Show Review: Kacey Musgraves w/ Soccer Mommy @ the Paramount

Kacey Musgraves w/ Soccer Mommy @ the Paramount – 2/9/19
Show Review by Lisa Hagen Glynn
Memory Lane Series, part 80

It’s easy to understand why Kacey Musgraves won four Grammys. In a sold-out show at Seattle’s Paramount Theatre, Musgraves stepped onto the stage and belted out “Born in a hurry/always late/haven’t been early since ‘88” to abundant applause.

As a country artist, Nashville-based Musgraves is unconventional. Her lyrics skirt the usual tropes and add themes of female sexuality, drug use, and LGBTQ inclusivity. She appeals to both the traditional country market and liberal cities like Seattle. This universality was evident as she introduced “Merry-Go-Round”: “Even though it was inspired by where I’m from, it’s probably about where you’re from, too.” The audience sang the final chorus while she played acoustic guitar.

Musgraves’ instrumentation and style are predominantly country, but the banjo and pedal steel are infused with pop sections and disco beats. Musgraves joked between tunes, and replaced the chorus of “Golden Hour” with “golden shower” to raucous laughter. There was even a wedding proposal in the front row between fans Taylor and Dylan—which Musgraves noted could have been awkward if the now-fiancée had declined.

The show was visually striking as well. Three colorful lighted fan props stood tall in the background. Musgraves wore a sparkling white shirt with flowing pants, gold platforms, large gold hoops, and long brown hair, and her six-piece band stood behind her in matching grey country suits.

Musgraves played a 20-song set, with highlights that included recent hits “Follow Your Arrow,” “Butterflies,” “Velvet Elvis,” “Space Cowboy,” and “Rainbow,” and the *NSYNC cover “Tearin’ Up My Heart” with the opening artist returning to provide accompaniment and a coordinated dance routine. Musgraves’ “Oh, What a World” tour supports Golden Hour, which won Album of the Year. As an intro to “Velvet Elvis,” Musgraves led a “When I say ‘yee,’ you say ‘haw’” call-and-response that later went hilariously wrong at Coachella in April 2019.

Soccer Mommy, also of Nashville, opened with a 40-minute set that was well-received even if somewhat unfamiliar: “There are 10 of you [fans], but you’re loud,” said singer–guitarist Sophie Allison. The 21-year-old lofi pop-rock artist was joined by guitarist Julian Powell, bassist Graeme Goetz, drummer Ryan Elwell, and keyboardist–guitarist Rodrigo Avendano. Their debut album Clean has already been critically acclaimed, and this tour spot is likely to be career-launching. Allison proclaimed that Musgraves’ latest album was, “amazing…it’s album of the year, literally!”

Photos: The Psychedelic Furs, James & Dear Boy @ Showbox SoDo

The Psychedelic Furs, James & Dear Boy @ Showbox Sodo – 7/30/19
Photos by Alex Crick

The Psychedelic FursRichard Butler

This is a spectacular lineup: British bands The Psychedelic Furs, James, and Los Angeles’ Dear Boy. Including brothers Richard and Tim Butler, The Psychedelic Furs are, perhaps simply put, one of the most exquisite Brit bands ever. Same goes for James. Will Dear Boy follow in their American way? Bless photographer Alex Crick for coming back from this show with these spectacular shots.

Tim Booth of James
The Psychedelic Furs – all photos by Alex Crick
James – all photos by Alex Crick
Dear Boy – all photos by Alex Crick

Show Review & Photos: Neko Case w/Destroyer @ the Paramount

Neko Case w/ Destroyer @ Paramount Theatre – 11/29/2018
Show Review & Photos by Lisa Hagen Glynn
Memory Lane Series, part 78

Neko Case – photo by Lisa Hagen Glynn

Singer–songwriter Neko Case received an (almost-)hometown welcome with a sold-out show at Seattle’s Paramount Theatre on November 29, 2018. The Tacoma native belted out a terrific 22-song set that included most of her latest album, Hell-On, along with several older favorites.

Case was joined onstage by six long-time colleagues from her other bands—which she admitted was “nepotistic as fuck.” Together they kept a guitar tech constantly busy, and rotated through an alt-country assortment of pedal steel, banjo, keys, drums, bass, auxiliary percussion, and vocals.

The group shared some hilarious banter, including an extended discussion of whether Knickers the giant “cow” is real or software-manipulated, a tutorial on bulls versus steers, and an R-rated bit about razor-sharp octopus beaks. For the final encore tune, “This Tornado Loves You,” Case thanked the crowd and invited them to stand and sing along.

Opening was solo singer–guitarist Destroyer, AKA Dan Bejar.

Neko Case – photo by Lisa Hagen Glynn
Destroyer – photo by Lisa Hagen Glynn
Neko Case – all photos by Lisa Hagen Glynn

Set List:

Pitch or Honey
Last Lion of Albion
Deep Red Bells
Winnie
Maybe Sparrow
Margaret vs. Pauline
Calling Cards
Bad Luck
Curse of the I-5 Corridor
Gumball Blue
Oracle of the Maritimes
Hex
Look for Me (I’ll Be Around)
Halls of Sarah
Dirty Diamond
Hold On, Hold On
Man
——
Hell-On
The Pharaohs
Lorretta
Ragtime
This Tornado Loves You

Maybe Sparrow