W.A.S.P. & @ KK’s Priest @ the Moore – 10/25/26
Show Review & Photos by Kirsten Buckman

W.A.S.P.‘s Blackie Lawless – photo by Kirsten Buckman

A NIGHT OF HEAVY METAL HISTORY AT THE MOORE THEATRE

What better way to spend October’s full moon than a W.A.S.P. concert, opened by KK’s Priest, at the haunted Moore Theatre? Fans lined up around the block to get in, already setting the tone for a stellar night.

Opening the evening was KK’s Priest, led by legendary Judas Priest guitarist K.K. Downing and powerhouse vocalist Tim “Ripper” Owens. Taking on material from Judas Priest’s enormous catalog is no small undertaking, but Owens proved more than capable. K.K. Downing played in his usual energetic style, a dream for longtime Priest fans. “You’ve Got Another Thing Comin’,” “Breaking the Law,” “Living After Midnight,” blended well with their own material, including “Raise Your Fists.” The audience was on their feet the whole time.

K.K. Downing of KK’s Priest – photo by Kirsten Buckman

When it comes to theatrical heavy metal, few bands have created an identity like W.A.S.P, The band’s 1984 to Headless tour promised a journey through its first four studio albums, and the Seattle performance delivered a substantial collection of songs from those formative years.

The stage production immediately established the atmosphere. Album-inspired flags, industrial-looking scenery, chains, skulls, and a dark, theatrical setting created a world that felt straight out of W.A.S.P.’s early visual identity. It was dramatic, unapologetic, and perfectly suited to the music.

Blackie Lawless remained the focal point, commanding the stage with his presence and his famous Elvis mic stand, which he climbs at the end of the show.

“Mr. Cool,” a song he wrote and sold at 18, and can finally now perform himself, was a shared triumphant moment. “On Your Knees,” “L.O.V.E. Machine ” and “Blind in Texas” were among the many fan favorites they played. Aside from a short intermission, the audience was on their feet throughout.

“The Headless Children” and the accompanying visual presentation brought the song’s darker historical and political themes into focus, giving the performance an added dimension beyond the music itself.

“Golgotha” offered a moment of reflection and passionate emotion, adding to the theatrical storytelling vibe of the evening. It was an impressive selection that showcased their range and depth. The theatrical presentation, controversial imagery, attitude, and unmistakable musical identity have always been part of the package. Audiences will find themselves just enough outside the comfort zone to think and feel something while they rock out.

W.A.S.P. – all photos by Kirsten Buckman

KK’s Priest – all photos by Kirsten Buckman