Corners played a sold-out early show at The Sunset in Ballard. With many fans still seeking tickets online, the London-based dream-pop group could have filled a larger venue, but the low stage and cozy room offered a more personal experience.

Tessa Murray of Still Corners

Still Corners was co-founded by keyboardist–vocalist Tessa Murray and guitarist–producer Greg Hughes, who were joined on tour by drummer Josh Halpern. Murray’s whispered vocals combined beautifully with Hughes’ wailing, reverb-heavy guitar riffs—all set atop persistent drums, dancing arpeggios, and emotional swells. Behind the band were colorful psychedelic projections and a blue-lit disco ball.

The set included several tunes from Still Corners’ August 2018 release, Slow Air, along with earlier favorites such as “Fireflies” and “Beginning to Blue.” They closed with an intense and hair-flinging version of “The Trip,” before quickly reappearing for a two-tune encore. Murray returned afterward to greet a queue of fans and sign CDs.

Los Angeles-based trio Ruby Haunt opened with an introspective dream-pop set that included tunes from their 2018 album Blue Hour. Collaborators Wyatt Ininns and Victor Pakpour were joined by a bassist. They joked of the 7:30 p.m. start time that, “We’ll all get to bed on time tonight.”

Still Corners
Ruby Haunt

Show Review & Photos: Interpol @ the Moore

Interpol @ the Moore, – 2/2/19
Show Review & Photos by Dagmar

Interpol’s Paul Banks

I could easily just say I love Interpol, and leave it at that, as if that’s the highest praise I could give. It kind of is. But I really do love Interpol, and was thrilled by their performance earlier this month at the Moore. In fact, especially during “Take You on a Cruise,” I was completely smiling. I don’t know, that’s probably not too cool at an Interpol show. 

Daniel Kessler

Interpol’s songs consistently set an ethereal mood, and the privacy of some of their best songs performed live became something else: a chilling (as in, hey, I think we’ve all got goosebumps and it’s awesome) experience. Many songs from their first two albums, Turn On the Bright Lights and Antics popped up eagerly waiting on the setlist. “Say Hello to the Angels,”  “C’mere,” “Evil” “Not Even Jail” were all glorious. Maybe even more so was the band’s performance of “Take You on a Cruise,” with singer Paul Banks’ perfect intonations. His voice was utterly moving.

Sam Fogarino

Guitarist Daniel Kessler has a graceful guitar style, and he’s got an incredible, wild performance you don’t always expect would match his chic suits. But it’s not jarring. Drummer Sam Fogarino is like an athlete. While Paul Banks played bass on the group’s most recent albums, Brad Truax’s been playing bass live. And the bass lines in Interpol are always very, very important. 

Other fantastic tracks from Turn On the Bright Lights were “Roland” and ” “Obstacle 1,” which point again how perfect an album that is. The trio just released its sixth album, the strong Marauder, last summer, and “Flight of Fancy,” “If You Really Love Nothing” and “Number 10” live especially proved Interpol is, and always will be, one of the great bands. All that greatness got some extra stage mood with massive lasers and warm red lights – at one point a whole row of them was behind the band – making everything look so. . . Interpol.

Interpol

Setlist:

Pioneer to the Falls – Our Love To Admire
C’mere – Antics
If You Really Love Nothing – Marauder
Public Pervert – Antics
Roland – Turn On the Bright Lights
Complications – Marauder
Say Hello to the Angels – Turn On the Bright Lights
NYC – Turn On the Bright Lights
Take You on a Cruise – Antics
Flight of Fancy – Marauder
The Rover – Marauder
The New – Turn On the Bright Lights
Number 10 – Marauder
Slow Hands – Antics
All the Rage Back Home – El Pintor
Rest My Chemistry – Our Love to Admire

Encore:

Not Even Jail – Antics
Evil – Antics
Obstacle 1 – Turn On the Bright Lights

Show Review & Photos: First Aid Kit & Julia Jacklin @ the Paramount

First Aid Kit & Julia Jacklin @ the Paramount Theatre – 10/1/2018
Show Review by Lisa Hagen Glynn
Photos by Lisa Hagen Glynn & Kirk Stauffer

Photo by Kirk Stauffer

First Aid Kit played their second sold-out Seattle show of 2018, this time at the Paramount Theatre. Swedish sisters Klara and Johanna Söderberg had performed first at the Moore Theater in January. Their tours have supported two recent releases, Ruins andTender Offerings.

The Söderbergs’ folk-inspired harmonies soared above a talented band of drums, pedal steel guitar, keys, and a bit of trombone. Tour videos, old family photos, and celestial visuals danced in the background. Highlights included their early hit “The Lion’s Roar,” “Emmylou” performed as an audience sing-along, and a passionate and timely stand against rape culture with “You Are the Problem.” First Aid Kit brought up Australian vocalist–guitarist Julia Jacklin to “be our Dolly [Parton]” for a trio version of Neil Young’s “After the Gold Rush.”

Jacklin began the evening with a short-but-sweet solo set. This was also her second show in Seattle this year, opening for Calexico at the Neptune Theatre in June


Photos by Lisa Hagen Glynn
Photos by Kirk Stauffer